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Plough Quarterly No. 31 â" Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; González, Joseph Julián
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Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missin…g.

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paperback. Condizione: Good.

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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Plough Quarterly No. 31 â" Why We Make Music
Tin, Christopher,Newby, Stephen Michael,Townsend, Mary,Swinger, Maureen,González, Joseph Julián
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Da: Half Price Books Inc., Dallas, TX, U.S.A.Half Price Books Inc.
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paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Da: Goodwill Southern California, Los Angeles, CA, U.S.A.Goodwill Southern California
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Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: New.

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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.

Plough Quarterly No. 31 - Why We Make Music Format: Paperback
Tin, Christopher ; Newby, Stephen Michael ; Townsend, Mary ; Swinger, Maureen ; González, Joseph Julián ; Christman, Phil ; Vodolazkin, Eugene ; Magnis, Esther Maria ; Crosby, Ben ; Schram, Nathan ; Petruzzi, Brittany ; Voll, Norann ; Mommsen, Peter
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Condizione: As New. Unread copy in mint condition.

Plough Quarterly No. 31 - Why We Make Music Format: Paperback
Tin, Christopher ; Newby, Stephen Michael ; Townsend, Mary ; Swinger, Maureen ; González, Joseph Julián ; Christman, Phil ; Vodolazkin, Eugene ; Magnis, Esther Maria ; Crosby, Ben ; Schram, Nathan ; Petruzzi, Brittany ; Voll, Norann ; Mommsen, Peter
- Brossura
Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Condizione: New. Brand New.

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Da: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 112 pages. 10.25x7.50x0.39 inches. In Stock.

Plough Quarterly No. 31 - Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; González, Joseph Julián
- Brossura
Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Condizione: New. In.

Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.

Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Come nuovo
EUR 13,58
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Condizione: As New. Unread book in perfect condition.

- Brossura
Da: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

- Brossura
Da: GoldBooks, Denver, CO, U.S.A.GoldBooks
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Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

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Da: moluna, Greven, Germaniamoluna
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EUR 17,34
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Kartoniert / Broschiert. Condizione: New. KlappentextrnrnCommunal music has the power to shape a soul and a society.rnIn many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pand.

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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 11,59
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

Lingua: Inglese
Editore: University of Illinois Press 2023-06-09, 2023
Serie: Music in American Life, Libro 76 di 85. Libro 76 di 85 - Music in American Life
- Rilegato
Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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EUR 80,80
EUR 18,13 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: New.