nicolas bianchi (30 risultati)

Paperback. Condizione: New. Paperback with text in English and French. Unused shop stock with minor shelf wear. Like new. AD. Used.

Condizione: New. pp. 366.

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Condizione: New. pp. 366.

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Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2017. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Paperback. Condizione: new. Paperback. For France the First World War, or Great War, was a war of national self-defence, but for Britain it was not. Does that mean that French literary treatments of this unimaginably destructive war were very different from British ones? Not necessarily - but much can be learned from considering both traditions side by side, something that is rarely done. The essays collected in this bilingual volume, by a range of scholars working on literature and history on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands: realistic narratives of the trenches, humour as a safety-valve, imagination and creativity. Yet there are differences, too: for instance, there is plenty of French poetry about the war, but no real equivalent of the British "war poets". The volume looks at iconic figures like Owen, Brooke, Barbusse, Apollinaire and Proust, but also at a number of lesser known writers, and includes a study of "poetry of colour", recognising the active contribution of some four million non-Europeans to the war effort.The book includes a preface by the eminent war historian Sir Hew Strachan. Engagee dans une guerre defensive sur ses frontieres, la France connut une Grande Guerre bien differente de celle avec laquelle composerent ses allies britanniques. Faut-il en conclure que les deux nations furent amenees a produire des reponses au conflit radicalement differentes? Peut-on degager des traditions nationales ou des tendances transnationales ouvrant la voie a des comparaisons encore rarement esquissees par la critique litteraire? C'est le pari des contributions de ce volume bilingue, reunissant autour de la question: "comment ecrire la Grande Guerre?", les articles de specialistes francophones et anglophones des domaines historique et litteraire. Il montre la variete des thematiques partagees par les deux traditions litteraires: recits realistes des tranchees, usage de l'humour comme d'un exutoire salutaire, imagination et creativite; et souligne la presence de differences notables, comme l'absence de mythification en France de la poesie de 14, pourtant elle-aussi produite en masse tout au long de la guerre.L'ouvrage, tout en donnant une place de choix aux ecrivains de premier ordre (Owen, Brooke, Barbusse, Apollinaire ou Proust), tente d'offrir quelque visibilite a un certain nombre d'auteurs moins connus, au nombre desquels des auteurs de couleur, a qui leur contribution a l'effort de guerre n'aura pas valu la reconnaissance litteraire attendue. La preface a ete redigee par Sir Hew Strachan, grand specialiste de l'histoire de la periode. For France the First World War was a war of national self-defence, but for Britain it was not. The essays collected in this bilingual volume, by a range of scholars working on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. 2017. Bilingual. Paperback. . . . . . Books ship from the US and Ireland.

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Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - For France the First World War, or Great War, was a war of national self-defence, but for Britain it was not. Does that mean that French literary treatments of this unimaginably destructive war were very different from British ones Not necessarily - but much can be learned from considering both traditions side by side, something that is rarely done.The essays collected in this bilingual volume, by a range of scholars working on literature and history on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands: realistic narratives of the trenches, humour as a safety-valve, imagination and creativity. Yet there are differences, too: for instance, there is plenty of French poetry about the war, but no real equivalent of the British «war poets». The volume looks at iconic figures like Owen, Brooke, Barbusse, Apollinaire and Proust, but also at a number of lesser known writers, and includes a study of «poetry of colour», recognising the active contribution of some four million non-Europeans to the war effort. The book includes a preface by the eminent war historian Sir Hew Strachan.Engagée dans une guerre défensive sur ses frontières, la France connut une Grande Guerre bien différente de celle avec laquelle composèrent ses alliés britanniques. Faut-il en conclure que les deux nations furent amenées à produire des réponses au conflit radicalement différentes Peut-on dégager des traditions nationales ou des tendances transnationales ouvrant la voie à des comparaisons encore rarement esquissées par la critique littéraire C'est le pari des contributions de ce volume bilingue, réunissant autour de la question: «comment écrire la Grande Guerre », les articles de spécialistes francophones et anglophones des domaines historique et littéraire. Il montre la variété des thématiques partagées par les deux traditions littéraires: récits réalistes des tranchées, usage de l'humour comme d'un exutoire salutaire, imagination et créativité; et souligne la présence de différences notables, comme l'absence de mythification en France de la poésie de 14, pourtant elle-aussi produite en masse tout au long de la guerre. L'ouvrage, tout en donnant une place de choix aux écrivains de premier ordre (Owen, Brooke, Barbusse, Apollinaire ou Proust), tente d'offrir quelque visibilité à un certain nombre d'auteurs moins connus, au nombre desquels des auteurs de couleur, à qui leur contribution à l'effort de guerre n'aura pas valu la reconnaissance littéraire attendue. La préface a été rédigée par Sir Hew Strachan, grand spécialiste de l'histoire de la période.

Taschenbuch. Condizione: Neu. Writing the Great War / Comment écrire la Grande Guerre? | Francophone and Anglophone Poetics / Poétiques francophones et anglophones | Toby Garfitt (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2017 | Peter Lang | EAN 9781787071988 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. For France the First World War, or Great War, was a war of national self-defence, but for Britain it was not. Does that mean that French literary treatments of this unimaginably destructive war were very different from British ones? Not necessarily - but much can be learned from considering both traditions side by side, something that is rarely done. The essays collected in this bilingual volume, by a range of scholars working on literature and history on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands: realistic narratives of the trenches, humour as a safety-valve, imagination and creativity. Yet there are differences, too: for instance, there is plenty of French poetry about the war, but no real equivalent of the British "war poets". The volume looks at iconic figures like Owen, Brooke, Barbusse, Apollinaire and Proust, but also at a number of lesser known writers, and includes a study of "poetry of colour", recognising the active contribution of some four million non-Europeans to the war effort.The book includes a preface by the eminent war historian Sir Hew Strachan. Engagee dans une guerre defensive sur ses frontieres, la France connut une Grande Guerre bien differente de celle avec laquelle composerent ses allies britanniques. Faut-il en conclure que les deux nations furent amenees a produire des reponses au conflit radicalement differentes? Peut-on degager des traditions nationales ou des tendances transnationales ouvrant la voie a des comparaisons encore rarement esquissees par la critique litteraire? C'est le pari des contributions de ce volume bilingue, reunissant autour de la question: "comment ecrire la Grande Guerre?", les articles de specialistes francophones et anglophones des domaines historique et litteraire. Il montre la variete des thematiques partagees par les deux traditions litteraires: recits realistes des tranchees, usage de l'humour comme d'un exutoire salutaire, imagination et creativite; et souligne la presence de differences notables, comme l'absence de mythification en France de la poesie de 14, pourtant elle-aussi produite en masse tout au long de la guerre.L'ouvrage, tout en donnant une place de choix aux ecrivains de premier ordre (Owen, Brooke, Barbusse, Apollinaire ou Proust), tente d'offrir quelque visibilite a un certain nombre d'auteurs moins connus, au nombre desquels des auteurs de couleur, a qui leur contribution a l'effort de guerre n'aura pas valu la reconnaissance litteraire attendue. La preface a ete redigee par Sir Hew Strachan, grand specialiste de l'histoire de la periode. For France the First World War was a war of national self-defence, but for Britain it was not. The essays collected in this bilingual volume, by a range of scholars working on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condizione: Like New. First Edition. Publisher: Mondo Bizarro Press, Bologna, 2001. FINE in illustrated wraps, as issued. Text in English and Italian. First Softcover Edition, First Printing. As new. Pristine.

Brossura. Condizione: nuovo. Condizione sovraccoperta: come nuovo. prima edizione, edizione speciale. Ce volume, réunit un ensemble de travaux dont les auteurs sont des spécialistes reconnus de la recherche kantienne de langue française et de langue italienne. Ces travaux sont présentés selon quatre perspectives principales dans le double éclairage de la pensée kantienne et des Lumières européennes. La présence de l'Europe des Lumières est d'abord analysée à l'intérieur même de la pensée de Kant. Puis plusieurs articles s'attachent ensuite, sur le même thème, aux relations de voisinage: Kant et Wolff, Shaftesbury, Rousseau, Jacobi, Reinhold, Herder. D'autres ont choisi de privilégier un aspect de la philosophie kantienne dans son rapport avec les Lumières: l'esthétique, la religion, le droit, la pensée politique, la science, en leurs progrès éclairés. Enfin l'actualité de la pensée kantienne au XXe siècle a suscité des études sur Husserl, Cassirer, Heidegger et Foucault. Il s'agit là d'une contribution majeure à l'analyse des rapports complexes que Kant a entretenus avec son temps et de l'écho de sa pensée chez quelques philosophes contemporains. Descrizione bibliografica Kant et les Lumières européennes. Actes du 7e Congrès de la Societé d'Études Kantiennes de Langue Française Naples, 20-22 octobre 2005. Kant e l'Illuminismo europeo. Atti 7° Congresso Società di studi kantiani di lingua francese Autori Vari Curatori: Lorenzo Bianchi, Jean Ferrari, Alberto Postigliola Napoli: Paris/Parigi: Liguori, Librairie Philosophique J. Vrin, 2009 373 pagine; 23 cm ISBN 8820740974, 9788820740979 Française, Italienne Francese, Italiano French, Italian Soggetti: Libri universitari Filosofia occidentale moderna Illuminismo Saggi Convegni internazionali Seminari Studi culturali Francia Immanuel Kant Europa Settecento Rivoluzione francese Siècle Lumières Baruch Spinoza Denis Diderot Pierre Bayle Isaac Newton Aufklarung Germania Italia Critique Raison pure Critica della ragion pura Bestimmung Menschen Meilleur mondes Migliore dei mondi Dibattito settecentesco tra monadisti e antimonadisti Methode scientifique Christian Wolff Education de l'humanite Pedagogia Educazione Modernità Umanità Scienza Medicina Mill Estetica Herder Philosophie Storia Histoire universelle Foucault Rousseau Cassirer Fiat iustitia Pereat mundus Saint-Pierre kantienne Droit rationnel positif Diritto naturale Positivo Science et sagesse Morale Politique Etica Politica Mouvement spiritiste Giobbe Problema Teodicea Teologia Luminescences Génie esthétique Preuve physico-théologique Eudemonismo Révolution française Ontologia Conoscenza University books Modern Western philosophy Enlightenment Essays International conferences Seminars Cultural studies France Europe Eighteenth century French Revolution Germany Italy Criticism Reason Best All worlds debate between monadists antimonadists Scientific method Pedagogy Modernity Humanity Medicine Aesthetics History Natural Law Positive Ethics Politics Spiritual Movements Job Problem Theodicy Theology Eudemonism Ontology Knowledge Bibliotheque Collezionismo Libri rari fuori catalogo Aufklärung Bibliografia Riferimento References Collectibles Anthropologie Bestimmung Menschen Cassirer concept Conflit facultés connaissance criticisme critique débat Dieu diffusion Lumières doit esthétique éthique faculté juger finalité génie Hegel Herder historique hommes humaine Husserl Hutcheson idées Immanuel Kant intellectuelle juridique espèce esprit état homme humanité idée usage public liberté penser limites loi Mendelssohn Métaphysique m?urs monadi monde Moses nature ontologique paix perpétuelle peuple philosophie piétiste Pléiade politique position possible préjugé preuve physico-théologique principe problème processus progrès question ragione raison pratique rationnel réalisation Reinhold religion révolution Rousseau sagesse sapere savoir science Shaftesbury social souverain stato système téléologie teodicea théorie transcendantale universelle VIII volonté Wolff Aufklàrung.

Leather Bound. Condizione: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1838. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 352, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 352 352.

