Moore b p translator (5 risultati)

Hardcover. Condizione: Fine. Binding tight and square, Pages are clean and unmarked. Sandglass included. Good Slipcase.

Hardcover. Condizione: Fine. No Jacket. Slipcase has minor edge wear.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No dust jacket as issued. Limited Edition . Number 328 of 1500 copies signed by Fraser on the colophon. Crisp, unmarked copy. The binding is tight, corners sharp. Vellum boards are clean and bright. The page block shows a small light stain to upper edge and very light soiling to bottom. The slipcase shows some light handling. Publisher newsletter laid in. 8vo. xii, 117pp. Signed by Illustrator.…

Hard. Condizione: Very Good. Pages clean and bright, small previous owner inscription on front pastedown, boards and binding neat with minimal shelf wear. Size: 8vo.

Condizione: Gut. 13 cm x 19 cm. 127 pages. With many drawings. Original hardcover. Very good condition with minor signs of external wear. Some wear to leather spine. Preowner's inscription. Otherwise clean inside with solid binding. With an introduction by P.C. "The Ars Amatoria (English: The Art of Love) is an instructional elegy series in three books by the ancient Roman poet Ovid. It was written in 2 AD. It teaches basic gentlemanly male and female relationship skills and techniques. Book one of Ars Amatoria was written to show a man how to find a woman. In book two, Ovid shows how to keep her. The third book, written two years after the first books were published, gives women advice on how to win and keep the love of a man ("I have just armed the Greeks against the Amazons; now, Penthesilea, it remains for me to arm thee against the Greeks."). The first two books, aimed at men, contain sections which cover such topics as 'not forgetting her birthday', 'letting her miss you - but not for long' and 'not asking about her age'. The third gives similar advice to women, sample themes include: 'making up, but in private', 'being wary of false lovers' and 'trying young and older lovers'. Although the book was finished around 2 AD, much of the advice he gives is applicable to any day and age. His intent is often more profound than the brilliance of the surface suggests. In connection with the revelation that the theatre is a good place to meet girls, for instance, Ovid, the classically educated trickster, refers to the story of the rape of the Sabine women. It has been argued that this passage represents a radical attempt to redefine relationships between men and women in Roman society, advocating a move away from paradigms of force and possession, towards concepts of mutual fulfilment. The superficial brilliance, however, befuddles even scholars (paradoxically, Ovid consequently tended in the 20th century to be underrated as lacking in seriousness). The standard situations and cliches of the subject are treated in an entertainment-intended way, with details from Greek mythology, everyday Roman life and general human experience. Ovid likens love to military service, supposedly requiring the strictest obedience to the woman. He advises women to make their lovers artificially jealous so that they do not become neglectful through complacency. Perhaps accordingly, a slave should be instructed to interrupt the lovers' tryst with the cry 'Perimus' ('We are lost!'), compelling the young lover to hide in fear in a cupboard. The tension implicit in this uncommitted tone is reminiscent of a flirt, and in fact, the semi-serious, semi-ironic form is ideally suited to Ovid's subject matter.Appropriately for its subject, the Ars Amatoria is composed in elegiac couplets, rather than the dactylic hexameters, which are more usually associated with the didactic poem." (Wikipedia).…