Moore thomas music (44 risultati)

Soft cover. Condizione: Good. The cover has some smudges and writing (previous owner name and title along spine). There is some darkening along the spine. Check marks and a few other marks inside. Five pages plus samples of other music from the publisher. Copyright is 1893, but the latest date found on the music samples is 1919. No. 202-5 in the publisher's catalog.…

Soft cover. Condizione: Fine. First Edition. Complete original issue. Some foxing and staining.

Softcover. Condizione: Very Good. First edition thus. Quarto. Two nested bifolia making eight pages. Price stamp on the front cover, light rubbing to the exterior, and light bumping to the corners, very good or better. For voice and piano. Plate number, 1509.

Softcover. Condizione: Fair. First edition. Folio. 5pp. Wrappers. Notched and worn along the spine from once being bound within an album, the front wrapper nearly detached, significant foxing and dampstaining throughout though all the content remains easily legible, a complete but fair only copy. For voice and piano. Plate imprint, "79 = 3, C.W.H." Although this copy may look as if it had been thrown off a gondolier, it remains an uncommon and interesting piece. *OCLC* locates only a single holding and it appears equally scarce in the trade. …

Softcover. Condizione: Very Good. Later printing. Quarto. Two nested bifoliums making eight pages. Publisher's stamps and name stamps on the front cover, foxing and soiling to the exterior, still a very good and complete copy. For voice and piano. Plate number, 2182 5. Includes short samples of six other songs, "Land of My Heart," "Incense," "The Road to Peggy's Heart," "I Shall Meet You (The Home-Coming)," "Beneath the Moon of Lombardy," and "If I Called You Back Someday." The name stamp is that of Fay Foster. a prolific American composer and pianist, who took first place in the American Composers Competition of 1913. *OCLC* locates seven holdings.…

Paperback : soft cover edition in good to better condition, a typical used book with slight wear to edges and spine. Overall good / nice copy of this scarce title. Excellent reading on the subject. A good book to enjoy and keep on hand for yourself. Or would make a GREAT GIFT for the fan / reader in your life. Reading is one of the great pleasures in life. Please send us a note if you have any questions. Thank you. Fully Illustrated (illustratore). Book.…

Condizione: Very Good. Vintage piano sheet music in white paper covers. 14'' x 10½''. Contains 4 pages including the covers, disbound sheet music carefully extracted from a previously stitched bound collection. Scored for the pianoforte and voice with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.…

Condizione: Sehr gut. [First Editions]. 5th & 6th Number bound into one Volume. 34.5 x 24.5 cm. (2) [blank], tissue guarded engraved title page, (4) [dedication & index], 52 pages, engraved music scores / title page, advertisement, pages numbered 52 to 113. Full page engraving between pages 77 and 78. New half cloth over decorated paper covered boards. Contemporary red morroco label ['Mrs. T. Moore'] from original binding on front board. Good condition only. New solid binding. Internally seriously age darkened and damp stained. See images for a clear idea of the condition. Gift inscription on first blank page (see comments below). Partially trimmed inscription on top of second title page (6th Number), possibly by the author? Thomas Moore (1779 - 1852) was an Irish writer, poet, and lyricist celebrated for his Irish Melodies. His setting of English-language verse to old Irish tunes marked the transition in popular Irish culture from Irish to English. Politically, Moore was recognised in England as a press, or "squib", writer for the aristocratic Whigs; in Ireland he was accounted a Catholic patriot. The Irish Melodies. In the early years of his career, Moore's work was largely generic, and had he died at this point he would likely not have been considered an Irish poet. From 1806 to 1807, Moore dramatically changed his style of writing and focus. Following a request by the publishers James and William Power, he wrote lyrics to a series of Irish tunes in the manner of Haydn's settings of British folksongs, with Sir John Andrew Stevenson as arranger of the music. The principal source for the tunes was Edward Bunting's A General Collection of the Ancient Irish Music (1797) to which Moore had been introduced at Trinity by Edward Hudson. The Melodies was published in ten volumes, together with a supplement, over 26 years between 1808 and 1834. The musical arrangements of the last volumes, following Stevenson's death in 1833, were by Henry Bishop. The Melodies were an immediate success, "The Last Rose of Summer", "The Minstrel Boy", "Believe Me If All Those Endearing Young Charms" and "Oft in the Stilly Night" becoming immensely popular. There were parodies in England, but translations into German, Italian, Hungarian, Czech, and French, and settings by Hector Berlioz guaranteed a large European audience. In the United States, "The Last Rose of Summer" alone sold more than a million copies. Gift inscription: 'To Ed O'Malley Keyes M.F.H. from Guy Paget in memory of a great week with the Blazers 17/12/26. This book was given to Geraldin McCausland, who married Thomas Tertius Paget, by her friend Thomas Moore The Author' Provenance: Thomas Tertius Paget (1807 - 1892) was an English banker and Liberal Party politician. Paget was the eldest son of the banker and Whig politician Thomas Paget (1778-1862) and his wife Anne Pares. He was a partner in Leicester Bank and became a J. P. and a Deputy Lieutenant for Leicestershire and High Sheriff of Leicestershire in 1869. Paget was elected as a Member of Parliament (MP) in 1867. However, he was defeated at the 1868 general election, and was unsuccessful both at a further by-election in 1870 and at the 1874 general election. He finally regained the seat, after a twelve-year absence from the House of Commons, at the 1880 general election. He retired from Parliament at the 1886 general election. Paget died at the age of 84, having married Katharine Geraldine MacCausland, daughter of Marcus MacCausland of Dreenagh, County Londonderry, in 1850. Colonel O'Malley-Keyes was Master of the Galway Blazers (an Irish Foxhunting Club) from 1926 to 1928.…

