Morris raymond n (31 risultati)

Single Issue Magazine. Condizione: Very Good. First Edition. Chicago / New York: Ziff-Davis Publishing Company 1948 First edition Pulp magazine in Pictorial wrappers [about 7" x 9.75"], 178 pages, illustrated and Includes "Armageddon" by Craig Browning, "Doom Globe" by S. M. Tenneshaw, "Illusion on Callisto" by Warren Kastel, "Justice Satellite" by Guy Archette, "Forgotten Hades" by Lee Francis. Edited by Raymond A. Palmer with stories by Craig Browning, S. M. Tenneshaw, Warren Kastel, Guy Archette, Lee Francis, Carater T. Wainwright, Pete Bogg, R. Dee, Charles Recour, C. N. George, A. Morris. Front cover art by Robert Gibson Jones, rear cover art by James B. Settles A very good to near fine copy with minor edge wear, text lightly toned. See Photos mag 22 // 416. Front cover art by Robert Gibson Jones, rear cover art by James B. Settles (illustratore).…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. A near-fine copy. Book.

Condizione: Good. Good condition. Moderate wear. Binding fairly tight, pages clean. Pictures available upon request.? AP.

Paperback. Condizione: Brand New. 240 pages. 9.25x6.20x0.47 inches. In Stock.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New. In English.

1989. (Cloth) Fine in fine dust jacket. 230pp. Illus.

Condizione: As New. Unread book in perfect condition.

Condizione: Very Good. Condizione sovraccoperta: Very Good. 8vo pp. 230,Â"The editorial cartoon, a daily diversion for millions of Canadians, strikes most of its readers as irreverent, outspoken, iconoclastic. The reality, as Raymond Morris demonstrates, is more complex.". book.

Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 230 pgs. Includes Dust Jacket. No highlighting or underlining.

Condizione: New. pp. 236 1st Edition.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. pp. 236.

Condizione: New.

Condizione: New. In English.

Taschenbuch. Condizione: Neu. Behind the Jester's Mask | Canadian Editorial Cartoons about Dominant and Minority Groups 1960-1979 | Raymond N Morris | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1989 | University of Toronto Press | EAN 9781487579203 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardcover. Condizione: Near Fine. Near Fine-. 148 pages in near fine condition. Pages are clean and unmarked, with occasional black and white illustrations and diagrams throughout. Green cloth with gilt titles on the spine. Lightly worn around the edges and corners. Green dustjacket with white and black titles in near fine condition. Lightly worn around the edges. Lightly creased on the flaps. Jacket is scuffed on the back. NF/NF-. Book.…

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The editorial cartoon, a daily diversion for millions of Canadians, strikes most of its readers as irreverent, outspoken, iconoclastic. The reality, as Raymond Morris demonstrates, is more complex. Morris examines the form and content of Canadian editorial cartoons of the 1960s and 1970s that concerned relations between French and English Canadians and between Canada and the United States.He argues that since the advent of the monopoly press and the professional, politically neutral artist, cartooning has subtly changed from low satire of the paper's political opponents to medium satire directed against the current government. Cartoons generally portray politics as a hive of squabbling, waste, and folly; business, while portrayed much less often, is shown as a hive of rational, beneficial productivity. Cartooning is thus often based on an imaginary opposition, a double standard which sells the virtues of corporate decision-making at the expense of democracy as seen in the capitalist state. Cartoons generally depict scenes in which the social order valued by the cartoonist's own group (say English Canadians) is being threatened by either a dominant (American) or a minority (Quebecois) group. The threatened group is usually unable to maintain the old order, and is accordingly depicted as fools or victims. 240 pp. Englisch. …

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The editorial cartoon, a daily diversion for millions of Canadians, strikes most of its readers as irreverent, outspoken, iconoclastic. The reality, as Raymond Morris demonstrates, is more complex. Morris examines the form and content of Canadian editorial cartoons of the 1960s and 1970s that concerned relations between French and English Canadians and between Canada and the United States.He argues that since the advent of the monopoly press and the professional, politically neutral artist, cartooning has subtly changed from low satire of the paper's political opponents to medium satire directed against the current government. Cartoons generally portray politics as a hive of squabbling, waste, and folly; business, while portrayed much less often, is shown as a hive of rational, beneficial productivity. Cartooning is thus often based on an imaginary opposition, a double standard which sells the virtues of corporate decision-making at the expense of democracy as seen in the capitalist state. Cartoons generally depict scenes in which the social order valued by the cartoonist's own group (say English Canadians) is being threatened by either a dominant (American) or a minority (Quebecois) group. The threatened group is usually unable to maintain the old order, and is accordingly depicted as fools or victims.…