Moilanen irene (4 risultati)

Paperback. Condizione: New. no dj. This overview presents the traditional art of wood carving and use of wood in building in Burma from a historical perspective. In the early Burmese context the wood carvers' art was honed for religious purposes: to create sculptures to venerate the Buddha. These and other woodcarving motifs of decorative and legendary nature evolved but maintained continuity to the present time despite loss in the 1300-1700 era due to disruptive events in the country. The numerous illustrations of this art also show the colonial influences and recent adaptations to the tourist souvenir market, a potential threat to maintaining traditional wood-carving skills. These are described in detail, including materials and techniques, accompanied with illustrations. The use of wood in buildings also has its traditions in form and beliefs and a basis in functional use and mobility: a basic room is replicated and adapted in the specific contexts of dwelling, monastery, and palace. All these designs are illustrated with floor plans and photographs. Again, in architecture modern design requirements, materials, urbanization and utility challenge the preservation of traditional methods and forms, many of which may well be more suited for local use. Book.…

Soft Cover. Condizione: Very Good. Text in English. 156 pp. Moderate rubbing and some edge wear to the covers. The study examines the surviving woodcarving tradition in Myanmar. Myanmar is a devoutly Buddhist country in South-East Asia following the Theravada school. Wooden architecture and sculpture are ancient skills closely connected with the religion. During the end of the nineteenth century the traditional Myanmar society faced a change, in the form of foreign rule of the kingdom. When the support for religion and traditional arts from the generous kings of Myanmar ended with the annexation of the country to the British India in 1886, artists, craftsmen, actors, puppeteers, musicians, Buddhist scholars and other professionals who had been directly dependent on the traditional order of values had to find new reasons to continue their work.…

178 pp.; 169 illustrations, glossary, bibliography. Bangkok, 1999. Pbk. KEYWORDS: 011 Mainland SE Asia: General books.

Soft cover. Condizione: Fine. 1st Edition. vi, 178 pages : illustrations (some colour) ; 31 cm. This overview presents the traditional art of wood carving and use of wood in building in Burma from a historical perspective. In the early Burmese context the wood carvers' art was honed for religious purposes: to create sculptures to venerate the Buddha. These and other woodcarving motifs of decorative and legendary nature evolved but maintained continuity to the present time despite loss in the 1300-1700 era due to disruptive events in the country. The numerous illustrations of this art also show the colonial influences and recent adaptations to the tourist souvenir market, a potential threat to maintaining traditional wood-carving skills. These are described in detail, including materials and techniques, accompanied with illustrations. The use of wood in buildings also has its traditions in form and beliefs and a basis in functional use and mobility: a basic room is replicated and adapted in the specific contexts of dwelling, monastery, and palace. All these designs are illustrated with floor plans and photographs. Again, in architecture modern design requirements, materials, urbanization and utility challenge the preservation of traditional methods and forms, many of which may well be more suited for local use.…