Softcover. Condizione: Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half making two pages of content. Notched and worn along the fold from once being bound within an album, owner name above the music, dampstaining along the top of both pages, soiling and foxing throughout, a complete but good only copy. For voice and piano. *OCLC* locates only five holdings and it appears to be equally scarce in the trade.…

Softcover. Condizione: Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Soiling, offsetting, and edgewear including chips and tears, a good or better copy. For voice and piano. "Sung at the oratorio performed by the Handel & Haydn Society in Boston, July 5th 1817 in presence of the President of the United States.".…

Softcover. Condizione: Good. Unknown edition. Folio. Originally a single sheet printed on the recto only and folded in half creating two pages of content. Separated at the fold with edgewear, corresponding dampstains to the bottom margins of both pages, and foxing, a complete but good only copy. For voice and piano.…

Softcover. Condizione: Good. First edition. Folio. single bifolium with a single sheet insert making six pages. Bifolium nearly separated along the fold, edgewear including chips and tears, a mark left by a paper clip and a music shop stamp on the front cover, a complete but good only copy. For voice and piano. Plate number, 6418. The front cover states that this song is dedicated to W. Rotch Angier Esq. of Philadelphia. *OCLC* locates four holdings and it appears to be equally scarce in the trade.…

Softcover. Condizione: Good. First edition. 7pp. Wrappers. Rear wrapper separated from the spine but present, the front wrapper and all leaves are nearly separated from the spine, notched and worn along the spine from once being bound within an album, light offsetting throughout, and light foxing to the exterior, a complete but good only copy. A duet for voice and piano. Plate imprint, "M.G. 239." *OCLC* locates six holdings.…

Softcover. Condizione: Good. Unknown edition. Folio. Originally a single sheet printed on the recto only and folded in half creating two pages of content. Separated at the fold but very neatly trimmed, corresponding dampstains to the bottom margins of both pages, music shop stamps, and foxing, a complete but good only copy. For voice and piano.…

Softcover. Condizione: Good. Stated second edition. Part two only (second number). Illustrated in black and white with a frontispiece of Henry Bishop and a title page illustration by Thos. Stothard R.A. engraved by Chas. Heath. Folio. [7], 59-113pp. Lacking the wrappers, owner name on the inscription page, foxing throughout, spine cocked with chips and tears, and a chip to the front free endpaper, still a good or better copy. For voice and piano. Plate number 356.…

Softcover. Condizione: Very Good. First edition. Folio. 5pp. Wrappers. A bit of separation at the top of the spine, notches on the spine from once being bound within an album, toning, and very light bumping to the corners, very good or better. For high voice and piano. Plate number, 15890-4. *OCLC* locates only one holding. …

Condizione: Fine. Original stapled colour illustrated souvenir theatre programme 7½'' x 5''. Contains 20 pages with sketches of the characters from the play drawn by H. Watson. In Fine condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Softcover. Condizione: Good. Unknown edition. Folio. Single bifolium making four pages. A dampstain along the fold on the front cover affecting throughout, foxing and offsetting throughout, and edgewear including a tear at the bottom of the front cover affecting throughout, a complete but good only copy. *OCLC* locates only six holdings and it appears to be equally uncommon in the trade.…

