negre joseph (18 risultati)

Couverture souple. Condizione: Satisfaisant. 0 Couverture recollée mais livre frais et en bon état. GLN-137. Livre.

In-12 broché ( 190x120 mm ) de 454 pages. Religion.

Paris Victor Retaux 1894, In-12 broché de 454 pages. Rousseurs sur la couverture néanmoins bon exemplaire.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Landscape format large 8vo HB. pp; 93. Illustrated throughout. 29pp descriptive booklet in pocket to inside rear cover. Very Good in pictorial boards with a slight fade to the spine and some rubbing to the corners.

Hardcover. Condizione: VG. Brown boards with photograph. unpaginated. Illustrations. Contains pamphlet of photograph descriptions. Translation of La Riviera de Charles Nègre; translated by Jacqueline and Margaret Engert.

Condizione: Used: Very Good.

Hard. Condizione: Very Good Plus. No Jacket. 1st. Spine lightly sunned, price sticker mark to rear board. Size: Oblong 8vo 0.0.

Agrafé. Condizione: Etat satisfaisant. in-8 Description :Pages 466-487. Couverture insolée avec de petites pliures et déchirures. Langue : Occitan Nb de volumes : 1.

Condizione: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture souple. Condizione: bon. R320141114: 1894. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 452 pages - fortes rousseurs sur les plats - papier jauni - disitribution de prix du pensionnat des soeurs du St-Enfant Jésus maison de la providence à Rodez sur la page de faux titre. . . . Classification Dewey : 232.91-Vierge Marie.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. Charles Nègre (illustratore). Edition originale, Édition illustrée. ** France : Par défaut Livraison STANDARD en Relais Colis / PRIORITAIRE : Livraison à domicile ** Édisud - TAC-Motifs, Aix-en-Provence, 1991. Cartonnage in-4 oblong (29 x 23 cm), reliure pleine toile bordeaux sous jaq. illustrée. 16 pp d'introduction, suivies de 86 reproductions de photographies en noir et blanc ou sepia en planches hors texte. Dans la cadre de sa recherche artistique et technique, Charles Nègre (1820-1880) quitte Paris en 1852 et revient à Grasse voir sa famille. Finançant sa propre "mission héliographique" pour parfaire le procédé qu'il vient d'inventer, il photographie une centaine de monuments, d'Avignon à Antibes. À partir de 1863, enseignant le dessin à Nice au Lycée du Parc Impérial, il concentrera son travail sur la Riviera, de Saint-Raphaël à Menton, et sur l'arrière-pays. Déjà apparaît dans son oeuvre ce souci de documentation systématique annonçant certain modernisme du XXe siècle. Bien complet du catalogue "Légendes des photographies" en fin de volume. Livre en très bon état. - ISBN 9782857445364 - Poids livre : 1034 g, ép. 20 mm. Livre.

Condizione: Sehr gut. [9] Blätter, 83 Seiten : Illustrationen + 31 Seiten Beilage: Légendes des photographies Zustand: sehr gut bis neuwertig; v10517 9782857445364 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Französisch Gewicht in Gramm: 1050 gebundene Ausgabe, Hardcover/Pappeinband.

Edisud, 1991 Relié, toile sous jaquette originale, 16pp.nn. et 83 planches n/b., bien complet avec livret de légendes des photos (32pp.,), 29.5x24cm., en très bon état (jaquette avec légère usure). ISBN 9782857445364.

quer 4° 6 Bll. + 83 Tafeln. Illustr. Orig. - Pappband. (Beiliegend: Lègendes des Photographies. 31. S. Orig. Heft.) = Auflage von 700 Exemplaren. Leichte materialbedingte Papiervergilbung vom Schnitt her. Hintere untere Deckelkante leicht bestoßen. Insgesamt jedoch sehr gut erhalten.

