Nahum gutman (69 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Clean text. Former school library book is the usual markings. Minor wear along the edges.

Hardbound. Condizione: Good. Oblong royal octavo in dust jacket, 80 pp., b/w and color photos.

Hardbound. Condizione: Very Good. Third Printing. Oblong royal octavo, glossy paper covered boards, 108 pp., b/w illustrations by the author Text is in Hebrew.

Hardcover. Condizione: Good. No Jacket. In Hebrew. 316, (2) pages. 17 x 12 cm. Damage to outer spine strip and loose in binding. This is a new and revised edition of Sefer Habehemot. Illustrated. Front free endpaper has stamp and inscription: The book was given to Nili Kratka of Tel Aviv as the prize by Davar LiYeladim for winning the Australia Quiz competition. Gutman, Nahum (illustratore).…

Wrappers. Condizione: Acceptable. No Jacket. 1st Edition. In Hebrew. 31 x 25 cm. 39 pages. A children's illustrated weekly. Includes poems, stories, puzzles, study sections dealing with Israel and the world. Last 6 leaves have stains. Portion of first leaf is missing. Article on Bezalel Yafe states he died the previous week. Since he died December 14,1925, a Monday, this issue must be dated between December 20 and 27, 1925. Gutman. nahum, cover's logo by (illustratore).…

Hardbound. Condizione: Good. Royaloctavo, printed paper covered boards with wear to the spine, 189 pp., b/w drawings by the author Text is in Hebrew.

Hardbound. Condizione: Very Good. Quarto, glossy paper covered boards, 119 pp., b/w and colorillustrations, color plates Text is in Hebrew.

Hardcover. Condizione: Good. In Hebrew, vowelized. 168 pages. 220 x 145 mm. Illustrated. Yemima Avidar-Tchernovitz (October 8, 1909 - March 20, 1998) was an Israeli author whose works became classics of modern Hebrew children's literature. Born in Vilna, Lithuania in 1909, she arrived in Palestine in 1921, at the age of 12. A teacher and school principal, she also worked in children's radio with Kol Yerushalayim, with the Nursery School Teachers' Theater and on the editorial board of Dvar HaPo'elet. One of her most famous pupils was the actor Chaim Topol. Her books for children are foundational in the sippurei havurah (band-of-friends) genre and were among the earliest based on the ordinary lives of children. In addition to her original works, she translated other works into Hebrew. Among her honors are the Israel Prize for children's literature (1984) and the Yakir Yerushalaim award (1992). Guṭman, Naḥum (1898-1980) (illustratore).…

Hardcover. Condizione: Very Good. No Jacket. In Hebrew. 134, (2) pages. 278 x 214 mm. Internally in very good condition, but front board is a bit soiled and front free endpaper has stamp of the Israeli bookstore where it was bought. Gutman, Nahum (illustratore).

