Natalia bednik (2 risultati)
Programmheft Richard Wagner PARSIFAL
Mariinsky Theatre St Petersburg, Tony Palmer, Yekaterina Sirakanian, Ali Sadik-ogly, Natalia Bednik
Editore: JurArt, ca. 1997, 1997
- Brossura
Da: Programmhefte24 Schauspiel und Musiktheater der letzten 150 Jahre, Görlitz, GermaniaProgrammhefte24 Schauspiel und Musiktheater der letzten 150 Jahre
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 19,90
EUR 39,90 spedizioneSpedito da Germania a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Gebraucht - Gut. original Heft, ca. DIN A4 Format, nicht paginiert, ca. 20 Seiten, diverse Abbildungen, Text in englischer Sprache. Zustand: gut Musikalische Leitung: Valery Gergiev. Regie und Bühne: Yevgeny Lysyk. Kostüme: Nadezhda Pavlova. Mitwirkende: Fedor Mozhaev / Georgy Zastavny, Bulat Minzhilkiev / Nikolai Ok…hotnikov, Mikhail Kit / Gennady Bezzubenkov, Victor Lutsiuk / Alexei Steblianko, u.a. ------- Program booklet Richard Wagner PARSIFAL Mariinsky Theater St Petersburg 1997 - Original booklet, approximately DIN A4 format, unpaginated, approximately 20 pages, various illustrations, text in English. Condition: good - Musical direction: Valery Gergiev. Direction and stage: Yevgeny Lysyk. Costumes: Nadezhda Pavlova. Featuring: Fedor Mozhaev / Georgy Zastavny, Bulat Minzhilkiev / Nikolai Okhotnikov, Mikhail Kit / Gennady Bezzubenkov, Victor Lutsiuk / Alexei Steblianko, among others. eng.
- Rilegato
Da: B-Line Books, Amherst, NS, CanadaB-Line Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 44,43
EUR 10,78 spedizioneSpedito da Canada a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Tight unmarked book in decorated navy cloth; in glossy dust jacket with touch of edgewear and creases to the front flap. Russian text.; 10 x 12.5"; 256 pages; A high-quality art-historical album dedicated to the golden age of Russian Orthodox icon painting fr…om the 11th to the 16th centuriesâ"the period when the Russian icon tradition fully developed its distinctive style, moving from strong Byzantine influence toward a uniquely Slavic spiritual expression. The focus is on the spiritual and aesthetic essence of the icon: reverse perspective, symbolic colors, hierarchical scale, and its role as a "window to heaven" rather than mere art. The 11thâ"16th centuries cover the formative period after the Christianization of Rus' (988) , through the Mongol invasions, rise of Moscow, and the flowering under figures like Rublev.
