moore alexander edited by (13 risultati)

Single issue magazine. Condizione: Good. Cover art by Robert Gibson Jones and James B. Settles (illustratore). First Edition. Chicago: Ziff-Davis Publishing Company. Good. 1948. First Edition. Single issue magazine. Good to Very Good copy with remains of tape across the spine ends, light rubbing and the usual edgewear to the cover, text paper fully tanned. ; Inclues "Forgotten Worlds" by Lawrence Chandler, "The Watching Eyes" by Robert Moore Williams, etc. mag22E.

Single Issue Magazine. Condizione: Very Good. Cover art by Robert Gibson Jones (illustratore). First Edition. Chicago / New York: Ziff-Davis Publishing Company 1947 First edition Pulp magazine in Pictorial wrappers [about 6.75" x 9.75"], 178 pages [including "The Green Man Returns" by Harold M. Sherman, illustrated. Edited by Raymond A. Palmer with stories by Harold M. Sherman, Chester S. Geier, Richard S. Shaver, Guy Archette, Rog Phillips, John McCabe Moore, Alexander Blade, Charles Reaves, Jacson Ross, et al] [art by J. Allen St John. Contents page in Photos. Cover art by Robert Gibson Jones A very good copy with edgewear, small edge tears, Text lightly toned. See Photos Mag 21/ E.

Single Issue magazines. Condizione: Good. cover art by Robert Gibson Jones (illustratore). First Edition; First Printing. Chicago: Ziff-Davis Publishing Company. Good. 1948. First Edition; First Printing. Single Issue magazines. First edition. Pulp magazine. Pictorial wrappers [about 7" x 9.75"], 178 pages, illustrated. Includes "Forgotten Worlds" by Lawrence Chandler, "The Watching Eyes" by Robert Moore Williams, etc. Good only copy with tearing to the spine ends, creasing and tearing and light chipping to the cover, text paper toned. See Photos whbx 1E and Mag 16.

Single Issue Magazine. Condizione: Good. Cover art by Arnold Kohn and James B. Settles (illustratore). First Edition. Chicago / New York: Ziff-Davis Publishing Company. 1946 First edition Pulp magazine in Pictorial wrappers [about 7" x 10"], 178 pages [not counting the rear cover], illustrated. Includes "Agharti" by Heinrich Hauser, "The Brothers Shenanigan" by David V. Reed, "Luder Valley" by Richard S. Shaver, "To Whom It May Concern" by Millicent Holmberg, etc. A Good only copy with damp staining to the front cover and a few pages at the edges of the issue, minor chipping to the spine head, usual edge wear and some creasing to the cover, text paper toned. See Photos bx 431.

Single Issue Magazine. Condizione: Very Good. cover by Arnold Kohn (illustratore). First Edition; First Printing. Chicago: Ziff-Davis Publishing Company. 1949. First edition Pulp magazine in Pictorial wrappers [about 7" x 10"], 146 pages, illustrated. Includes "The Man Who Laughed at Time" by Alexander Blade, "The Tangential Semanticist" by Rog Phillips, "Sons of the Prophet" by Robert Moore Williams, "The Wheel from Space" by E. K. Jarvis, etc. A very good copy with light dust soiling and edge wear, text lightly toned. Collectible copy WB7E whbx 7.

Single Issue Magazine. Condizione: Good. Cover art by Arnold Kohn (illustratore). First Edition; First Printing. Chicago: Ziff-Davis Publishing Company. 1949. First edition. Pulp magazine. Pictorial wrappers [about 6.75" x 9.75"], 146 pages, illustrated. Includes "The Man Who Laughed at Time" by Alexander Blade, "The Tangential Semanticist" by Rog Phillips, "Sons of the Prophet" by Robert Moore Williams, "The Wheel from Space" by E. K. Jarvis, etc. Good copy with scattered spine edge tearing, creasing and edgewear and some chipping to the cover, piece of tape to the rear cover along the central portion of the spine edge, Text paper lightly toned. See Photos bx431.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Clean and tight w/ minor edgewear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Philadelphia: The John C. Winston Co., 1935. Undated, ca. 1930s. Very good copy in somewhat worn dustjacket. Children's adaptation of Dumas' classic, illustrated with color plates and black and white line drawings. Maroon cloth with color illustration mounted on the front cover, decorative endpapers, color illustrated dustjacket. Externally pristine with some light chipping to the far ends of the spine gilt, cover illustration very bright, good hinges, sound text block, title page partially separated from the bottom (still well attached), gift notation at top of front free endpaper, pages clean and otherwise unmarked. The mylar protected dustjacket has some edgewear and chipping but little paper loss. Hard Cover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: As New. Condizione sovraccoperta: Fine. 1st Edition. First printing hardcover in plastic-protected dust jacket FINE as NEW condition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Higgins, Edward Roberts (illustratore). First Edition Thus. Clean, solid hardcover bound in full maroon cloth with gilt lettering on the spine and unblemished, vivid color paper label on the front board. Previous owner's short inscription on verso of frontispiece, otherwise the book's interior and text are clean and unmarked. The dust jacket presents well under fresh archival mylar despite wear to the edges, light chipping, and a closed tear on the front panel. NOT ex-lib. A clean, solid copy in jacket of this beloved classic in its Winston Children's Bookshelf edition with wonderful color illustrations by Edward Roberts Higgins. xi, 459pp.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 20 x 18,5 cm, 720 pages with 700 color illustrations, two 7 vinyl records. - This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone wanting to connect the dots between New York's various scenes. It features writings by band members and contributions by a host of other luminaries, including Richard Hell, Mike Kelley, Jutta Koether, Alan Licht, Lydia Lunch and John Miller.