Softcover. Condizione: Very Good. First edition. Folio. Two nested bifolia making eight pages. Offsetting throughout, light edgewear including a bit of separating at the end of the fold on the outer bifolium, music shop stamp on the front cover, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate imprint, "C.P. 493." This piece is dedicated to, Arthur Rotch Esq., an architect active in Boston at the time this piece was published. Among his many accomplishments, Rocht, along with his partner Thomas Tildan, designed the art school and art museum at Wellesley College. This is piece is unrecorded by *OCLC* and it appears to be equally scarce in the trade.…

Softcover. Condizione: Good. Unknown edition. Folio. 5pp. Wrappers. Owner name on the front cover, nearly separated at the spine, notched in the spine from once being bound within an album, early tape repair to the verso of the front wrapper and along the spine on the rear wrapper, edgewear, and creasing to the top of the pages, a complete but good only copy. For voice and piano. Plate number 918. *OCLC* locates only one holding of this edition and dates it at 1830.…

An interesting letter concerning a song mentioned in Lewis Carroll's 'Through the Looking-Glass'. 6pp., 12mo. On two bifolium letterheads. In fair condition, on aged paper. He begins by statig that he has 'taken much interest in theh discussion in the Athenaeum respecting a song of Moore's "My heart & Lute" and possessing some information relative to it' is sends it to Friswell. He proceeds to give an account of publication, with references including the music publisher Power, Sir H. R. Bishop, John Kemble, Sherwood & James, 'The London Stage' and 'The National Airs'. He ends by inviting Friswell to make use of the information, and to 'see the libretto & music here', but adds that he does not wish his name 'in any way to appear in the affair'.…

Softcover. Condizione: Very Good. Sheet music. Folio. Single bifolium making four pages. Notched along the spine from once being bound within an album, foxing and light offsetting throughout, and a light dampstain on the top right corner of the front cover lightly affecting throughout, still a very good and complete copy. For voice and piano. Plate imprint, "Farewell But whenever: A.F. Keene. 3." "Composed and Respectfully Dedicated to Horatio Gates Esq. of Montreal" (from the front cover). Horatio Gates was a Canadian businessman and politician, he was the third president of the Bank of Montreal.…

Softcover. Condizione: Good. Unknown edition. Adapted to a celebrated air of Haydn. Single sheet printed on the recto and folded in half making for two pages of content. Separated along the fold, notched and worn along the fold from once being bound within an album, foxing, light offsetting, and edgewear including nicks and tears, a good only copy. For voice and piano. Plate number, 144. *OCLC* locates five holdings.…

Softcover. Condizione: Very Good. Unknown edition. Folio. A single sheet printed on the recto only and folded once creating two pages of content. Notched and worn along the fold from once being bound within an album, foxing and light offsetting, still a very good copy. For voice and piano. *OCLC* locates only a single holding and it appears to be equally scarce in the trade. …

Softcover. Condizione: Very Good. Unknown edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Notches in the fold and the pages numbered in ink from once being bound within an album, offsetting, light foxing, and some light edgewear, still very good. For voice and piano.…

Softcover. Condizione: Very Good. Unknown edition. Folio. Single bifolium making four pages. Owner inscription in pencil on the front cover, notches in the spine from once being bound within an album, a light dampstain to the top margin affecting throughout, and light foxing throughout, still a very good and complete copy. *OCLC* locates no holdings of this edition.…

Softcover. Condizione: Good. Unknown edition. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Separated along the fold but both leaves are present, notched and worn along the fold from once being bound within an album. music shop stamp on the front cover, and foxing and offsetting throughout, a complete but good only copy. For voice and piano. Plate imprint, "Light House. 2." *OCLC* locates only two holdings and it appears to be equally scarce in the trade.…

Softcover. Condizione: Near Fine. Unknown edition. Folio. Single bifolium making four pages. Offsetting throughout, notched in the spine from once being bound within an album, light soiling and edgewear, and separating a bit at the bottom of the spine, still very good. For voice and piano. *OCLC* locates five holdings. …

Softcover. Condizione: Good. First edition. Folio. Single bifolium making four pages. Separated at the fold, spine notched from once being bound within an album, toning, and light edgewear, a complete but good only copy. For voice and piano. Plate number 1122. *OCLC* locates three holdings.

Softcover. Condizione: Very Good. Unknown edition. Folio. Single bifolium making four pages. Notches in the spine from once being bound within an album, scattered foxing throughout, very good or better. For voice and piano. There are a few different versions of this song recorded by *OCLC*, all dated around the 1820's and '30's, but no record of this version published by E.H. Wade.…