Naomi savage (12 risultati)

Pamphlet. First edition. Fine pamphlet with a small spot of soiling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The catalogue for an exhibition of photographs exploring the relationship between Man Ray, Berenice Abbott, and Naomi Savage; held at the Francis M. Nauman Fine Art gallery, NYC, September 18 - October 31, 2008. Photographs by Man Ray, Berenice Abbott, and Naomi Savage; essay by Francis M. Nauman. C-fold stiff card pamphlet; 6 panels; 14 b&w illustrations; 8.5 x 11 inches.…

First Edition. First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran November 4 through December 30, 1984. Includes color and black and white images by Chuck Close, Robert Cumming, David Hockney, Nancy Holt, Sol Lewitt, Lucio Pozzi, Robert Rauschenberg, Lucas Samaras, Naomi Savage, George Segal, and Kenneth Snelson. A near fine copy in stapled wrappers. …

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran December 14, 1968 through February 9, 1969. Features a foreword by Peggy Lewis. Includes 6 black and white illustrations by each Man Ray and Naomi Lewis and artist chronologies. A near fine copy in stapled wrappers with some very minor wear.…

Softcover, staple-bound, 12 pages; very good condition; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Small oblong softcover. Exhbition catalog for a show that ran March 5 through April 9 1967. Selected by Roland A. Nameth and Art Sinsabaugh. An exhibition of the works of 6 photographers and includes information about each photographer and 1 tipped in image by: Art Sinsabaugh, Wynn Bullock, Marie Cosindas, Barbara Crane, Naomi Savage, Frederick Sommer, and Paul Vanderbilt. A very good copy in stapled wrappers with some sunning to the spine and edges of the rear panel. Internally a clean copy.…

Condizione: Good. 8vo. Staplebound Wraps. 12 pp. B&W Plates. Very Good.Provenance: Richard A. Lorenz (1952 -2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.…

First Edition. First edition and first printing. Hardcover. 244 pages. The first retrospective monograph on Naomi Savaage. Published in conjunction an exhibition that ran October 1 through December 26, 2020. Includes numerous illustrations. A fine copy in a fine dust jacket. Still in the publisher's shrinkwrap. Please note that this is a heavy book and will require extra shipping.…

Softcover. Condizione: Very Good.

Softcover. Condizione: Near Fine. First Edition. Exhibition catalog. Slim, oblong octavo. [24]pp. Illustrated with reproductions of 22 black and white photographs. Stapled wrappers a trifle edgeworn, first and last pages with just a bit of light marginal foxing, about near fine. Quite the exhibition, circulated under the auspices of MoMA and featuring work by Diane, Arbus, Paul Caponigro, Bruce Davidson, Lee Friedlander, Joel Meyerwitz, Jerry N. Uelsmann, Garry Winogrand, and several others. The exhibition also showed at Sheffield Polytechnic, and Cambridge College of Arts and Technology.…

First edition. 4to., [19] loose sheets with b&w images, with color printed front and rear covers and colophon sheet; all 8 1/2 x 11 inches. The illustrated covers and internal sheets are all printed by Xerography on glossy stock; the colophon is handwritten. These sheets are enclosed in a clear acetate folder. In a separate string-tied acetate folder are eight Sharpie Fine Point Permanent Markers in a variety of colors. These two components are then housed in a larger clear acetate folder that is string-tied. Fine. SIGNED by the photographer. An artist's book, limited to 30 SIGNED copies. Naomi Savage (1927-2005) was a photographer who worked in a variety of experimental processes, some of her own invention. As a teenager, she studied with Berenice Abbott at the New School. After college, she assisted and studied with her uncle, Man Ray. She worked as a freelance photographer, and exhibited widely with commissions and purchases by numerous museums and private collections. This is her first artist's book. Of this work she stated "this is a coloring book for adults, a collaboration between us." The plates are a series of female nudes that started as b&w photographs, and were altered and reduced by a variety of hand-worked processes to make these into surrealistic images. Savage, Naomi (illustratore). Signed.…

Framed. Condizione: Very Good. First edition. WONDERFUL SURREALIST PHOTOGRAPH OF DUCHAMP, MAN RAY, AND LAURIE SAVAGE. Inscribed by the photographer Naomi Savage: "Greetings of the Season from Naomi and David Savage, with Man Ray, Duchamp, and Laurie looking on.". Having met in 1915, Man Ray (American 1890 - 1976) and Marcel Duchamp (French, 1887 - 1968) were lifelong friends and frequent collaborators whose powerful intellectual chemistry allowed them to respond freely to each other's ideas in an artistic dialogue filled with in-jokes and innuendos. For example, among their earliest collaborations is Man Ray's portraits of Duchamp's alter-ego, Rrose Selvay, whose name is a pun on the French phrase, Eros, c'est la vie. Man Ray and Duchamp's mutual rejection of traditional art-world ideologies and art-making practices remained a mainstay of their long friendship. Today each artist is associated with a range of avante-garde movements such as Cubism, Dada, Surrealism, and Conceptual Art. Photographed in 1963 by American photographer Naomi Savage (1927 - 2005) the two artists sit side-by-side with their shoulders touching as they face the camera. The expression on their faces is an enigma. The landscape behind them is blurred, which distorts any normal sense of depth and presents Man Ray and Duchamp as one dimensional as a paper cutout. Hovering over the shoulder of Duchamp is Laurie Savage, the daughter of photographer Naomi Savage. Laurie's unexpected presence adds a level of Surrealism, but also creates a sort of family snapshot: the photographer, Naomi Savage, was Man Ray's niece, making Laurie his great-niece. Naomi Savage studied photography with American photographer Berenice Abbott (American, 1898 - 1991) (who briefly worked as Man Ray's studio assistant in Paris) at the New School for Social Research before studying art at Bennington College. But it was during an apprenticeship in Hollywood with her uncle and mentor Man Ray that she began to develop her trademark exploration of innovative photographic techniques. "The darkroom," he told her, "was a place to make fearless tries at whatever images came to mind." She took his advice to heart, experimenting with alternative photographic, mechanical, and electronic techniques throughout her career. Her photographs belong to collections of leading museums such as the Art Institute of Chicago, the Fogg Museum at Harvard University, and the Museum of Modern Art. The Smithsonian Archives of American Art retains her papers. Provenance: From the collection of American photographer Arnold Newman (1918-2006). Gelatin silver print. 7 3/8 x 6 in. (18.7 x 15.2 cm). Archivally framed under museum glass to an overall size of 16 x 13.5 in. Photograph flush mounted to board (as presented by Savage), with Savage's inscription on board verso. In excellent condition with a few very minor hairline scratches only visible under raking light. Signed.…

Savage was influenced by her uncle, artist Man Ray, and studied with photographer, Berenice Abbott. She inscribed her photo collage of a dollar bill to photography gallery owner Lee Witkin. Her inscription reads, "For Lee Witkin - my favorite money-maker - Naomi Savage, 1972." Her stamp shows on lower right of verso. The collage is mounted to a board measuring 7 x 9.5 inches. Her stamp shows on lower right of verso. Signed.…