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Edited by Robert C. Morgan. Gary Hill - (Art + Performance Series). Johns Hopkins University Press, 2000, , PAPERBACK, Some pencil underlining and a few marks in ink on a few pages near start of book, otherwise clean, good reading copy. INCLUDES essay by Jacques Derrida: "Videor" (pp. 20-26). 9780801864025 ISBN 080186402X.

Paperback. Condizione: Fine. 1st. vii, 348 pages, [24] pages of plates, illustrations 24 cm. Tight, clean copy. First printing. *** An excellent anthology of writings on the internationally-renowned video artist Gary Hill. This volume includes critical essays by Jacques Derrida, Raymond Bellour, John C. Hanhardt, Lynne Cooke, Regina Cornwell, others. *** "Time, this is what is central to video, it is not seeing as its etymological roots imply. Video's intrinsic principle is feedback."--Gary Hill (From "Inter-view"). For more than twenty years Gary Hill has been at the cutting edge of video, often setting the terms for its development and pointing it in new, exciting directions. Since the mid-eighties, Hill has established himself as one of the major voices in the medium. His work has been the focus of major exhibitions and retrospectives at museums in Europe and the United States, including the Guggenheim Museum in Soho, the Whitney Biennial, and the Lyon Museum in France. He has received numerous awards, including the coveted MacArthur Award (1998). Hill's work focuses on the poetic and philosophical implications of temporal perception. Tall Ships, for example, is a large-scale video installation that presents haunting images of isolated human figures in a darkened corridor, seen from a distance, then close up. Hill's representation of time in videos is partly informed by his adolescent experiences as a surfer in Southern California: his Learning Curve series invites the viewer to sit at the end of a long table and watch a black-and-white projection of a wave folding and unfolding upon itself. Other themes in Hill's work include meditations on the self-referentiality of the medium and explorations of the connections and conflicts between language and image. This new volume in PAJ's Art + Performance series is the first critical edition devoted to Hill's work. Edited by Robert C. Morgan, it anthologizes a number of critical essays tracing Hill's reception from the mid-seventies to today, a series of informative interviews, as well as a selection of Hill's writings--revealing him as an original and articulate thinker. The book also offers a detailed chronology of Hill's career, a bibliography and videography, and twenty-five photos from his installations. Morgan's introduction traces Hill's emergence as an artist out of the sixties' counter-culture and explores how his work creates dialogues with philosophers as diverse as Heidegger, Blanchot, Derrida, and Marshall McLuhan." Publisher. *** CONTENTS: Acknowledgments; Gary Hill: Beyond the Image; Video Spaces: Gary Hill; Video; The Image of the World in the Body of the Text; Time in the Body; Surfing the Medium; The Matrix; Primarily Spoken; Standing Still on the Lip of Being: Gary Hill's Learning Curve; Notes on the Feedback Horizon; Between Language and the Moving Image: The Art of Gary Hill; HanD HearD/liminal objects; Postscript: Re-embodiments in Alter-Space; Projection: the space of great happening; Why Do Language and Meaning Get in a Muddle?; Loss Illuminates; A Manner of Speaking (1982, 1983); A Discussion with Gary Hill (1992); Gary Hill: An Interview (1993); Surfing the Medium (1996); Six Questions to Gary Hill (1996); Liminal Performance: Gary Hill in Dialogue (1998); Primarily Speaking (1981); Primarily Speaking (1983); URA-ARU: The Acoustic Palindrome (1985); BEACON (Two Versions of the Imaginary) (1990); Inter-View (1992); Site Recite (a prologue) (1989); Site Re:cite (1991); Biography; Selected Video Works, 1973-1992; Bibliography. Size: 8vo. Collectible.

Paperback. Condizione: Fine. 1st. xii, 394 pages, illustrations; 23 cm. PAJ Books. Tight, clean copy. A fine copy of the first printing. *** "One of America's most important artists, Bruce Nauman has worked in a dazzling variety of media since the mid-1960s: sculpture, photography, performance, installation art, sound, holography, film, and video. What has been a constant throughout his career, however, is his persistence in exploring both art as an investigation of the self and the power of language to define that self. / Robert C. Morgan is an internationally known critic, artist, and art historian who lives in New York. He is currently an adjunct professor in the department of fine arts at Pratt Institute. He is a contributing editor for Sculpture Magazine and Tema Celeste, and the editor of the Art + Performance volume Gary Hill, also available from Johns Hopkins." - Publisher. Size: 8vo. Collectible.

Softcover. Condizione: Near Fine. First edition, simultaneous paperback. 348[2]pp. Trade paperback. Light rubbing, near fine. This is an anthology of Hill's works, interviews, and chronology of Hill's career.

Hardback. Condizione: Very Good. Landscape format. Glazed pictorial boards. Small bump to bottom corner of boards. Published in conjunction with the exhibition held at Ludwig Museum in the Deutschherrenhaus in Koblenz, December 2006 to January 2007. Extensively illustrated in colour. Text in English, with a German translation of the three essays at back. Book.