Neal raymond e (9 risultati)

Hardcover. Condizione: Good. 1st Edition. prior owner's name inked on front end page; some pencilled notes.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. First Edition, Fourth Impression. 564 pp. Previous owner's name and date on first blank page, above which a very small square cut from top of page, otherwise clean throughout. Binding square and firm. Minimal shelf wear.

SingleIssueMagazine. Condizione: Good. Vol. 1, No. 5. Edited by Donald J. Pfiel. Cover art by Kevin Davidson. Includes "A Nice Place to Visit" (novelette) by Stephen Goldin; "Mind" by Allan Asherman; "Dark, Dark Were the Tunnels" by George R. R. Martin; "For the Good of Society' by Terri E. Pinckard; "Sikh, Sikh, Sikh" by Larry Eisenberg; "Springtime A.D." by Richard Ashby; "A'la Mode Knights" by William Rotsler; "No Bands Playing" by Robert A. Heinlein; "The Reason Why" by Steven Utley; "The Questers" by Herman Wrode. Feature Articles and more. Stals rusty with stains; lower end has been wet with stains and waviness. Book. …

hardcover. Condizione: Good.

Paperback. Condizione: New. Soft Cover. Book Palace Books February 2023. Book condition: New. Full Colour illustrations. After 40 issues and 18 Special issues we present a selection of our most popular articles over the last 10 years. Inside this issue: Neal Adams, Arturo Del Castillo, Graham Coton, Maurice Leloir, James E McConnell, Patrick Nicolle, Alex Raymond, David Wright. Plus a full index of all artists from our 58 issues. Most of the articles are taken from sold out issues and only available as digital editions. This is your chance to see what you may have missed and introduce new readers to our popular series. David Wright from issue 2 Graham Coton from issue 6 Patrick Nicolle from issue 10 James E McConnell from issue 11 Maurice Leloir from issue 14 Neal Adams from issue 16 Arturo del Castillo from issue 19 Alex Raymond from issue 35 A Book Palace Books publication. 176 pages. Size: 9" x 11" (216mm x 280mm). (0.95). Neal Adams, Arturo del Castillo, Graham Coton, Maurice Leloir, James E McConnell, Patrick Nicolle, Alex Raymond, David Wright (illustratore). …

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardback. Condizione: New. Hard Cover. Book Palace Books February 2023. SPECIAL HARDCOVER EDITION LIMITED TO JUST 100 COPIES WORLDWIDE. Includes FIVE exclusive limited edition David Wright glamour prints. Limited Edition. Book condition: New. Full Colour illustrations. After 40 quarterly issues and 18 Special issues we present a selection of our most popular articles over the last 10 years. Inside this issue: Neal Adams, Arturo Del Castillo, Graham Coton, Maurice Leloir, James E McConnell, Patrick Nicolle, Alex Raymond, David Wright. Plus a full index of all artists from our first 58 issues. Most of the articles are taken from sold out issues and only available as digital editions. This is your chance to see what you may have missed and introduce new readers to our popular series. David Wright from issue 2 Graham Coton from issue 6 Patrick Nicolle from issue 10 James E McConnell from issue 11 Maurice Leloir from issue 14 Neal Adams from issue 16 Arturo del Castillo from issue 19 Alex Raymond from issue 35 SPECIAL HARDCOVER EDITION LIMITED TO JUST 100 COPIES WORLDWIDE. Includes FIVE exclusive limited edition David Wright glamour prints. A Book Palace Books publication. 176 pages. Size: 9" x 11" (220mm x 285mm). (1.5). Neal Adams, Arturo del Castillo, Graham Coton, Maurice Leloir, James E McConnell, Patrick Nicolle, Alex Raymond, David Wright (illustratore).…

Hardcover. Condizione: New.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…