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Plough Quarterly No. 31 â" Why We Make Music
Tin, Christopher,Newby, Stephen Michael,Townsend, Mary,Swinger, Maureen,González, Joseph Julián
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Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Condizione: good. Paperback Book.
Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.
Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condizione: As New. Unread book in perfect condition.
Plough Quarterly No. 31 - Why We Make Music Format: Paperback
Tin, Christopher ; Newby, Stephen Michael ; Townsend, Mary ; Swinger, Maureen ; González, Joseph Julián ; Christman, Phil ; Vodolazkin, Eugene ; Magnis, Esther Maria ; Crosby, Ben ; Schram, Nathan ; Petruzzi, Brittany ; Voll, Norann ; Mommsen, Peter
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Da: INDOO, Avenel, NJ, U.S.A.INDOO
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Da: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Paperback. Condizione: Brand New. 112 pages. 10.25x7.50x0.39 inches. In Stock.
Plough Quarterly No. 31 - Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; González, Joseph Julián
- Brossura
Da: Ria Christie Collections, Uxbridge, Regno UnitoRia Christie Collections
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Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
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Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: New.
Why We Make Music
Tin, Christopher; Newby, Stephen Michael; Townsend, Mary; Swinger, Maureen; Gonzalez, Joseph Julian
- Brossura
Da: GreatBookPricesUK, Woodford Green, Regno UnitoGreatBookPricesUK
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Condizione: As New. Unread book in perfect condition.
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Da: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.
- Brossura
Da: GoldBooks, Denver, CO, U.S.A.GoldBooks
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Paperback. Condizione: new. New Copy. Customer Service Guaranteed.
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Da: moluna, Greven, Germaniamoluna
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Kartoniert / Broschiert. Condizione: New. KlappentextrnrnCommunal music has the power to shape a soul and a society.rnIn many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pand.
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Da: Rarewaves.com UK, London, Regno UnitoRarewaves.com UK
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Paperback. Condizione: New. Communal music has the power to shape a soul and a society.In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. A…ccording to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community.On this theme:- Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion.- Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors.- Joseph Julián González draws on ancient Nahua poets in his music.- Christopher Tin explains why he weaves so many historical influences into his music.- Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi.Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis- Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold- Catholics and Anabaptists unite to commemorate the Radical Reformation- New poems by Jacqueline Saphra- A profile of Argentinian singer Mercedes Sosa.- Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of UsPlough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.
Lingua: Inglese
Editore: University of Illinois Press 2023-06-09, 2023
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Da: Chiron Media, Wallingford, Regno UnitoChiron Media
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Hardcover. Condizione: New.
Altre immagini- Rilegato
Da: Lacey Books Ltd, Cirencester, Regno UnitoLacey Books Ltd
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Hardcover. Condizione: Very Good. 2000 Brill hardcover reprint edition. Unread copy in very good condition. Contents: 1. Preface' by Benjamin Hary, John Hayes and Jennifer Quijano; 2. 'A Tribute to Professor William M. Brinner' by Fred Astren; 3. 'Bibliography of the Works of William M. Brinner' by Barry Ross; 4. 'Time, Historio…graphy, and Historical Consciousness: The Dialectic of Jewish-Muslim Relations' by Jacob Lassner; 5. 'Jews, Muslims, and Christians in Byzantine Italy' by Stephen D. Benin; 6. 'Sociability and the Concept of Galut in Jewish-Muslim Relations in the Middle Ages' by Mark R. Cohen; 7. 'The Jewish-Christian Debate in Transition: From the Land of Ishmael to the Land of Edom' by Daniel J. Lasker; 8. 'Patrilocal Residence and Jewish Court Documents in Medieval Cairo' by David Marmer; 9. 'Text and Territory: Jewish-Muslim Relations 632-750 CE' by Gordon D. Newby; 10. 'Medieval Jewish Magic in Relation to Islam: Theoretical Attitudes and Genres' by Shaul Shaked; 11. 'Viewing the 'Other': Sephardic/Oriental Jewry and Zionism in Contemporary Arab Political and Journalistic Writing in the 1960s and 1970s' by Michael M. Laskier; 12. 'Jews of the Arab World between European Colonialism, Zionism, and Arab Nationalism' by Norman A. Stillman; 13. 'Early Bible and Qur'an Illuminations: Preliminary Remarks' by Eva Baer; 14. 'The Story of Our Master Joseph: The Spiritual or the Righteous?' by Marc Bernstein; 15. 'Comparative Studies in Bible and Qur'an: A Fresh Look at Genesis 22 in Light of Sura 37' by Reuven Firestone; 16. 'Isfhjma'iliyat: A Judeo-Persian Account of the Building of the Ka'ba' by Vera B. Moreen; 17. 'The Garment of Adam in Jewish, Muslim, and Christian Tradition' by Stephen D. Ricks; 18. 'Vestiges of Saadiah's Tafsir in Modern Arabic Bibles' by Sasson Somekh; 19. 'Qisas al-Anbiya' by Steven M. Wasserstrom; 20. 'Islamic Law and Jewish Law on Deserted Wives/Missing Husbands: Humanitarian Considerations' by Vardit Rispler-Chaim; 21. 'Problems of Intermarriage in Early fiqh Texts' by Susan Spectorsky; 22. 'Maimonides and the Philosophers of Islam: The Problem of Theophany' by Lenn E. Goodman; 23. 'Self-Criticism in Jewish and Islamic Traditions' by Hava Lazarus-Yafeh; 24. 'Karaite Jewish Approaches to History in Medieval Islam' by Fred Astren; 25. 'A Speculation on External Factors in the Formation of the Crimean Karaite (National) Identity' by Philip E. Miller; 26. 'Sabbatian Echoes in A. B. Yehoshua's Mar Mani' by Arnold J. Band; 27. 'Ideology and Realism in a Palestinian Novella: Ghassan Kanafani's Return to Haifa' by Ariel A. Bloch; 28. 'How Can My Heart Be in the East?' Intertextual Irony in Judah ha-Levi' by Ross Brann; 29. 'From 'lh rhmn to al-rahman-The Source of a Divine Epithet' by Jonas C. Greenfield; 30. 'Egyptian Judeo-Arabic Sharh-Bridging the Cultures of Arabic and Hebrew' by Benjamin Hary; 31. 'The Nineteenth-Century Jewish Playwright, Abraham Daninos, as a Bridge between Muslim and Jewish Theater' by Shmuel Moreh.