No Binding. Condizione: Fair. No Jacket. In Hebrew. 28 x 22 cm. 444 pages: xxxi, 4 pages of plates, 408, {(1) pages. Tipped in frontispiece photo. Printed on good quality paper. With blue silk ribbon bookmark. Book block is solid but spine & back board are missing, front board detached and small water stain throughout, v. small tear on page 217. S. Ben Tsyion was the pen name of Simha Alter Guttman, Hebrew writer, educator, newspaper editor (Ha-Omer, Haaretz literary supplement), publisher, co-founder of Tel Aviv, and father of the writer and great artist Nachum Gutman, a few of whose illustrations appear here. He received a traditional heder education but was also exposed to Hebrew maskilic literature. His first story, "Mayn khaver" (My Friend), appeared in Yiddish (1899); he later translated it into Hebrew and published it under the title "Meshi" (Silk; 1902). His subsequent Hebrew stories appeared in prominent journals. In 1897 Ben-Tsiyon left his detested profession, cattle trading, and switched to teaching, an occupation he regarded as his true calling and in which he was very successful. In 1899 the prestigious Ha-Hinukh society invited him to Odessa to teach in the city's modernized heder, a school that quickly became a model institution. In 1900 Hayim Nahman Bialik was invited to teach under Ben-Tsiyon's supervision, and a friendship between the two men blossomed. An innovative teacher who pioneered the Ivrit be-ivrit method (teaching Hebrew and related subjects by using solely the Hebrew language), Ben-Tsiyon systematically compiled the graded Ben-'ami textbook series; the first of its many editions was issued in 1904. Ben-Tsiyon was part of the Sofre Odessa, a circle of writers who had a major influence upon the development of Hebrew culture and literature. He was an ardent follower of Mendele Moykher-Sforim, even though they differed in their views about Zionism. With the goal of revitalizing Hebrew education, Ben-Tsiyon joined with Bialik, Elhanan Leib Lewinsky, and Yehoshu'a Hana Ravnitski to establish the Moriah Press. Throughout this period, Ben-Tsiyon remained one of the most highly regarded writers of his generation, exhibiting his finest skill in the stories "Al ketseh gevul ha-yaldut" (On the Edge of Childhood; 1899), "Nefesh retsutsah" (Fragmented Soul; 1902), "Zekenim" (Elders; 1903), and "Me-''Ever le-hayim" (Beyond Life; 1904). In 1905, with his wife and five children, Ben-Tsiyon left Odessa for Palestine, and was one of the founders of Tel Aviv in 1909, where he remained until his death in 1932. As a disciple follower of Ahad Ha-Am, Ben-Tsiyon planned to create a literary center in pre-state Israel, modeled on the Odessa circle. The scholarly journal Ha-'Omer and his continuing textbook series were part of this agenda. In 1910 he helped devise the youth periodical Moledet, which was published under the auspices of the Palestine Teachers Union. The journal was initially issued in 1911; however, by the end of its first year Ben-Tsiyon was removed from its editorial body by the teachers' central board. His failures as an editor embittered him, and he subsequently dissociated himself from cultural, public, and literary activities. His hope that in Palestine he would sustain the leadership position he had held in Odessa was dashed. Ruptures widened between Ben-Tsiyon and the workers' parties that had set the tone for literary standards in Palestine, as well as personally between him and their leaders (including Berl Katsenelson). These rejections led him to associate with "civilian circles" whose contribution to cultural activity in those years was marginal. Still, he continued to compile his textbook series Ben-'ami. In 1914, just before World War I, he published Kol ketavav (All His Writings) in two volumes, and when the British occupied Eretz Israel, he edited the literary supplement Shai shel sifrut (The Gift of Literature), which was attached to the daily Ḥadashot meha-arets (1918-1919), and Ha-Ezrah, an anthology . . , . Gutman, Nahum (illustratore).…

Wrappers. Condizione: Acceptable. No Jacket. 1st Edition. In Hebrew. 31 x 25 cm. 39 pages. A children's illustrated weekly. Includes poems, stories, puzzles, study sections dealing with Israel and the world. Stained. Gutman. nahum, cover's logo by (illustratore).

Soft cover. Condizione: Good. Hebrew text. 165 x 122 mm. 54 pages: 53, [1] pages. Lacking original wrappers and first and last leaf, here in facsimile. And since the date was on the verso of the first leaf. No date appears in this copy. The illustrators have a richer color than the 1936 edition, leading to the conclusion that this must be the 1930 edition. Gutman, Nahum (illustratore). …

Hardcover. Condizione: Very Good. No Dustjacket. First Edition. ISBN . B000IG7UMM Hardback. No dustjacket. No statement of Later Printing on the Copyright page. Very Small previous owners name and address on the first page in, otherwise book is a Tight sound unmarked copy in Very Good condition. This book is And It Came to Pass: Legends and Stories Told by Ch. N. Bialik [Vayehi hayom: divrei agada ketuvim bidei Hayim Nahman Bialik]. No Signature. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. In Hebrew. 199 pages. 17.5 x 12.5 cm. Black and white drawings by Nahum Gutman. Translated into Hebrew from the German by S. Ben-Tsiyon. Preface and notes by D Shtok. Gutman, Nahum (illustratore).

Hardbound. Condizione: Very Good. Quarto, printed paper covered boards, frontispiece photo, about 100 pp. b/w drawings. An ex-library copy with ink-stamps and a small label but no other markings. Signed by the artist. With the book plate of Theodore Bikel.

First edition. 8vo. 140 pp. Illustrated by Nahum Gutnam. Hardcover binding in unclipped dustwrapper, ex-library, very good condition. (98728).

Hardbound. Condizione: Very Good. Royal cotavo, glossy illustrated paper covers, frontispeice illustrations, 204 pp., b/w drawings Text is in Hebrew.

