nathan scoll (6 risultati)

Taschenbuch. Condizione: Neu. SATURDAY NIGHT FEVER and the Contemporary Dance Film | Towards a Unified Genre Theory of Dance Cinema | Nathan Scoll | Taschenbuch | 108 S. | Englisch | 2011 | LAP LAMBERT Academic Publishing | EAN 9783845418117 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This thesis traces the advent and development of both 'High Concept' Hollywood industrial practice and the relation thereto and key role played in such by Dance Movies. Beginning with SATURDAY NIGHT FEVER, then tracing its innovations through FLASHDANCE, FOOTLOOSE, DIRTY DANCING, and SAVE THE LAST DANCE, this thesis also provides a preliminary unifying genre theory of Dance Movies and their evolution from a hybridized sub-genre of sports films and the Hollywood Musical to a more fully-formed, unique, freestanding generic status. I also explore and delineate cross-promotional marketing-- specifically between the music and film industries, and the key personalities and pioneers in each field. The thesis therefore examines a key nexus of socio-cultural and industrial factors in shaping the type of films and music made and marketed during a key transitional point in film and pop music histories in the late twentieth century and its continually felt reverberations today. 108 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Scoll NathanNathan Scoll holds an MA in Cinema Studies from San Francisco State University, where he taught briefly after finishing his degree. He is Co-Writer and Associate Producer on the independent feature HUMBLE PIE. Nathan is.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This thesis traces the advent and development of both 'High Concept' Hollywood industrial practice and the relation thereto and key role played in such by Dance Movies. Beginning with SATURDAY NIGHT FEVER, then tracing its innovations through FLASHDANCE, FOOTLOOSE, DIRTY DANCING, and SAVE THE LAST DANCE, this thesis also provides a preliminary unifying genre theory of Dance Movies and their evolution from a hybridized sub-genre of sports films and the Hollywood Musical to a more fully-formed, unique, freestanding generic status. I also explore and delineate cross-promotional marketing-- specifically between the music and film industries, and the key personalities and pioneers in each field. The thesis therefore examines a key nexus of socio-cultural and industrial factors in shaping the type of films and music made and marketed during a key transitional point in film and pop music histories in the late twentieth century and its continually felt reverberations today.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 108 pp. Englisch.

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This thesis traces the advent and development of both 'High Concept' Hollywood industrial practice and the relation thereto and key role played in such by Dance Movies. Beginning with SATURDAY NIGHT FEVER, then tracing its innovations through FLASHDANCE, FOOTLOOSE, DIRTY DANCING, and SAVE THE LAST DANCE, this thesis also provides a preliminary unifying genre theory of Dance Movies and their evolution from a hybridized sub-genre of sports films and the Hollywood Musical to a more fully-formed, unique, freestanding generic status. I also explore and delineate cross-promotional marketing-- specifically between the music and film industries, and the key personalities and pioneers in each field. The thesis therefore examines a key nexus of socio-cultural and industrial factors in shaping the type of films and music made and marketed during a key transitional point in film and pop music histories in the late twentieth century and its continually felt reverberations today.