Mikhail iampolski (22 risultati)

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Paperback. Condizione: New. The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In "The Memory of Tiresias", Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies'. These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Bunuel, he presents different strategies of intertextual reading in their work.His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.…

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Paperback or Softback. Condizione: New. Memory of Tiresias: Intertextuality and Film. Book.

Komar & Melamid : A Lesson in History
Tulovsky, Julia (EDT); Storr, Robert (CON); Iampolski, Mikhail (CON); Gurshtein, Ksenia (CON); Erofeev, Andrei (CON)
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Softcover/Paperback. 326 S. Kanten etw. bestoßen, Buchschnitt etw. bestaubt // POP ARTS CULTURE PERFORMING FILM & VIDEO HISTORY CRITICISM N05 9780520085305 *.* Sprache: Englisch Gewicht in Gramm: 570.

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Paperback. Condizione: Brand New. 285 pages. 9.00x6.25x1.00 inches. In Stock.

Komar & Melamid : A Lesson in History
Tulovsky, Julia (EDT); Storr, Robert (CON); Iampolski, Mikhail (CON); Gurshtein, Ksenia (CON); Erofeev, Andrei (CON)
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Paperback. Condizione: New. The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In "The Memory of Tiresias", Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies'. These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Bunuel, he presents different strategies of intertextual reading in their work.His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.…

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Da: moluna, Greven, Germaniamoluna
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Condizione: New. Develops a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, this book defines cinema as a chain of transparent, mimetic fragments intermixed with quotations. It is of interest to film historians and th.

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Taschenbuch. Condizione: Neu. Neuware - The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality.Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls 'textual anomalies.' These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed.Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.…
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Aggiungi al carrelloCondizione: New.

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PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.