moyer david a (15 risultati)

Condizione: Very Good. Copyright 2003. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. 12. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condizione: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Softcover/Paperback. 258 S. Einband etw. verblasst, leichte Lesespuren a. Buchrücken L05 *.* Sprache: Englisch Gewicht in Gramm: 450.

Trade PB. 8vo. Oblong. Published by Red Howler Press, Lebanon, PA, 1996. Unpaginated. Illustrated with wood-engravings by David Moyer. #13 of an edition limited to only 50 signed and numbered copies. Bound in stiff paper wrappers, bound in Japanese fashion. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Red Howler Press was established to print hand made, limited edition and one-of-a-kind books out of my fascination for the written word and visual imagery. David Moyer's imagery explores visual and literary ideas through black and white original drawings and print media, usually wood engraving. There is a long tradition of wood engraving and the book arts, and it seemed quite natural to follow that path. David Moyer has always gravitated toward the Eastern European and German print tradition and have a particular fondness for the work of Durer, Wolgemuth, Cranach, Holbein, and Baldung-Grien. Moyer's technique is to employ black line engraving to explore the expressive qualities of form. ; 8vo 8" - 9" tall.

Trade PB. 8vo. Published by Red Howler Press, Lebanon, PA, 1992. Unpaginated. Illustrated with wood-engravings by David Moyer. #14 of an edition limited to only 50 signed and numbered copies. Bound in stiff paper wrappers, bound in Japanese fashion. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Red Howler Press was established to print hand made, limited edition and one-of-a-kind books out of my fascination for the written word and visual imagery. David Moyer's imagery explores visual and literary ideas through black and white original drawings and print media, usually wood engraving. There is a long tradition of wood engraving and the book arts, and it seemed quite natural to follow that path. David Moyer has always gravitated toward the Eastern European and German print tradition and have a particular fondness for the work of Durer, Wolgemuth, Cranach, Holbein, and Baldung-Grien. Moyer's technique is to employ black line engraving to explore the expressive qualities of form. ; 8vo 8" - 9" tall.

Trade PB. 8vo. Published by Red Howler Press, Lebanon, PA, 1991. Unpaginated. Illustrated with wood-engravings by David Moyer. #28 of an edition limited to only 50 signed and numbered copies. Bound in stiff paper wrappers, bound in Japanese fashion. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Red Howler Press was established to print hand made, limited edition and one-of-a-kind books out of my fascination for the written word and visual imagery. David Moyer's imagery explores visual and literary ideas through black and white original drawings and print media, usually wood engraving. There is a long tradition of wood engraving and the book arts, and it seemed quite natural to follow that path. David Moyer has always gravitated toward the Eastern European and German print tradition and have a particular fondness for the work of Durer, Wolgemuth, Cranach, Holbein, and Baldung-Grien. Moyer's technique is to employ black line engraving to explore the expressive qualities of form. ; 8vo 8" - 9" tall.

Trade PB. 8vo. Published by Red Howler Press, Lebanon, PA, 1990. Unpaginated. Illustrated with wood-engravings by David Moyer. Printed in an edition limited to only 50 signed and numbered copies. Bound in stiff paper wrappers, bound in Japanese fashion. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Red Howler Press was established to print hand made, limited edition and one-of-a-kind books out of my fascination for the written word and visual imagery. David Moyer's imagery explores visual and literary ideas through black and white original drawings and print media, usually wood engraving. There is a long tradition of wood engraving and the book arts, and it seemed quite natural to follow that path. David Moyer has always gravitated toward the Eastern European and German print tradition and have a particular fondness for the work of Durer, Wolgemuth, Cranach, Holbein, and Baldung-Grien. Moyer's technique is to employ black line engraving to explore the expressive qualities of form. ; 8vo 8" - 9" tall.

Trade PB. 8vo. Published by Red Howler Press, Lebanon, PA, 1994. Unpaginated. Illustrated with wood-engravings by David Moyer. #15 of an edition limited to only 50 signed and numbered copies. Bound in stiff paper wrappers, bound in Japanese fashion. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Red Howler Press was established to print hand made, limited edition and one-of-a-kind books out of my fascination for the written word and visual imagery. David Moyer's imagery explores visual and literary ideas through black and white original drawings and print media, usually wood engraving. There is a long tradition of wood engraving and the book arts, and it seemed quite natural to follow that path. David Moyer has always gravitated toward the Eastern European and German print tradition and have a particular fondness for the work of Durer, Wolgemuth, Cranach, Holbein, and Baldung-Grien. Moyer's technique is to employ black line engraving to explore the expressive qualities of form. ; 8vo 8" - 9" tall.