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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 2021 Harvey Miller Publishers large format hardcover edition. Unread in very good condition. Contents: Introduction: Collaboration in the Early Modern Low Countries by Abigail D. Newman Part I. Theory, Beginnings, Beyond Antwerp 1. The Appreciation and Reception of Painters' Collaborations in the Low Countries: An Overview, c. 1500-1700 by Dorien Tamis 2. Collaboration, Connoisseurship, and the Artistic Canon by Bernard Aikema 3. Landscapes, Figures, