new york 2003 (26 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Debbie Glasserman (Design); Lynn Buckley (Jacket Design); Nina Subin (Author Photo); Elaine Bartlett, 2003, by Harvey Wang, Mug Shot, 1983, Courtesy of New York State Police (Jacket Photo) (illustratore). 1st Edition: 2004/1st Printing. 356 pp. Stated first edition and first printing. A great copy. Well bound copy with minimal external wear. Clean text. Book suffers minor shelf wear and edge wear. Dust jacket suffers minimal wear around places.

Paperback. Condizione: Very Good. First Edition. First edition. 4to. 220pp. Very Good. Mild shelfwear and rubbing to wraps.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Inscribed by illustrator (Robert Quackenbush) to Nancy Winslow Parker (children's book author and illustrator).

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Géricault, Théodore 1791-1824. Delacroix, Eugène 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 1 Kg.

First Edition. Fine paperback copy. Particularly well-preserved; tight, bright and clean. Physical description; 296 p. : illustrations (chiefly colour), portraits ; 30 cm. Notes; Catalogue of an exhibition held at Tate Britain, London, 5 February - 11 May 2003 ; Minneapolis Institute of Arts, Minneapolis, 8 June - 7 September 2003 ; The Metropolitan Museum of Art, New York, 7 October 2003 - 4 January 2004. Includes bibliographical references (p. 286-291) and index. Subjects; Géricault, Théodore 1791-1824. Delacroix, Eugène 1798-1863. Constable, John 1776-1837 ; Exhibitions. Romanticism in art ; Exhibitions. Romanticism in art Great Britain ; Exhibitions. Romanticism in art France ; Exhibitions. Art, British 19th century ; Exhibitions. Art, French 19th century ; Exhibitions. Painting, British 19th century ; Exhibitions. Painting, French 19th century ; Exhibitions. 1 Kg.

Condizione: Buono (Good). . 8vo. pp. 264. . Buono (Good). Sovracoperta sciupata ai margini con strappetti e mancanze (Some chipping and nicks around top and bottom of dust jacket). . . Si allegano altri due libri dell' stesso Autore: The American. A Middle western legend. 1946, pp 338 e The Unvanquished, 1946, pagine 316, entrambi in lingua inglese Rilegato, sovracoperta (hard cover, dust jacket). Book.

Excellent état.

Excellent état.

Softcover. Pictorial wraps. 158 pp. Profuse color ills. VG-, scuffing to front and rear covers, exlib with minor marks.

Paperback. Condizione: New. *BRAND NEW* Paperback, sealed in plastic. No remainder marks and No price tags.

168 pp.; 150 lots. Sotheby's Sales cat. 14 November 2003. New York, 2003. Pbk. KEYWORDS: 003 Auction Catalogues.

loose_leaf. Condizione: Very Good. Cartoncino d'invito alla mostra di Fred Sandback presso la Galleria Victoria Miro, Firenze, ottobre 1990. Al fronte un'illustrazione a colori (Installation). Nome dell'artista scritto a penna rossa Nome dell'artista scritto a penna rossa . Cm 22x16. . . Molto buono (Very Good). Note a penna a margine (Pen underlining and margin notes on a few pages). . . Book.

loose_leaf. Condizione: Ottimo (Fine). Cartolina di invito al vernissage della mostra alla Galerie Coppens, Brussels, 26 aprile 1996. Con una illustrazione in bianco e nero . Cm 12x17. . . Ottimo (Fine). . . . John Rivers Coplans è stato un artista, scrittore d'arte  e fotografo inglese, emigrato negli Stati Uniti nel 1960. Ha fatto parte della redazione di Artforum dalla sua fondazione nel  1962, diventandone poi caporedattore dal 1972 al 1977. Fu lui a suggerire il formato quadrato della rivista, in modo che le immagini verticali e orizzontali avessero la stessa rilevanza, dando così vita alla forma iconica di Artforum e contribuendo al suo  rapido successo. All'inizio della sua carriera le sue opere d'arte astratte si ispirarono al tachismo e all'espressionismo astratto, sulla scia di artisti americani, quali Jackson Pollock e Willem de Kooning. Nel 1980 Coplans iniziò a sperimentare la fotografia, diventando particolarmente noto per la sua serie di autoritratti in bianco e nero che sono uno studio del corpo nudo e invecchiato. Ha fotografato il suo corpo dalla base del piede alle rughe della mano, con l'obiettivo di mettere in discussione il tabù dell'età: "Ho la sensazione di essere vivo, di avere un corpo. Ho settant'anni e in genere i corpi dei settantenni assomigliano un po' al mio corpo. Quindi, uso il mio corpo e dico che, anche se è un corpo di settant'anni, posso renderlo interessante. Questo mi tiene in vita e mi dà vitalità. È una sorta di processo di energizzazione di me stesso attraverso la mia convinzione che la tradizione classica dell'arte che abbiamo ereditato dai greci sia un mucchio di stronzate". Book.