Soft cover. Condizione: Good. Hebrew text. 165 x 182 mm. 54 pages: 53, [1] pages. Lacking first leaf, here in facsimile. And since the date was on the verso of the first leaf. No date appears in this copy. The wrapper is thicker paper and the illustrators have a richer color than the 1936 edition, leading to the conclusion that this must be the 1930 edition. Gutman, Nahum (illustratore). …

Hardback. Nahum Gutman, Dodd Mead. Condition remarks:Book: Good Jacket: Wear and tearPages: Good Markings: No markingsThis book chronicles the adventures and experiences of the author in the early days of Tel Aviv. Through vivid storytelling and illustrations, Gutman captures the essence of a vibrant city in its formative years. Hardback.…

Paperback. Very Good.

Soft cover. Condizione: Good. No Jacket. In Hebrew, vowelized. 12 pages. 168 x 119 mm. Wrappers almost detached. After a century, the staples are rusty. Probably by Nahum Gutman (illustratore).

Soft cover. Condizione: Good. No Jacket. In Hebrew, vowelized. 8 pages. 168 x 119 mm. With orignal staples. Probably by Nahum Gutman (illustratore).

Soft cover. Condizione: Good. No Jacket. In Hebrew, vowelized. 8 pages. 168 x 119 mm. Rusty origiinal old staples removed. Probably by Nahum Gutman (illustratore).

Soft cover. Condizione: Good. No Jacket. In Hebrew, vowelized. 16 pages. 168 x 119 mm. Wrappers detached. Probably by Nahum Gutman (illustratore).

Soft cover. Condizione: Good. No Jacket. In Hebrew, vowelized. 15 pages. 168 x 119 mm. Probably by Nahum Gutman (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. First U.S. Edition. Translated by Nelly Segal. Includes numerous drawings by the author. Turquoise boards with gilt titles to spine. VG in G-VG not price clipped dust wrapper. Some wear to dust wrapper, repaired tear on the bottom left hand corner of the front. Mark on rear where price sticker has been removed.…

Condizione: Very Good. THE BOOK IS IN GOOD CONDITION PAGES ARE CLEAN NO SIGN OF WEAR AND TEAR ON THE DUSTJACKET Sold by the U.K Charity Kisharon Langdon. Offering Opportunities and Support for People within the Autism and Learning Disability Community.

Soft cover. Condizione: Fair. No Jacket. 1st Edition. In Hebrew. 18 pages. 243 x 170 mm. Some stains. Wrappers detached. The legends in this book are his literary reworking of legends and fragments of legends drawn from various sources, mostly written, in Hebrew, Arabic and other languages. They are appropriate for youth even though not all of them were initially written with them in mind. So this work of Bialik is a literary work, not a folkloric one. In most of the these creations Bialik used the basis and spirit of folk legends, but kept the plot rolling in a logical and continuous manner, using his own original language and style. He was thus able to successfully make the old-fashioned or archaic legends more accessible with the language and style of the youth of his era. It is for this reason that Mordechai Ben Yehezkel, in his work, Geulat HaAgadot HaIvriyot (= The redemption of the Hebrew legends/ fairy tales) compared Bialik's work with that of the Grimm brothers. Hayim Nahman Bialik (Chaim, Haim)(January 9, 1873 Ivnitsa, Volhynian Governorate, Russian Empire - July 4, 1934 Vienna, Austria) was a poet, journalist, writer of children's stories and translator. He wrote primarily in Hebrew but also in Yiddish and was one of the pioneers of modern Hebrew poetry. Though he died 14 years before Israel became a state, he was ultimately recognized as Israel's national poet. Bialk was born to Itzik-Yosef Bialik, a scholar and businessman from Zhitomir, and his wife, Dinah-Priveh. When Bialik was still a child, his father died. In his poems, Bialik exaggerated the misery of his childhood, describing seven orphans left behind for the widow to care for. In fact, there were fewer children, and some were grown up and supported themselves. Starting age 7 Bialik was raised in Zhitomir by his Orthodox grandfather, Yankl-Moishe Bialik. In Zhitomir Bialik received a traditional Jewish religious education, but he also explored European literature. At age 15, inspired by an article he read, he convinced his grandfather to send him to the Volozhin Yeshiva in Lithuania, to study at a famous Talmudic academy under Rabbi Naftali Zvi Yehuda Berlin, where he hoped he could continue his Jewish schooling while expanding his education to European literature. Bialik was attracted to the Jewish Enlightenment movement (Haskala), and he gradually drifted away from yeshiva life. There is a story in the biography of Rabbi Chaim Solevetchik that cites an anonymous student reputed to be Bialik: Rabbi Solevetchik expels Bialik from the yeshiva for being involved in the Haskala movement, personally escorts him out but asks him not to use his writing talents against the yeshiva world. Poems such as HaMatmid ("The Talmud student") written in 1898, reflect Bialik's great ambivalence toward that way of life. Bialik admired the dedication and devotion of the yeshiva students to their studies, but at the same time was troubled by the narrowness of their world. At 18 he left for Odessa, the center of modern Jewish culture in the southern Russian Empire, drawn by Mendele Mocher Sforim and Ahad Ha'am. In Odessa, Bialik studied Russian and German language and literature and dreamed of enrolling in the Modern Orthodox Rabbinical Seminary in Berlin. Alone and penniless, he made his living teaching Hebrew. The 1892 publication of his first poem, El Hatzipor "To the Bird", which expresses a longing for Zion, in a booklet edited by Yehoshua Ravnitzky (1859-1944) (a future collaborator), eased Bialik's way into Jewish literary circles in Odessa. He joined the Hovevei Zion movement and became friends with Ahad Ha'am, who had a great influence on his Zionist outlook. In 1892 Bialik heard news that the Volozhin Yeshiva had closed, so he returned home to Zhitomir to prevent his grandfather from discovering that he had discontinued his religious education. He arrived to find both his grandfather and his older brother close to death. . . . Gutman, Nahum (illustratore).…

