nicolette sluijter seijffert (23 risultati)

Paperback. Condizione: Very Good. In Dutch. Paperback. Color and B&W illustrations. Index. History of Dutch pottery factory ; Dutch Edition; 4to (8.4 X 5.9 X 0.7 inches); 168 pages.

Condizione: Good. A lot of b/w illustrations.

Condizione: Très bon. F. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

brossura. Condizione: in ottime condizioni. Excellent copy. English. Name on title page, many b/w illustrations, 15 pages in colour. 212 pp.

Paperback. Condizione: Very Good. 80 pages illustrated. A very good copy.with no creases and no previous ownership markings.

Condizione: New. . . . . 4to, paperback. NEW. No wear inside or out: crisp, clean - pristine. 212 pp., illus. Art, Dutch, History, Painting, 9029040335.

Softcover. White wraps with color illustration on front cover, black and red lettering, 79 pp, bw illustrations, map, plans, portraits. Text in Dutch and English. Foreword by H.R. Hoetink. Lists 32 paintings with brief descriptions followed by plates of the 32 paintings described. Good+ (light foxing to block and wraps, light shelfwear to wraps and corners, pages are otherwise clean).

Hardcover. Condizione: Fine. In fine condition. With dust jacket.

Softcover. First Edition; First Printing. Near Fine in wraps.

1st ed. "This guidebook .not only describes the paintings on display, but also traces the history of the collection and of the Johan de Witthuis itself.". 27cms. x 20cms. Pp.79, b/w illustrations throughout. Pbk. VG.

Soft cover. Condizione: Very Good. Softcover, 168 p. : illustrations, photos. ; 28 cm. Very good, light yellowing. Text in Dutch.

Hardcover. Condizione: New. Condizione sovraccoperta: New. A new copy with dust jacket still in the original shrink wrap.

Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Title: CORNELIS VAN POELENBURCH (1594/5-1667) : The Paintings Author: Sluijter-Seijffert, Nicolette Price: Eur 350,00.- ISBN: 9789027249678 Description: Amsterdam-Philadelphia: Benjamins, 2016. 30cm., hardcover,406pp. illus. Summary: Cornelis van Poelenburch was one of the very few painters of the Dutch Golden Age to acquire international renown during his lifetime. Only three Dutch artists were honoured with mentions by all of the seventeenth-century biographers who included Netherlandish artists, the others being Rembrandt and Gerrit Dou. His paintings were prized by well-to-do and often aristocratic collectors who were willing to pay high prices for them. Grand-Duke Cosimo II de' Medici, for example, kept four of Poelenburch's paintings in his private quarters and Stadholder Frederick Henry and his consort owned more works by him than any other Dutch artist. He was a pupil of the influential Utrecht painter Abraham Bloemaert, worked for eight years in Italy, and except for a period of four years when he lived in London and received an annual stipend from King Charles I, spent the rest of his life in Utrecht. Poelenburch's idyllic, mostly small-sized landscapes on copper or panel and done in a highly refined style and technique usually feature a 'history': a biblical, mythological or pastoral subject. Nowadays he is known primarily as the leading artist of the first generation of 'Italianate' landscape painters, but in his own time he was lauded mainly for his lively figures with their crisp contours and animated gestures. From the mid-nineteenth century, Poelenburch's paintings came to be dismissed as 'un-Dutch' and were subsequently neglected and forgotten, together with those of many other seventeenth-century painters who did not fit into the mould of 'Dutch realism'. This first comprehensive monograph on the artist includes a catalogue of his works, along with a discussion of all of his approximately 290 known paintings (all reproduced), and chapters covering his biography, the reception of his art in his own time and in later centuries, and his remarkable position on the seventeenth century art market. (OCULI: Studies in the Arts of the Low Countries, 15) Size: 300 X240 mm.

Condizione: Fair. Taschenbuch. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 79 Seiten. zweisprachig: holländisch-englische Sprache, Vorsatz beschriftet, einige Seiten beschriftet, Einband leicht verfärbt.

Gouda/Zwolle, Waanders, 2001. 22 x 20 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 120 pag. GOED EXEMPLAAR [Keramiek / Ceramics / Keramik ].

Gouda/Zwolle, Waanders, 2001. 22 x 20 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 120 pag. NIEUW EXEMPLAAR [Keramiek / Ceramics / Keramik ].

N.pl., [by the author], 1984. [8],286,[1] pp. 10 b./w. plates. Softcover. 8vo. - One corner of frontcover sl. creased. Dissertation Leiden University, 1984. - Text in Dutch with a summary in English. - - A monograph on Cornelis van Poelenburch, also spelled Poelenborch, Poelenburg, or Poelenburgh (Utrecht, 1594/1595 - Utrecht, August 12, 1667). He was a Dutch painter of Italian landscapes.

N.pl., [by the author], 1984. [8],286,[1] pp. 10 b./w. plates. Softcover. 8vo. - Owner's name on title page. - Overall a very good copy.Dissertation Leiden University, 1984. Complete with separate insert sheet with statements. - Text in Dutch with a summary in English. - - A monograph on Cornelis van Poelenburch, also spelled Poelenborch, Poelenburg, or Poelenburgh (Utrecht, 1594/1595 - Utrecht, August 12, 1667). He was a Dutch painter of Italian landscapes.

In 8° (27x20,5 cm) 80 pp. Mani illustrations. Softcover, fine. All books are in stock in fine condition or described meticulously. Very safe packaging.

Hardcover with dusjacket, xi, 408 pp., 176 bl/wh ills. + 195 full color . *NEW ISBN 9789027249678. Cornelis van Poelenburch was one of the very few painters of the Dutch Golden Age to acquire international renown during his lifetime. Only three Dutch artists were honoured with mentions by all of the seventeenth-century biographers who included Netherlandish artists, the others being Rembrandt and Gerrit Dou. His paintings were prized by well-to-do and often aristocratic collectors who were willing to pay high prices for them. Grand-Duke Cosimo II de? Medici, for example, kept four of Poelenburch?s paintings in his private quarters and Stadholder Frederick Henry and his consort owned more works by him than any other Dutch artist. He was a pupil of the influential Utrecht painter Abraham Bloemaert, worked for eight years in Italy, and except for a period of four years when he lived in London and received an annual stipend from King Charles I, spent the rest of his life in Utrecht. Poelenburch?s idyllic, mostly small-sized landscapes on copper or panel and done in a highly refined style and technique usually feature a ?history?: a biblical, mythological or pastoral subject. Nowadays he is known primarily as the leading artist of the first generation of ?Italianate? landscape painters, but in his own time he was lauded mainly for his lively figures with their crisp contours and animated gestures. From the mid-nineteenth century, Poelenburch?s paintings came to be dismissed as ?un-Dutch? and were subsequently neglected and forgotten, together with those of many other seventeenth-century painters who did not fit into the mould of ?Dutch realism? This first comprehensive monograph on the artist includes a catalogue of his works, along with a discussion of all of his approximately 290 known paintings (all reproduced), and chapters covering his biography, the reception of his art in his own time and in later centuries, and his remarkable position on the seventeenth century art market. [OCULI: Studies in the Arts of the Low Countries, 15] 0 g.

sauberes Exemplar. Collegiale bijdragen over landschappen, marines en architectuur Gewicht in Gramm: 550.

Softcover. Condizione: O.K. 79 Seiten, zweisprachig; Einband etwas angeschmutzt/bestossen, gedunkelt, sonst in ordentlichem Zustand Size: 20,5x27 cm Gewicht in Gramm: 505.