Condizione: New.

Paperback. Condizione: Brand New. illustrated edition edition. 177 pages. 10.25x7.25x0.50 inches. In Stock.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Fine. 176 pp, 207 Lots, Some writing in it.

Soft cover. Condizione: Fine. 188 pp, 197 Lots.

2. New York, Sotheby's, 2003, in-4°, 102 pp, drawings catalogued as lots 1 -16, paintings catalogued as lots 63-68, sewn, orig. stiff wrapper. Sotheby's catalogue number N07870A.

Soft cover. Condizione: Fine. 168 pp,150 Lots.

Pas de couverture. Condizione: Bon. Authentic press photo signed in person in Cannes in 1989. Size : 12.5x18 cm. Condition : to flatten a little, see scans please. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

New York, Sotheby's, 2003, in-4°, 27 x 20 cm, 444 pp, 1088 lots. Library of the Rare Book Saga Dealer.

Fine. Size 31.75 x 24 Inches. This is a 2003 pictorial map of the Harlem neighborhood in Manhattan, New York City, drawn by Tony Millionaire. It highlights the many facets of the Harlem Renaissance (1920s - 30s). A Closer Look The figures drawn on the map are a veritable who's-who of 20th-century African-American culture, from political leaders like Marcus Garvey and Adam Clayton Powell, to civil rights activists (Zora Neale Hurston), judges (Thurgood Marshall), religious leaders (Frederick Cullen), scientists and explorers (Matthew Henson), musicians and composers (Duke Ellington, Marian Anderson, Billie Holiday, Ella Fitzgerald), writers and poets (Countee Cullen, Claude McKay), artists of various stripes (Alvin Ailey, William H. Johnson, Augusta Savage), athletes (Joe Louis, Althea Gibson), and individuals like W.E.B. DuBois and Paul Robeson who transcended several of these categories. A banner at bottom and bottom-right discusses African-American life elsewhere in Manhattan, other Jazz Age writers and composers who were influenced by the Harlem Renaissance (including George Gershwin), and important figures (James Baldwin, Malcolm X) born too late to properly be part of the Harlem Renaissance but who were heavily influenced by it. Famous buildings, organizations, and institutions are also labeled, including churches, hotels, parks, brownstone apartment buildings that were home to the individuals depicted, and famous venues for theater and music, including the Apollo Theater, Cotton Club, and Savoy Ballroom. Other clubs appear, perhaps less famous to history but no less significant. In particular, a group of clubs between 131st and 134th St. are noted, including Smalls Paradise and Barron's Exclusive Club (also known as Barron Wilkin's Club), which were notable for being Black-owned and having an integrated clinetele (unlike the Cotton Club, which catered to a White clientele). Minton's Playhouse on 118th St. is something of a Mecca for jazz music, where jam sessions including the likes of Thelonious Monk and Charlie Parker pioneered the bebop genre. Some contemporary buildings (the Schomburg Center for Research in Black Culture with its modern extension) and placenames (Adam Clayton Powell Blvd., Malcolm X Blvd., Marcus Garvey Park) appear, but the street grid and most of the buildings in Harlem from the era of the Harlem Renaissance remain today, allowing a user of this map to retrace the steps of those illustrated on it. The Harlem Renaissance The Harlem Renaissance, known at the time as the 'New Negro Movement,' was a cultural, social, and artistic movement that took place primarily during the 1920s and early 1930s, centered in the Harlem neighborhood of New York City. It marked a period of prolific creativity among African American artists, writers, musicians, and intellectuals, who used their work to express pride in Black identity and culture, challenge racial stereotypes, and advocate for civil rights. Many leading figures of the Harlem Renaissance had been born in the Deep South and moved to New York City as part of the Great Migration to seek opportunities and escape racism. Other contemporary developments, especially Prohibition and the Great Depression, also had an important impact on the course of the Harlem Renaissance, as did the unique cosmopolitan environment of New York City, drawing in artists, writers, and activists from throughout the African Diaspora. In sum, the Harlem Renaissance marked a cultural flowering and coalescing of social-political consciousness that reverberated for decades afterward, even down to the present. Publication History and Census This map was drawn by illustrator Tony Millionaire and published in 2003 by Ephemera Press. The original 2001 edition of the map was designed by Kevin Hein, an Art Director at Ephemera Press, with the text done by Marc H. Miller, the founder of the press. The primary differences between the present map and the 2001 edition are the printing, verso content.