Soft cover. Condizione: Fair. No Jacket. 1st Edition. In Hebrew. 23 pages. 243 x 170 mm. Some stains. The legends in this book are his literary reworking of legends and fragments of legends drawn from various sources, mostly written, in Hebrew, Arabic and other languages. They are appropriate for youth even though not all of them were initially written with them in mind. So this work of Bialik is a literary work, not a folkloric one. In most of the these creations Bialik used the basis and spirit of folk legends, but kept the plot rolling in a logical and continuous manner, using his own original language and style. He was thus able to successfully make the old-fashioned or archaic legends more accessible with the language and style of the youth of his era. It is for this reason that Mordechai Ben Yehezkel, in his work, Geulat HaAgadot HaIvriyot (= The redemption of the Hebrew legends/ fairy tales) compared Bialik's work with that of the Grimm brothers. Hayim Nahman Bialik (Chaim, Haim)(January 9, 1873 Ivnitsa, Volhynian Governorate, Russian Empire - July 4, 1934 Vienna, Austria) was a poet, journalist, writer of children's stories and translator. He wrote primarily in Hebrew but also in Yiddish and was one of the pioneers of modern Hebrew poetry. Though he died 14 years before Israel became a state, he was ultimately recognized as Israel's national poet. Bialk was born to Itzik-Yosef Bialik, a scholar and businessman from Zhitomir, and his wife, Dinah-Priveh. When Bialik was still a child, his father died. In his poems, Bialik exaggerated the misery of his childhood, describing seven orphans left behind for the widow to care for. In fact, there were fewer children, and some were grown up and supported themselves. Starting age 7 Bialik was raised in Zhitomir by his Orthodox grandfather, Yankl-Moishe Bialik. In Zhitomir Bialik received a traditional Jewish religious education, but he also explored European literature. At age 15, inspired by an article he read, he convinced his grandfather to send him to the Volozhin Yeshiva in Lithuania, to study at a famous Talmudic academy under Rabbi Naftali Zvi Yehuda Berlin, where he hoped he could continue his Jewish schooling while expanding his education to European literature. Bialik was attracted to the Jewish Enlightenment movement (Haskala), and he gradually drifted away from yeshiva life. There is a story in the biography of Rabbi Chaim Solevetchik that cites an anonymous student reputed to be Bialik: Rabbi Solevetchik expels Bialik from the yeshiva for being involved in the Haskala movement, personally escorts him out but asks him not to use his writing talents against the yeshiva world. Poems such as HaMatmid ("The Talmud student") written in 1898, reflect Bialik's great ambivalence toward that way of life. Bialik admired the dedication and devotion of the yeshiva students to their studies, but at the same time was troubled by the narrowness of their world. At 18 he left for Odessa, the center of modern Jewish culture in the southern Russian Empire, drawn by Mendele Mocher Sforim and Ahad Ha'am. In Odessa, Bialik studied Russian and German language and literature and dreamed of enrolling in the Modern Orthodox Rabbinical Seminary in Berlin. Alone and penniless, he made his living teaching Hebrew. The 1892 publication of his first poem, El Hatzipor "To the Bird", which expresses a longing for Zion, in a booklet edited by Yehoshua Ravnitzky (1859-1944) (a future collaborator), eased Bialik's way into Jewish literary circles in Odessa. He joined the Hovevei Zion movement and became friends with Ahad Ha'am, who had a great influence on his Zionist outlook. In 1892 Bialik heard news that the Volozhin Yeshiva had closed, so he returned home to Zhitomir to prevent his grandfather from discovering that he had discontinued his religious education. He arrived to find both his grandfather and his older brother close to death. . . . Gutman, Nahum (illustratore).…

