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ISBN 10: 1009361376 ISBN 13: 9781009361378
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Paperback or Softback. Condizione: New. The Cultural Politics of Art in Iran. Book.
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Aggiungi al carrelloPaperback. Condizione: New. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.
Lingua: Inglese
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ISBN 10: 1009361376 ISBN 13: 9781009361378
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Aggiungi al carrelloPaperback. Condizione: Brand New. 301 pages. 6.00x0.63x9.00 inches. In Stock.
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ISBN 10: 1009361376 ISBN 13: 9781009361378
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Aggiungi al carrelloTaschenbuch. Condizione: Neu. Neuware - 'In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism'--.
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Aggiungi al carrelloPaperback. Condizione: New. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.
Lingua: Inglese
Editore: Cambridge University Press, 2023
ISBN 10: 1009361406 ISBN 13: 9781009361408
Da: GreatBookPricesUK, Woodford Green, Regno Unito
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Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2025
ISBN 10: 1009361376 ISBN 13: 9781009361378
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Paperback. Condizione: new. Paperback. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity. In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
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ISBN 10: 1009361376 ISBN 13: 9781009361378
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Lingua: Inglese
Editore: Cambridge University Press, 2025
ISBN 10: 1009361376 ISBN 13: 9781009361378
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Aggiungi al carrelloPaperback. Condizione: Brand New. 301 pages. 6.00x0.63x9.00 inches. In Stock. This item is printed on demand.
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Editore: Cambridge University Press, Cambridge, 2025
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity. In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2025
ISBN 10: 1009361376 ISBN 13: 9781009361378
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Aggiungi al carrelloPaperback. Condizione: new. Paperback. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity. In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Lingua: Inglese
Editore: Cambridge University Press, Cambridge, 2023
ISBN 10: 1009361406 ISBN 13: 9781009361408
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity. In a key contribution to postcolonial art history, Katrin Nahidi offers a comprehensive study of Iranian modernist art since the 1950s. Using extensive fieldwork, interviews, and archival research, Nahidi contextualizes these artworks and shows their crucial role in shaping ideas around national identity and anti-colonialism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.