nancy lassalle editor (9 risultati)

Soft cover. Condizione: Good. No Jacket. Unpaginated. Well illustrated with B&W photos. Includes Calenda 1972 - 1975; Repertory. Light wear. Text clean, no tears.

119 pages. Paperback: H 26.25cm x L 21.5cm. Pictorial covers lightly rubbed; slight scuffing at spine ends and covers' fore-edge corner tips. Interior pages are bright and clean. Binding is firm. ISBN 0974878200.

Softcover. First Edition. Clean and bright pages, tight binding as rarely opened, light edge wear to softcovers Clean and bright pages, tight bi.

Soft cover. Condizione: Near Fine. Original publisher's medium gray-blue paper wrappers with staple binding. Color photographic illustration of ballet dancers on front cover. 9" x 11 3/4." Thirty-six pages, complete. Many black-and-white illustrations, complete. Pages are virtually pristine and intact except for almost imperceptible toning. Covers are virtually pristine and intact except for light age toning, tiny stains on front and back, and slight wear to extremities. A Near Fine copy. This is a promotional program for the New York City Ballet (NYCB) for c. 1986-1987. Lincoln Kirstein is listed as NYCB's Director. The following are some of the contents: "Responsibilities of Repertory" by Otis Stuart (article about NYCB and its repertory); "Dressing a Ballet" by Toni Bentley (article about NYCB's costume designers and costume designs); NYCB Ballet Calendar for 1985-1987; credits for NYCB officers and staff; black-and-white photographic portrait illustrations; and stills and show credits for NYCB productions such as Shadows, Songs of the Auvergne, Quiet City, Piccolo Balletto, Brahms-Schoenberg Quartet, Swan Lake, Slaughter on Tenth Avenue, Prodigal Son, Interplay, Episodes, and Dances at a Gathering. NYCB was founded by George Balanchine and Lincoln Kirstein in 1948. It became closely associated with the School of American Ballet (SAB), a ballet dance school that was founded in 1934 by Balanchine, Kirstein, and Edward Warburg. Both NYCB and SAB are still in business and work closely together to this day.

Soft cover. Condizione: Near Fine. Flat and clean with a good binding. Slight wear, no markings.

Softcover. Condizione: Fine in wraps. 4to. Illustrated. Companion to the Exhibition.

Unpaged - 48 pages plus covers. Staple-bound paperback: H 30.25cm x L 22.75cm. Paper covers rubbed; some scuffing at edges and along spine fold. Interior pages are clean. Binding is firm. Pages 4-18 feature b/w portrait photos of principal leads including Jacques d'Amboise, Karin von Aroldingen, Merrill Ashley, Anthony Blum, Jean-Pierre Bonnefoux [Jean-Pierre Bonnefous], Suzanne Farrell, Allegra Kent, Sara Leland, Peter Martins, Kay Mazzo, Patricia McBride, Francisco Moncion, Helgi Tomasson, Edward Villella, and Robert Weiss; pages 19-37 have smaller portraits of soloists and corps de ballet, stage performances, etc.; production staff on pages 38-39; page 40 "Calendar 1972-1975" listing performances scheduled from May 1972 through June 1975; "Repertory" on pages 41-47; New York City Ballet Orchestra roster and concluding credits on page 48. Laid-in is eight page staple-bound insert with its front cover featuring "New Members of the New York City Ballet" (headshot photos of Bart Cook, Joseph Duell, plus seven others on recto along with larger verso portrait photo of Adam Luders), pages 3-6 "Repertory" citing 1975 and 1976 performances, and concluding article "Viennese Waltzes" by George Jackson on pages 7-8.

Softcover. First Edition; First Printing. Near Fine in wraps. ; 8vo 8" - 9" tall.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!