Editore: Armand Hammer Foundation, 1982
Da: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
paperback. Condizione: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .
Editore: Fogg Art Museum
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Editore: Harvard College, 1968
Da: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Softcover. Condizione: Very Good-. Covers have a few slight spots of staining.
Editore: Armand Hammer Foundation
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Used copy with light weawr.
Editore: Armand Hammer Foundation, Los Angeles, 1982
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Paperback. Condizione: Near Fine. 290 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition organized by the Los Angeles County Museum of Art in 1979 and subsequently shown in numerous other cities. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Size: 4to. Collectible.
Editore: Armand Hammer Foundation 1982, 1982
Da: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Prima edizione
First 4to, stiff pictorial wrappers. 290 pp, 189 illustrations (32 in color), bibliography. Although Hammer's appreciation of Daumier (with whom he identified, we are told, because of the artist's deep compassion for the human condition) was apparently genuine, his acquisition of the collection (or at least the bulk of it which came from George Longstreet) was done in a typically underhanded manner. As a trustee of the L.A. County Museum of Art, he convinced the board to let him buy the collection, consisting of more than 6,000 prints, drawings, paintings and sculpture, from Longstreet for a quarter of a million, with the (verbal) assurance that he would subsequently donate it to the museum. (Longstreet had offered to sell it directly to the museum for that amount.) Assuming that the offer of donation was not an outright lie (a dangerous assumption, considering its source), it was clearly intended as a tax dodge. But Hammer soon decided decided to keep the works in his own foundation, most assuredly reaping the same tax benefits. Very good, lacking insert (2nd ed.).
Editore: Fogg Museum / New York Graphic Society
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.