Editore: Jim Morphesis, 1991
Da: PONCE A TIME BOOKS, SANTA BARBARA, CA, U.S.A.
0 Includes illustrations. Very good. moderate shelfwear, small rubbed area to the black cover.
Stapled Pamphlet. Condizione: Very Good. Exhibition catalog with light wear all around.
paperback. Condizione: New. Brand New Condition - Ships Fast!
Soft cover. Condizione: New.
Da: The Anthropologists Closet, West Des Moines, IA, U.S.A.
Paperback. Condizione: New. New softcover in glossy printed wraps. 8vo. (9 x 0.2 x 7 inches) Pages are clean and free of marks or underlining. Includes full color photographs and illustrations. 104 pp. Fast shipping in a secure book box mailer with tracking. Jim Morphesis: Passion and Presence, Memento and Myth, was an exhibition of the artist's paintings, spanning four decades, on view at the Kellogg University Art Gallery, Cal Poly Pomona from November 18, 2017- February 1, 2018. With 85 color reproductions and text by curator, Michele Cairella-Fillmore, this catalog describes how, to date, Jim Morphesis' life work has represented not only a spiritual, but cognitive and ever personal journey of self-exploration, not only for the artist himself, but as a study of humankind's mutual self-examination. Traveling hand-in-hand with historically religious uses of symbolism that emanate from early Christian and Easter Orthodox iconography, direct and indirect uses of memento mori, and a masterful nod to Renaissance's chiaroscuro and impasto, his figurative work may, on the surface, speak for itself. However, while religiosity and its visual interpretations float on the surface, one can earn more by delving much deeper. By exploring the more profound meaning beneath layers, a subliminal encounter more personal in nature, evolves. Through archetypal and allegorically-infused subjects and themes, Morphesis offers an encounter with the existential, ontological and ever-ephemeral search for life's meaning: the philosophical questions regarding the nature of being and the understanding of self, both internally, and communally as a human race, emerge. This probing expedition confronts our own inescapable mortality, and leads towards the always-elemental human query of spiritual immortality. Symbiotically fused with Modernist styles and techniques including abstraction, Cubism, assemblage, Abstract Expressionism, and Hyperrealism, Morphesis' six bodies of artwork also become a purposeful voyage through art historical disciplines of visual expression, while inevitably crossing through the self-imposed straights of auto-reflection, and the human collective's conscientiousness.
Editore: New York, 1992
Da: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
Prima edizione
First Edition. First edition. Softcover. An exibition catalog with 10 color illustrations and a brief essay by Justin Spring. A clean very near fine copy in wrappers. Uncommon.
Editore: Boxcar Los Angeles, CA, 1983
Da: Specific Object / David Platzker, New York, NY, U.S.A.
114 pp.; 27.8 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Second issue of Box Car: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include: Paul Vangelisti, Don Suggs, Judith E. Simonian, Charles Garabedian, Ed Moses, Robert Ackerman, Joel Bass, Ron Linden, Michael Davidson, Nathaniel Mackey, George Butterick, Edwin Denby, Robert Crosson, Julia Brown, Hiro Kaizan Kosaka, Jill Giegerich, Rick Stitch, Deirdre Bair, Betty Brown, Peter Liashkov, Alison Saar, Michael Dvortcsak, Jim Morphesis, Ellen Lampert, Ruth Weisburg, Rosmarie Waldrop, Bob Perelman, David Bromige, Norman Weinstein, Stephen Kessler, Zeke Berman, Barbara Drucker, Stephen Moore, Kim Baker, Don Boyd, Joyce Lightbody, Gerald Burns, John Taggart, John Clarke, Jed Rasula, Stephen s'Soreff, Flyghts of Fancie, Erika Suderberg, Mike Crane, Dennis Phillips, Anselm Parlatore, Norman Klein, Kei Takei, Bruce Edelstein, Lois Colette, Anni Jackson, Monique Safford, Fanny Howe, James Haining, Mary Haynes, Helen Adam, Charles Stein, Michael C. McMillen, Carl Cheng, James Doolin, Paul Dillon, Stephanie Jackson, Maxwell Hendler, and Margaret Nielsen. Cover design by Bruce Edelstein. Good. Significant rubbing of covers with edgewear and bumping of corners. Wear to verso including 6 mm. surface tear to bottom edge, 2.4 cm. crease to top left corner, and 1.5 cm. of black soiling to verso. Contents clean and unmarked. Due to the size of this item, additional shipping charges will be required for international orders.
EUR 49,84
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 104 pages. 7.00x9.00x0.28 inches. In Stock.
Editore: New York: [Jim Morphesis]., 1992
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 4to. 12 pp. Very Good+. Soft Cover. Illustrated paper wraps. Staple binding. Color plates throughout. Extremely Scarce. From the Collection of the Art Historian Peter Selz.
Editore: New York: Jim Morphesis Studio., 1997
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo
Condizione: Good. Three Ring Binder with press release & related material in 6 protective plastic sleeves. VG.
Editore: Los Angeles: 2010, 2010
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manoscritto / Collezionismo cartaceo
Condizione: Good. 2 TLs and 1 ALs to the art historian Peter Selz with a group of 31 8.5 x 11 inch annotated photographs; several annotated cards and invitation; biographies; and other documentation. Jim Morphesis' paintings have been shown in nearly two hundred national and international exhibitions since the early 1970s, and are in the permanent collections of more than 25 museums, including the Los Angeles County Museum of Art, the Metropolitan Museum of Art, New York, and the San Francisco Museum of Modern Art. Morphesis has been recognized with awards that include: the Los Angeles County Museum of Art, Modern and Contemporary Art Council, New Talent Purchase Award, the Louis Comfort Tiffany Foundation Grant for Painting and Sculpture and a First Prize at the Fourth Florence International Biennial of Contemporary Art. Born in Philadelphia, Morphesis received his Bachelor of Fine Arts degree from Tyler School of Art of Temple University in 1970, and earned his Master of Fine Arts degree from the California Institute of the Arts in 1972. He lives and works in Los Angeles. From the collection of the art historian, Peter Selz.