mobilio albert (30 risultati)

paperback. Condizione: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages. paperback.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New.

Paperback or Softback. Condizione: New. Readings Against Type. Book.

paperback. Condizione: Very Good. Very Good. Gently used with no markings in text. Binding is tight.

Condizione: Used: Like New. Softcover poetry book. Cover image by Philip Guston. No marks or writing in book. Covers faintly rubbed; otherwise very Fine.

Paperback. Condizione: New.

Softcover. Condizione: Very Good+. Presumed first printing, trade paperback, inscribed by Mobilio ("City Lights 2001") on the half title page, the book has slight bumps to the spine ends and corners, subtle rubbing to the covers, some effaced sellers' marks to the head of the half title page, and an address penned to the last page. Overall, this is a solid, tight, Very Good+ copy.

Paperback. Condizione: Brand New. 224 pages. 8.00x5.00x0.75 inches. In Stock.

Paperback. Condizione: Brand New. 224 pages. 8.00x5.00x0.75 inches. In Stock.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. Signed "To ________, Roger Andersson" on title page. Large square board book, an oversized alphabet, featuring Andersson's two-tone watercolors and Mobilio's verses. This copy is clean, fresh, gift quality. No jacket, as issued.

Condizione: New.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. 1st edition. Near Fine. 8vo, [vi]+218pp, printed wrappers. Scarce sixteenth issue of this cultural magazine edited by Nathaniel Mackey. Includes work by a range of important contributors (some on jazz themes). Unmarked copy from the collection of Clarence Major, just about as new. Not Signed.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: Clean & Unmarked. Condizione sovraccoperta: Very Good. A very clean and straight copy in lightly worn dust jacket. 149 pp.

Paperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: New. Print on Demand.

Condizione: New. Print on Demand.

Condizione: New. PRINT ON DEMAND.

