miller arthur playwright (11 risultati)

Booklet - Unbound Pages. Condizione: Very Good. 12 pages, with UK and US list of books. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 14 x 21 cms. Category: Book & Magazine Collector; All Under £15; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardcover. Condizione: Fine. No Jacket. 1st Edition, Special Edition. SHEPARDSON BOOKSTALL, OVER 20 YEARS OF EXCELLENCE. No Jacket as Issued. Limited Signed 1st Edition. A handsome, heavy, decorative red leather book of the autobiography of great American playwright, Arthur Miller. Eight full pages, front and back, of never before seen photos of him and Mrs. Miller, Marilyn Monroe. An authentic signature in a beautiful volume with marbled endpapers, gold gilt on all three sides, and red silk bookmark. BEAUTIFUL. Signed by Author(s).

Vintage borderless photograph of director Franco Zeffirelli on the set of the 1965 Italian production of Arthur Miller's 1964 play. With two printed mimeo snipes affixed to the verso, along with an agency stamp. From the archive of the PIX Agency, a photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. Miller's play premiered on Broadway at the ANTA Washington Square Theatre on January 23, 1964 and ran for a successful 208 performances, although not without facing a fair amount of criticism for its thinly veiled, cynical portrayal of Marilyn Monroe, from whom Miller had recently been divorced. The play toured Europe in 1965, and was staged at the Teatro Eliseo in Rome in December 1965, under Zeffirelli's direction. Set in WHERE, shot on location in WHERE. 8 x 10 inches. CONDITION.

Draft script for the 1980 play. Copy belonging to actress Tresa Hughes, with her annotations throughout. Adapted by Arthur Miller from Studs Terkel's 1970 book "Hard Times: An Oral History of the Great Depression," a firsthand account of the Great Depression by Americans of varying socioeconomic status. The play ran for 11 previews and 12 performances between November 11 and November 30, 1980, at the Biltmore Theatre on Broadway. Hughes was nominated for a Tony Award for Best Actress for her role in the 1961 production of "The Devil's Advocate." Blue titled Studio Duplicating Service wrappers, with credit for playwright Arthur Miller on the front wrapper. Title page present, with credits for playwright Miller and novelist Terkel. 111 leaves, with last page of text numbered 102. Mimeograph duplication, rectos only, with undated xerographically duplicated revision pages throughout. Pages Near Fine, wrapper Very Good plus, bound with two gold screw brads.

Original typescript screenplay for an unproduced film called "After the Fall," based on Arthur Miller's 1964 play about a Jewish intellectual living in New York. Miller's play opened on Broadway in 1964, at the ANTA Washington Square Theatre, ran for 208 performances, and closed on May 29, 1965. A television movie of the play was released in 1974, but Mann appears to have not been involved in the project. Abby Mann (1927-2008) wrote screenplays for "Judgment at Nuremberg" (1961), earning him an Academy Award, "A Child Is Waiting" (1963), "Ship of Fools" (1965), "The Detective" (1968), "Report to the Commissioner" (1975), and "War and Love (1985). His work also extended into television, for series like "Medical Story" (1975-1976) and "Kojak" (1973-1978), a show he helped create, and several "Kojak" television movies. Black wrappers. Title page present, undated, with credits for playwright Miller and screenwriter Mann. 195 leaves, with last page of text numbered 194. Typescript on white stock. Pages and wrapper Near Fine, bound in a black spring binder.

Small 8vo. 1 p. The reverse bears the signature of Josef Schwarzenberg, dated the same day.

104 x 149 mm. Arthur Miller and John Huston during the shooting of "The Misfits".

Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller, theater director Peter Brook, and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph," "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso. "A View from the Bridge" debuted as a one-act play on Broadway on September 9, 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts (the version with which audiences are most familiar), and had its premiere at the New Watergate theatre in London's West End on October 11, 1956, running through April 20, 1957. Under the direction of Peter Brook, the cast included Richard Harris, Anthony Quayle, Megs Jenkins, Mary Ure, Brian Bedford, Ian Bannen and Michael Gwynne. 8 x 10 inches. Very Good plus, some faint creasing, some crop marking in white ink and faint outlining of the figures on the recto.

Five vintage oversize borderless photographs, taken during the original 1949-1950 Broadway production of Arthur Miller's 1949 play. All photographs bear catalog stamps and credit stamps of noted photographer W. Eugene Smith on the versos. The production made its debut on February 10, 1949, at the Morosco Theatre, and ran for 742 performances, closing on November 18, 1950. Winner of the Tony Awards for Best Play, Best Supporting Actor, Best Author, and Best Director, as well as the 1949 Pulitzer Prize for Drama. The play has since been revived on Broadway five times, in 1975, 1984, 1999, 2012, and 2022, and has been adapted for the screen ten times, including the Academy Award-nominated 1951 film directed by Laslo Benedik, starring Fredric March and Mildred Dunnock. Described by critic Sean O'Hagan in a 2017 article in "The Guardian" as "perhaps the single most important American photographer in the development of the editorial photo essay," W. Eugene Smith's innovation, integrity, and technical mastery made his work the standard by which photojournalism is measured. The W. Eugene Smith Memorial Fund was established in 1979, a year after his death, to promote and support photographers whose work explores matters of global importance for humanitarian purposes. 10.5 x 12.25 inches to 10.5 x 13.5 inches. About Near Fine, with light edgewear, and two with small vertical creases to the bottom right corner.

Small archive of material relating to the 1945 radio play, including the original play script, a Theatre Guild contract signed by Arthur Miller, and an original program for the live performance. "The Guardsman" was adapted by Arthur Miller from Ferenc Molnár's 1912 play "A Testõr." The play aired on the radio on September 30, 1945, and was one of Miller's earliest efforts, produced four years before the debut of Miller's classic "Death of a Salesman." Included with the script are two contracts: one between the Guild and Miller, signed by Miller and dated September 5, 1945, and one between the Guild and royalty holder Hans Bartsch, signed by Bartsch and dated August 30, 1945. Additionally included with the script is an original program given to the studio audience for the radio performance, dated September 30, 1945. The 1924 Theatre Guild stage production of "The Guardsman" marked the first time legendary duo Alfred Lunt and Lynn Fontanne would appear onstage together for the Guild. The Guild billed this radio performance, nearly two decades later, as something of an encore by the acting team. The Theatre Guild first experimented with radio theatre in "Theatre Guild Dramas," a short-lived CBS Radio series that ran from 1943 to 1944. In 1945 the department created "Theatre Guild on the Air," an anthology series that quickly rose in popularity, soon gaining sponsorship by the US Steel Corporation. The series was broadcast until June of 1953, when it was moved to television. Script: Title page present, dated September 30, 1945, with credits for Miller, Molnar, Lunt, and Fontanne. 73 leaves, with last page of text numbered 71. Mimeograph duplication, rectos only. Pages Very Good plus, with title page detached from the binding, and a short closed tear on the bottom edge, partially bound with a single staple on the top left corner. Program: 6.75 x 9 inches. Four pages, folded twice. Near Fine. Contracts: 8.5 x 11 inches. Near Fine. Housed in a black three-ring binder. Signed.

Pas de couverture. Condizione: Bon. Rare - Authentic signed card. [Paris, November 2002]. A magazine photo is pasted to the card. + Envelope. + Photo 20x15 cm (recent print). Size : 20x12.5 cm Condition : please see scans. Provenance : Gérard Leman collection. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.