Soft cover. Condizione: Fair. No Jacket. 1st Edition. In Hebrew. 14 pages. 243 x 170 mm. Some stains. The legends in this book are his literary reworking of legends and fragments of legends drawn from various sources, mostly written, in Hebrew, Arabic and other languages. They are appropriate for youth even though not all of them were initially written with them in mind. So this work of Bialik is a literary work, not a folkloric one. In most of the these creations Bialik used the basis and spirit of folk legends, but kept the plot rolling in a logical and continuous manner, using his own original language and style. He was thus able to successfully make the old-fashioned or archaic legends more accessible with the language and style of the youth of his era. It is for this reason that Mordechai Ben Yehezkel, in his work, Geulat HaAgadot HaIvriyot (= The redemption of the Hebrew legends/ fairy tales) compared Bialik's work with that of the Grimm brothers. Hayim Nahman Bialik (Chaim, Haim)(January 9, 1873 Ivnitsa, Volhynian Governorate, Russian Empire - July 4, 1934 Vienna, Austria) was a poet, journalist, writer of children's stories and translator. He wrote primarily in Hebrew but also in Yiddish and was one of the pioneers of modern Hebrew poetry. Though he died 14 years before Israel became a state, he was ultimately recognized as Israel's national poet. Bialk was born to Itzik-Yosef Bialik, a scholar and businessman from Zhitomir, and his wife, Dinah-Priveh. When Bialik was still a child, his father died. In his poems, Bialik exaggerated the misery of his childhood, describing seven orphans left behind for the widow to care for. In fact, there were fewer children, and some were grown up and supported themselves. Starting age 7 Bialik was raised in Zhitomir by his Orthodox grandfather, Yankl-Moishe Bialik. In Zhitomir Bialik received a traditional Jewish religious education, but he also explored European literature. At age 15, inspired by an article he read, he convinced his grandfather to send him to the Volozhin Yeshiva in Lithuania, to study at a famous Talmudic academy under Rabbi Naftali Zvi Yehuda Berlin, where he hoped he could continue his Jewish schooling while expanding his education to European literature. Bialik was attracted to the Jewish Enlightenment movement (Haskala), and he gradually drifted away from yeshiva life. There is a story in the biography of Rabbi Chaim Solevetchik that cites an anonymous student reputed to be Bialik: Rabbi Solevetchik expels Bialik from the yeshiva for being involved in the Haskala movement, personally escorts him out but asks him not to use his writing talents against the yeshiva world. Poems such as HaMatmid ("The Talmud student") written in 1898, reflect Bialik's great ambivalence toward that way of life. Bialik admired the dedication and devotion of the yeshiva students to their studies, but at the same time was troubled by the narrowness of their world. At 18 he left for Odessa, the center of modern Jewish culture in the southern Russian Empire, drawn by Mendele Mocher Sforim and Ahad Ha'am. In Odessa, Bialik studied Russian and German language and literature and dreamed of enrolling in the Modern Orthodox Rabbinical Seminary in Berlin. Alone and penniless, he made his living teaching Hebrew. The 1892 publication of his first poem, El Hatzipor "To the Bird", which expresses a longing for Zion, in a booklet edited by Yehoshua Ravnitzky (1859-1944) (a future collaborator), eased Bialik's way into Jewish literary circles in Odessa. He joined the Hovevei Zion movement and became friends with Ahad Ha'am, who had a great influence on his Zionist outlook. In 1892 Bialik heard news that the Volozhin Yeshiva had closed, so he returned home to Zhitomir to prevent his grandfather from discovering that he had discontinued his religious education. He arrived to find both his grandfather and his older brother close to death. . . . Gutman, Nahum (illustratore).…