1930, London, Seeley, Service & Co. Limited, pp254, black and white illustrations, tan cloth spine over beige boards in dustwrapper. With a birthday message in pen on front endpaper. Top and bottom of spine of dustwrapper pulled, brown marks on back cover of dustwrapper, otherwise very good.

Rare first printing in book form of Stephens' extemporaneous March 21, 1861 Cornerstone Speech delivered in Savannah shortly before Fort Sumter, published the same year, presenting a reporter's transcription from a Savannah newspaper, with Stephens calling the U.S. Constitution "a compact built on sand" and declaring the Confederate Constitution a "cornerstone" that rests on "the great truth that the negro is not equal to the white man, that slavery. is his natural and normal condition." Thick octavo, bound in contemporary three-quarter black morocco with gilt titles and raised bands to the spine, steel-engraved frontispiece portrait of General Winfield Scott and full-page portraits of Lincoln, Jefferson Davis, McClellan and others, together with full-page, folding, and in-text illustrations and maps, and large color folding map of "Colton's United States Shewing the Military Stations, Forts &c. Prepared by J.H. Colton. for the 'Rebellion Record." Bound without portraits of Stephens and Beauregard, as often. Featuring hundreds of pages with early printings of major Civil War documents, addresses, reports, general orders, resolutions, ordinances of secession, newspaper accounts, and much more. Speech in "Documents and Narratives": 44-49. In very good condition. Interior generally fresh with light scattered foxing. Soon after the secession of key southern states and the inauguration of Lincoln, and mere weeks before Fort Sumter, Alexander Stephens, vice president of the newly formed Confederacy, extemporaneously delivered his infamous Cornerstone Speech in Savannah on March 21, 1861. With no official printed version known to exist, this first publication in book form relies on the transcription by a local reporter that appeared in the Savannah Republican. Stephens began his controversial speech by calling the birth of the Confederacy "one of the greatest revolutions in the annals of the world." To historian Harry Jaffa, "Stephens' speech, more than any other, is the Gettysburg Address of the Confederate south. No utterance of the time reveals more fully the inner truth about the impending conflict. According to the new enlightenment proclaimed by Stephens, Washington's supposed enlightenment, reflected in the Declaration of Independence, was itself an 'age of ignorance and superstition'. This remarkable address conveys, more than any other contemporary document, not only the soul of the Confederacy but also of that Jim Crow South that arose from the ashes of the Confederacy" (New Birth of Freedom, 216-23). The main subject of the Cornerstone Speech was the Confederate Constitution, which, Stephens declared, 'has put to rest forever all the agitating questions relating to our peculiar institution, African slavery as it exists amongst us'. The national Constitution, Stephens argued, 'rested upon the assumption of the equality of races,' but it was a compact built on sand. By contrast, he asserted, the Confederacy's 'new government is founded upon exactly the opposite idea; its foundations are laid, its cornerstone rests, upon the great truth that the negro is not equal to the white man, that slaveryâ"subordination to the superior raceâ"is his natural and normal condition'" (Grant, "Slavery Debate" in Gray & Robinson, Companion to the Literature, 76). Later, "from his Fort Warren prison cell in Boston harbor in the summer of 1865, Stephens claimed he had been misquoted. 'The reporter's notes, which were very imperfect, were hastily corrected by me,' Stephens insisted, 'and were published without further revision and with several glaring errors'. If the Savannah reporter had misquoted Stephens, so had an Atlanta journalist just eight days earlier. On March 13, 1861 the Atlanta Southern Confederacy carried a lengthy report on a speech Stephens had delivered in that city the previous evening. The climax of the vice president's address came when he affirmed that the framers of the Confederate Constitution had 'solemnly discarded the pestilent heresy of fancy politicians, that all men, of all races, were equal, and we made African inequality and subordination, and the equality of white men, the chief corner stone of the Southern republic'" (Dew, Apostles of Disunion).