Hardcover. Condizione: Fine. Lorenz, Hilary (illustratore). Limited Edition. No. 7 of 40 copies of the deluxe edition (total edition 100), elephant folio size, 40 pp., signed by Albert Mobilio and Hilary Lorenz. "The Handbook of Phrenology" is a collaboration between artist Hilary Lorenz, an artist and printmaker whose work has been exhibited throughout the United States, Europe and Asia and the co-founder of the Dolphin Press, and writer Albert Mobilio, a poet and literary critic, whose work has appeared in The Village Voice, Harper's, Fortune, and The New York Times Book Review (n. b., artist bios from the book). The book is a collection of five prose fiction pieces that revolved around the nineteenth-century science of phrenology or "the reading of one's head shape to determine personality" (n. b., from website of Hilary Lorenz), and is a provocative examination of what is now recognised as a pseudoscience. ___DESCRIPTION: Full black Japanese Asahi cloth, gilt vignette and lettering on the front board, hand-marbled paste-down endpapers, hand-sewn binding, six etchings interspersed throughout the text, both etchings and text printed on the rectos only; Dante monotype on Rives Heavyweight, elephant folio in size (16" by 13.5"), unpaginated with 20 leaves (excluding front and back blank leaves), per the colophon page, a limited edition of 100 copies, this being number 7 (per the web site for Hilary Lorenz, numbers 10-100 were for sale), signed by Albert Mobilio and Hilary Lorenz on the colophon. The slipcase is covered in matching cloth, gilt vignette and lettering on the front which mirrors the book, lined with maroon paper. With a sheet with a description of the book, serving as the prospectus, one sheet printed on one side. ___CONDITION: Volume is fine, with a strong, square text block, solid hinges, perfectly straight corners with no rubbing, the interior is clean and bright, and it is entirely free of prior owner markings - crisp, as new. Slipcase is also fine, strong and sturdy, clean, without wear. The prospectus sheet is near fine, clean, with very light toning to the edges and light wear to the corners, else fine. ___POSTAGE: Please note that this is an oversize book, and additional postage may apply as the standard does not always cover costs; please contact us for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Paperback. Condizione: new. Paperback. I think of Albert Mobilio as a flaneur of culture. To follow the path of his criticism down alleyways and boulevards is to be immersed in the sights, sounds, and feel of literature and art. I've long been in awe of the breadth of his interests and the depth of his empathetic imagination, and this collection, a series of amiable detours ranging from road atlases to asemic writing to the art of list making, doesn't disappoint. His language, too, is a marvel-tactile, dazzling, and ripe, like fruit at the peak of summer. -Nicole Rudick, What Is Now Known Was Once Only Imagined: An (Auto)biography of Niki de Saint Phalle Each piece in this book distills intently focused fascination, whether with maps, magic, cemeteries, aerial surveillance, collages of found objects, or how cities and landscapes change over time. Wherever he directs his gaze Albert Mobilio teases out unexpected perspectives, by turns playful or macabre or ironic or sublime. Tiny objects or odd hobbies may be tokens of cataclysm or prescient intuition. Glimpses discerned in a snapshot or a stretch of desert engender metaphors that blossom into narratives. A word-centered artwork by Ed Ruscha evokes "a bathroom graffito on a doomed U-boat," a falcon traces "the inseam of the void." Among the places on a West Virginia road map Mobilio finds "incantatory music" and in the argot of Mafia wiretaps "a poetry of the oblique." In the lives and works of artists (Harry Smith, Weegee, Frederic Bruly Bouabre, Vivian Maier, and many others) he is alert to endlessly suggestive processes, and from what might seem random detritus (lists, manuals, hoarded mementos) he elicits hidden histories whose implications spread out in all directions. Readings Against Type is like a steamer trunk overflowing with the evidence of many lives and many places: at once memoir and urban chronicle and meditation on art, and, not least, acknowledgment of how mysteriously all its elements interconnect. -Geoffrey O'Brien, Arabian Nights of 1934 In Readings Against Type Albert Mobilio maps cultural curiosities like few others. Whether making sense of Gertrude Stein's sentences, reading travel guides and how-to books as literature, musing on a museum devoted to one man, or glossing photographs of men's footwear on city sidewalks, his sharp prose illuminates cultural artifacts that favor odd angles of approach. Read these pocket-size pieces of the planet for a keener sense of where we've been-and where we might be headed. -Louis Bury, Exercises in Criticism This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I think of Albert Mobilio as a fläneur of culture. To follow the path of his criticism down alleyways and boulevards is to be immersed in the sights, sounds, and feel of literature and art. I've long been in awe of the breadth of his interests and the depth of his empathetic imagination, and this collection, a series of amiable detours ranging from road atlases to asemic writing to the art of list making, doesn't disappoint. His language, too, is a marvel-tactile, dazzling, and ripe, like fruit at the peak of summer. -Nicole Rudick, What Is Now Known Was OnceOnly Imagined: An (Auto)biography of Niki de Saint PhalleEach piece in this book distills intently focused fascination, whether with maps, magic, cemeteries, aerial surveillance, collages of found objects, or how cities and landscapes change over time. Wherever he directs his gaze Albert Mobilio teases out unexpected perspectives, by turns playful or macabre or ironic or sublime. Tiny objects or odd hobbies may be tokens of cataclysm or prescient intuition. Glimpses discerned in a snapshot or a stretch of desert engender metaphors that blossom into narratives. A word-centered artwork by Ed Ruscha evokes 'a bathroom graffito on a doomed U-boat,' a falcon traces 'the inseam of the void.' Among the places on a West Virginia road map Mobilio finds 'incantatory music' and in the argot of Mafia wiretaps 'a poetry of the oblique.' In the lives and works of artists (Harry Smith, Weegee, Fre¿de¿ric Bruly Bouabre¿, Vivian Maier, and many others) he is alert to endlessly suggestive processes, and from what might seem random detritus (lists, manuals, hoarded mementos) he elicits hidden histories whose implications spread out in all directions. Readings Against Type is like a steamer trunk overflowing with the evidence of many lives and many places: at once memoir and urban chronicle and meditation on art, and, not least, acknowledgment of how mysteriously all its elements interconnect. -Geoffrey O'Brien, Arabian Nights of 1934In Readings Against Type Albert Mobilio maps cultural curiosities like few others. Whether making sense of Gertrude Stein's sentences, reading travel guides and how-to books as literature, musing on a museum devoted to one man, or glossing photographs of men's footwear on city sidewalks, his sharp prose illuminates cultural artifacts that favor odd angles of approach. Read these pocket-size pieces of the planet for a keener sense of where we've been-and where we might be headed. -Louis Bury, Exercises in Criticism.

Taschenbuch. Condizione: Neu. Readings Against Type | Albert` Mobilio | Taschenbuch | Englisch | 2025 | MadHat, Inc. | EAN 9781968422011 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.