mildred constantine egbert jacobson (4 risultati)

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. First Edition. 4to. - over 9¾ in. - 12 in. Hardcover with dust jacket. Light shelfwear yet boards clean, tight binding, interior text clean. Dust jacket lightly worn along edges, chipping to upper spine end, a couple closed tears top rear edge, fading to spine. Near Fine copy in Good dust jacket.

HARDCOVER. Condizione: VERY GOOD. Condizione sovraccoperta: GOOD. SOME WEAR TO THER OUTSIDE~AN EXTREMELY CLEAN AND BRIGHT UNMARKED COPY OF THIS BOOK.

Hardcover. Condizione: In quite good condition. Condizione sovraccoperta: No Dust Jacket. First Edition. Royal octavo, [25cm/10inches], full gilt-embossed ebony cloth, sans dust jacket, pp. 211. Illustrated with b-w halftones, &tc. Please feel free to ask for particulars and/or additional photographs. . Mildred Constantine Bettelheim was an American curator who helped bring attention to the posters and other graphic design in the collection of the Museum of Modern Art in the 1950s and 1960s. She worked for the College Art Association from 1931 to 1937 as an editorial assistant on the journal Parnassus. She met Rene d'Harnoncourt, her future boss as director of the Museum of Modern Art, while she was working in Washington, D.C., at the Office of the Coordinator of Inter-American Affairs. She also traveled to Mexico, in 1936, as part of the leftist Committee Against War and Fascism, where she developed an interest in Latin and Central American political graphics. A Latin American poster collection she organized was shown at the Library of Congress and later became part of the Metropolitan Museum of Art's permanent collection.

Hardcover. Condizione: Very Good Minus. Condizione sovraccoperta: Very Good Minus. First Edition. cloth, hardcover in dust jacket., used appearance to exterior, rubbing, a chip, several creases, dj spine sunned, textblock edges dulled, and yet it is all here and fully usable. no ownership or text markings. not bumped. solid, sturdy binding.; 212pp., illustrated throughout in b/w. a thoughtful examination of the proliferation of all outdoor signs, commercial or otherwise. Size: 4to - over 9¾" - 12" tall.