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Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -For France the First World War, or Great War, was a war of national self-defence, but for Britain it was not. Does that mean that French literary treatments of this unimaginably destructive war were very different from British ones Not necessarily - but much can be learned from considering both traditions side by side, something that is rarely done.The essays collected in this bilingual volume, by a range of scholars working on literature and history on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands: realistic narratives of the trenches, humour as a safety-valve, imagination and creativity. Yet there are differences, too: for instance, there is plenty of French poetry about the war, but no real equivalent of the British «war poets». The volume looks at iconic figures like Owen, Brooke, Barbusse, Apollinaire and Proust, but also at a number of lesser known writers, and includes a study of «poetry of colour», recognising the active contribution of some four million non-Europeans to the war effort. The book includes a preface by the eminent war historian Sir Hew Strachan.Engagée dans une guerre défensive sur ses frontières, la France connut une Grande Guerre bien différente de celle avec laquelle composèrent ses alliés britanniques. Faut-il en conclure que les deux nations furent amenées à produire des réponses au conflit radicalement différentes Peut-on dégager des traditions nationales ou des tendances transnationales ouvrant la voie à des comparaisons encore rarement esquissées par la critique littéraire C'est le pari des contributions de ce volume bilingue, réunissant autour de la question: «comment écrire la Grande Guerre », les articles de spécialistes francophones et anglophones des domaines historique et littéraire. Il montre la variété des thématiques partagées par les deux traditions littéraires: récits réalistes des tranchées, usage de l'humour comme d'un exutoire salutaire, imagination et créativité; et souligne la présence de différences notables, comme l'absence de mythification en France de la poésie de 14, pourtant elle-aussi produite en masse tout au long de la guerre. L'ouvrage, tout en donnant une place de choix aux écrivains de premier ordre (Owen, Brooke, Barbusse, Apollinaire ou Proust), tente d'offrir quelque visibilité à un certain nombre d'auteurs moins connus, au nombre desquels des auteurs de couleur, à qui leur contribution à l'effort de guerre n'aura pas valu la reconnaissance littéraire attendue. La préface a été rédigée par Sir Hew Strachan, grand spécialiste de l'histoire de la période. 380 pp. Englisch.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. For France the First World War was a war of national self-defence, but for Britain it was not. The essays collected in this bilingual volume, by a range of scholars working on both sides of the Channel, show that while the wider purposes of the war are s.

Taschenbuch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -For France the First World War, or Great War, was a war of national self-defence, but for Britain it was not. Does that mean that French literary treatments of this unimaginably destructive war were very different from British ones Not necessarily ¿ but much can be learned from considering both traditions side by side, something that is rarely done. The essays collected in this bilingual volume, by a range of scholars working on literature and history on both sides of the Channel, show that while the wider purposes of the war are striking for their absence in both French and British traditions, there are many common strands: realistic narratives of the trenches, humour as a safety-valve, imagination and creativity. Yet there are differences, too: for instance, there is plenty of French poetry about the war, but no real equivalent of the British «war poets». The volume looks at iconic figures like Owen, Brooke, Barbusse, Apollinaire and Proust, but also at a number of lesser known writers, and includes a study of «poetry of colour», recognising the active contribution of some four million non-Europeans to the war effort. The book includes a preface by the eminent war historian Sir Hew Strachan. Engagée dans une guerre défensive sur ses frontières, la France connut une Grande Guerre bien différente de celle avec laquelle composèrent ses alliés britanniques. Faut-il en conclure que les deux nations furent amenées à produire des réponses au conflit radicalement différentes Peut-on dégager des traditions nationales ou des tendances transnationales ouvrant la voie à des comparaisons encore rarement esquissées par la critique littéraire C¿est le pari des contributions de ce volume bilingue, réunissant autour de la question: «comment écrire la Grande Guerre », les articles de spécialistes francophones et anglophones des domaines historique et littéraire. Il montre la variété des thématiques partagées par les deux traditions littéraires: récits réalistes des tranchées, usage de l¿humour comme d¿un exutoire salutaire, imagination et créativité; et souligne la présence de différences notables, comme l¿absence de mythification en France de la poésie de 14, pourtant elle-aussi produite en masse tout au long de la guerre. L¿ouvrage, tout en donnant une place de choix aux écrivains de premier ordre (Owen, Brooke, Barbusse, Apollinaire ou Proust), tente d¿offrir quelque visibilité à un certain nombre d¿auteurs moins connus, au nombre desquels des auteurs de couleur, à qui leur contribution à l¿effort de guerre n¿aura pas valu la reconnaissance littéraire attendue. La préface a été rédigée par Sir Hew Strachan, grand spécialiste de l¿histoire de la période. 380 pp. Englisch.