Nicholas griffin editor (18 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition.

Softcover. Condizione: Fine. Clean text, no marks, no creases, no writing, one corner has a small curl outward, tight binding. Like new. Unread copy.

Hardcover. Condizione: Very Good. Very Good (Protective Cover). First Edition. Cover is in excellent condition. DJ is unclipped and in very good condition, save for minor corner bumping. Text is otherwise tight in binding. Text is clean and free of blemishes, save for penned ownership on FEP. No other markings or indications of note. Size: 8vo - over 7¾" - 9¾" tall.…

Soft cover. Condizione: Very Good+. First Edition. 176 pp. Digest format. Volume 15, number 15 . Very light wear. Cover art by Nicholas Jainschigg; interiors by: Nicholas Jainschigg; Laura Lakey; Richard Paul Russo; Gary Freeman; Robert Frazier; and Brent Cardillo. This issue contains: Short Stories: In the Late Cretaceous by Connie Willis; It's a Job by Isaac Asimov; The Hole in Edgar's Hillside by Gregory Frost; One Night in Mulberry Court by Peni R. Griffin; Professionals by Michaelene Pendleton; and Novelettes: Celebrate the Bullet by Richard Paul Russo; Cruising through Blueland by Robert Frazier; and Fin de Cycle by Howard Waldrop; along with Asimov's Editorial: Aliens; and all the usual features. Size: 12mo. Nicholas Jainschigg; Laura Lakey; Richard Paul Russo; Gary Freeman; Robert Frazier; Brent Cardillo; Nicholas Jainschigg; (illustratore). Book.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 160pp, copiously illustrated in full colour and black and white. In deep blue cloth-covered boards with gilt titles on spine. Small 4to. Cloth just a little bruised at spine ends. Internally neat, clean, bright and tight. In its original dust jacket very lightly bumped along upper edge and around base of spine. Gauguin's original manuscript, the first annotated English edition. Noa Noa was Gauguin's most ambitious written work, originally planned as a collaboration with the poet Charles Morice; its first publication was a disaster. In this version it is presented with all the abrupt vigour and freshness of the artist's original intent. More than a description of Gauguin's sojourn in Tahiti in the late 19th century, it is a vibrant tapestry in which fact, fiction, myth and dream are interwoven. Gauguin, Paul (illustratore).…

Soft cover. Condizione: Very Good. Softcover. xvii+550pp. Very good+ condition. Text is entirely free of markings. Cover shows a fair amount of shelfwear but is free of nicks, chips and tears. Small (about .5 inch) black mark on the bottom edge (likely a remainder mark). Spine is tight and uncreased, binding sound. Book is tight and square. Weight: 710 grams. (If you order this from outside the United States, we are likely to request an additional payment to help cover the postage.) Every order includes tracking and is wrapped and robustly packaged with care in Tucson, AZ. ~Mesquite Booksellers.…

1st edn 1st printing. Tall 8vo. Original gilt lettered black cloth (VG), dustwrapper (VG in protective cover, not price clipped). Pp. xxi + 553, illus with b&w plates (no inscriptions).

Condizione: Very Good. 1st edition. Imitation cloth, dj, F/VG+. 160pp, colour frontis, 102 colour & b/w illustrations, index, a fine copy in a very slightly edge worn dustjacket. An illustrated translation of Gauguin's commentary on his Tahitian paintings which also describes his experiences in Tahiti. 975 grams.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First edition. Fine in fine dust jacket. Volume one only. Pages clean and tight. Clean and solid cover. Nice condition.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Routledge, 2001; "First published." stated, no later printings indicated; xix, 660pp. Binding is tight, sturdy, and square; minor wear to edges of tan cloth boards, gilt titling remains bright and bold; text very good. Minor wear to edges of unclipped dust jacket; jacket arrives wrapped in protective mylar. Due to the size/weight of this book extra charges may apply for international shipping. Ships from Dinkytown in Minneapolis, Minnesota.…

Paperback. Condizione: Brand New. 216 pages. 9.21x5.98x0.87 inches. In Stock.

HB--FN, brown cloth cover with black cloth spine. DJ--VG; contains illustrations; appendix, bibliographical notes; index.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Paperback. Condizione: Brand New. reprint edition. 384 pages. 9.00x6.00x1.00 inches. In Stock.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: Brand New. 458 pages. 8.75x5.75x1.25 inches. In Stock.

Hardcover. Condizione: Brand New. 2nd new edition. 588 pages. 9.21x6.14x1.45 inches. In Stock.

Leather bound. Condizione: Near fine. First and Limited Edition. One of 20 deluxe copies, quarto size, 63 pp. Since 1972 The Whittington Press has been printing books by letterpress, from type, in the Gloucestershire village of Whittington. The Press has received numerous awards for its printing, and in 2008 The Center for Book Arts in New York held an exhibition of their work. Their books are highly sought-after by collectors of fine press work,and this work is a wonderful example of their unparalled excellence and high standards. Published to commemorate the fiftieth anniversary of the founding of The Marlborough College Press, the book is structured as a series of essays by the above authors, which together provide the reader a glimpse into "the Press [as] seen as [the] six of us who remember" (n.b., from the Introduction). This one of 20 copies of the deluxe version, bound in full leather and with Whittington marbled endpapers (there were also 200 copies of the standard version). ___DESCRIPTION: Bound in full blue goatskin over boards, the front board with a small gilt device of the Whittington Press inset into a debossed oval, gilt lettering on the spine, endpapers of Whittington marbled paper, title page in blue and black with the Press device, one of the tipped-in speciman pieces serving as frontispiece, four additional tipped-in specimens bound in throughout, in a pocket at the rear pastedown are two folded facsimile broadsides, the colophon with a small wood engraving by Edward Walters; binding quarto size (11 1/4" by 7 7/8"), pagination: [i-x] [1] 2-51 [1, blank] [1, colophon]; this volume no. XVIII of the twenty deluxe copies (total edition 220). Loosely laid in is a small piece of Press ephemera, a small sheet inviting interested parties to submit their contact information to receive catalogues; the volume is housed in a slipcase of sturdy cardboard with light blue paper over the sides, a darker blue cloth covering the top and bottom. ___CONDITION: Volume near fine, the leather smooth and supple, clean other than a few light spots, straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, the two facsimile broadsides fine (in appearance they have never been opened), and entirely free of prior owner markings; the spine sunned and the blue on the front has faded a bit unevenly. The piece of ephemera fine, clean and without wear; the slipcase near fine, strong and sturdy, free of tears to the seams, clean other than a few very light spots, slightly sunned near the opening. Overall, a lovely example of the deluxe version of this work. ___POSTAGE: International customers, please note the following: (i) additional postage may apply as the standard does not always cover costs, please inquire for details; and (ii) any taxes, duty, or tariffs charged by your country will, of necessity, be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. …