nadia anwar (31 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: New.

Paperback. Condizione: New. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments. The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J. Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments. The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. Series Editor(s): Ringrose, Chris. Num Pages: 272 pages. BIC Classification: DS. Dimension: 152 x 212 x 16. Weight in Grams: 366. . 2016. Paperback. . . . .

Condizione: New. Series Editor(s): Ringrose, Chris. Num Pages: 272 pages. BIC Classification: DS. Dimension: 152 x 212 x 16. Weight in Grams: 366. . 2016. Paperback. . . . . Books ship from the US and Ireland.

Condizione: New.

Paperback. Condizione: New. Nadia Anwar analyzes select post-independence Nigerian dramas through the conceptual framework of metatheater, a strategy that breaks dramatic illusion to foreground the process of play making. Anwar argues that distancing, as a function of metatheater, fosters a balanced theatrical environment by allowing the emotive and cognitive aspects of reception to dominate the theatergoing experience. She draws on Bertolt Brecht, Thomas J. Scheff, and other theoreticians to critique plays by Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella 'Dia Oyedepo.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J. Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments. The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: New. New Book, Direct from Publisher.

Condizione: New. In.

Paperback. Condizione: New. Nadia Anwar analyzes select post-independence Nigerian dramas through the conceptual framework of metatheater, a strategy that breaks dramatic illusion to foreground the process of play making. Anwar argues that distancing, as a function of metatheater, fosters a balanced theatrical environment by allowing the emotive and cognitive aspects of reception to dominate the theatergoing experience. She draws on Bertolt Brecht, Thomas J. Scheff, and other theoreticians to critique plays by Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella 'Dia Oyedepo.

PF. Condizione: New.

Paperback. Condizione: New. Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance. Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998). The perspectives of Bertolt Brecht (1936), Thomas J Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments. The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This research explores how the desire to break with the barriers of tragic past and seeking survival in another world gives a new perspective to Diaspora. It is not the existence in the new world which causes the disaster of individuals; rather it is the tragic past which destroys their lives totally. Moreover, the rejection of old habits, traditions and conditioning, and a merging with the culture of the new context is an existing issue of the postmodern transcultural world. The feeling of home is like something haunting and dark which frightens the people. Their quest of survival in a transcultural world, and their will to sacrifice their relations for that reason is an insight into situations of fast changing social fabric in India. The male and the female agency works in order to build an individual identity, and it constructs individual realities based on personal experiences. the old world and the changing perceptions of the new world.

Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This research explores how the desire to break with the barriers of tragic past and seeking survival in another world gives a new perspective to Diaspora. It is not the existence in the new world which causes the disaster of individuals; rather it is the tragic past which destroys their lives totally. Moreover, the rejection of old habits, traditions and conditioning, and a merging with the culture of the new context is an existing issue of the postmodern transcultural world. The feeling of home is like something haunting and dark which frightens the people. Their quest of survival in a transcultural world, and their will to sacrifice their relations for that reason is an insight into situations of fast changing social fabric in India. The male and the female agency works in order to build an individual identity, and it constructs individual realities based on personal experiences. the old world and the changing perceptions of the new world. 100 pp. Englisch.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: New. Print on Demand pp. 100.

Condizione: New. Print on Demand pp. 100.

Condizione: New. PRINT ON DEMAND pp. 100.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Nadia Anwar presents a compelling reading framework for the study and analysis of selected post-independence Nigerian dramas, using the conceptual parameters of metatheatre, a theatrical strategy which foregrounds the process of play-making by breaking the dramatic illusion. She argues that distancing, as a function of metatheatre, creates a balanced theatrical experience and environment in terms of the emotive and cognitive levels of reception of a particular performance.Anwar's book is the first in-depth study of the concept of metatheatre with reference to Nigerian drama including Wole Soyinka's Death and the King's Horseman (1975) and King Baabu (2002), Ola Rotimi's Kurunmi (1971) and Hopes of the Living Dead (1988), Femi Osofisan's The Chattering and the Song (1977) and Women of Owu (2006), Esiaba Irobi's Hangmen Also Die (1989), and Stella 'Dia Oyedepo's A Play That Was Never to Be (1998).The perspectives of Bertolt Brecht (1936), Thomas J. Scheff (1963), and other theoreticians of dramatic distancing and metatheatre are used in the analyses and, where required, challenged through appropriate contextual and theoretical adjustments.The book is the first attempt to illustrate how Brechtian approach to the display and generation of emotions can be revised through Scheff's model of emotional balance.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This research explores how the desire to break with the barriers of tragic past and seeking survival in another world gives a new perspective to Diaspora. It is not the existence in the new world which causes the disaster of individuals rather it is the tr.

Taschenbuch. Condizione: Neu. Dynamics of Distancing in Nigerian Drama. A Functional Approach to Metatheatre | Nadia Anwar | Taschenbuch | 272 S. | Englisch | 2016 | ibidem | EAN 9783838208428 | Verantwortliche Person für die EU: ibidem-Verlag, Christian Schön, Leuschnerstr. 40, 30457 Hannover, ibidem[at]ibidem-verlag[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This research explores how the desire to break with the barriers of tragic past and seeking survival in another world gives a new perspective to Diaspora. It is not the existence in the new world which causes the disaster of individuals; rather it is the tragic past which destroys their lives totally. Moreover, the rejection of old habits, traditions and conditioning, and a merging with the culture of the new context is an existing issue of the postmodern transcultural world. The feeling of home is like something haunting and dark which frightens the people. Their quest of survival in a transcultural world, and their will to sacrifice their relations for that reason is an insight into situations of fast changing social fabric in India. The male and the female agency works in order to build an individual identity, and it constructs individual realities based on personal experiences. the old world and the changing perceptions of the new world.Diplomica Verlag, Hermannstal 119k, 22119 Hamburg 100 pp. Englisch.