Hardcover. Condizione: Very good+. First edition. Four volumes, folio, 36 by 27 cm (text volumes), 36.2 by 28.6 cm (atlas). Complete with a total of 99 plates in various media. Text in French; copious transcriptions of Arabic inscriptions in the second volume. [4], IV, 388 pp., in-text illustrations throughout; [6], 222, [6] pp; [4], VI, 326 pp.,14 plates (numbered I-XIV): 2 double-suite chromolithographic maps, 2 double-suite chromolithograpic arrays of geologic sections; 2 steel-engraved arrays of geologic sections; 8 full-page lithographic specimen plates; Atlas: [4] pp; 67 plates documenting the journey of the Duc de Luynes: (3 unnumbered steel-engraved plates) - 1 large folding map (colored), 1 folding itinerary (colored), 1 double-suite plan of the iron sailing vessel; (numbered I-LXIV) - 64 hand-pulled b/w photogravures on steel (1 double-suite) by Charles Nègre after photos by Jardin and Louis Vignes; 18 plates documenting the journey of Christophe Mauss (numbered I-XVIII): 1 double-suite steel-engraved itinerary, 3 steel engraved site plans (1 colored), 14 tinted lithographs by Eugène Ciceri after photographs by Henri Sauvaire (8 mistakenly attributed to Louis Vignes). Later half light brown morocco over marbled boards, gilt spine with raised bands; marbled endleaves; original blue printed wrappers preserved (along with the backstrips the three text volumes). Text leaves intermittently foxed throughout (often in light-moderately toned large blotches). Plates clean and fresh with only occasional touches of soiling or faint foxing almost exclusively confined to the margins; large folding map and folding itinerary in the Atlas with more notable light foxing. A very good set with fine plates. First edition of this comprehensive report on one of the most important scientific and archaeological missions of the nineteenth century, the 1864 expedition to the Dead Sea undertaken by the visionary art collector, archaeologist, and scientist Honoré Paul Joseph d'Albert, duc de Luynes (1802-1867). Along with an atlas containing 78 reproductions of photographs by Louis Vignes (1831-1896), Jardin (fl. 1864), and Henri Joseph Sauvaire (1831-1896), this work documents "the first systematic attempt to survey and photograph the geological features and cities of the Dead Sea basin in present-day Jordan. In addition to mapping the Dead Sea area, the expedition made significant contributions to the geological and paleontological knowledge of the region and also to an understanding of the chemical composition of the lake's waters" (GRI). Louis Vignes, a lieutenent-commander in the French navy and director since 1860 of the port in Beirut, was chosen by de Luynes as photographer for the expedition because of his knowledge of the Levant. "Vignes began to photograph immediately upon arrival in Beirut and continued to do so during the ride south throughout Sidon, Tyre, Nablus, and Jerusalem. From March 14 until May 29 the party sailed the entire Dead Sea on a special iron vessel designed by Vignes to be dismantled for easy trasportation" (Perez). A preliminary account, edited by Vignes, appeared as Extrait des notes d'un voyage d'exploration à la mer Morte, dans le Wady Arabah, sur la rive gauche du Jourdain et dans le désert de Palmyre (Paris: H. Plon, 1865). This work essentially comprised a key to the two maps drawn by Vignes, with assistance from Dr. Gustave Combe. The larger of the two maps charted the Jordan Rift Valley from the southern end of the Dead Sea to the Gulf of Akabah; the second map depicts the Dead Sea and its immediate vicinity. "In addition to tracing the expedition's routes, place names, elevations, vegetation, land conditions, natural features and many other geomorphic and climatic details are recorded on the maps" (GRI). In the Atlas volume of the Voyage, these two maps have been combined into a single map (printed surface: 69.7 by 28.8 cm). In 1866 de Luynes made a second expedition to the region, accompanied by the archaeologist Christophe Edouard Mauss and Henri Sauvaire; their account was published the following year in the Bulletin de la Société de Géographie as "De Karak à Chaubak. Extrait d'un Journal de voyage." De Luynes' full account of the expedition is found in the first volume of the present report. The two parts of the second volume comprise Louis Vignes' account of the journey from Petra (Jordan) to Palmyra (Syria), along with the account of the 1866 journey from Jerusalem to the Crusader castles in Jordan at Kerak and Shoubak (Montréal), written by Mauss and Sauvaire. The third volume contains the report prepared by the noted geologist Louis Lartet (1840-1899), who would go on to discover the first Cro-Magnon skeletons. It is accompanied by chromolithographic maps and arrays of geological and paleontological elevations, along with finely detailed lithographic specimen plates. The entire production was posthumously edited by Melchior, marquis de Vogüé (1829-1916). A member of the Académie des inscriptions et belles-lettres, de Luynes was a philanthropist with enormous inherited wealth, and deep interdisciplinary interests, many of which are on display in the present work: the study and collection of Greco-Roman antiquities, notably from Phoenicia and Palestine, and the pursuit of scientific interests in chemistry, geology, and photography. In 1856 de Luynes initiated a competitionin in conjunction with the Societé Française de Photographie to find the best method of photomechanical reproduction. Two people were short-listed for the prize: the chemist and photographer, Alphonse Louis Poitevin, for his method of photolithography; and the pioneering photographer, Charles Nègre, (1820-1880) whose photogravure method "produced beautiful prints, but was even more complicated and unwieldy in practice the Poitevin's method" (Parr & Badger). Although Poitevin was finally awared the prize in 1867, de Luynes chose Nègre to process the 64 reproductions which appear in the first suite of images in the Atlas. "The Duc's decision.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1903 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 22 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 22.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1902 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 19 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 19.

. In-8 en feuilles. Poème de J. Guglielmi. Une reproduction hors-texte d'Osanne. E.O. 1/30 ex. num. comprenant une aquatinte avec rehaut de pastel d'Osanne, numérotée et signée par Osanne. Exemplaire signé au colophon par Joseph Guglielmi et Osanne. Envoi autographe de J. Guglielmi.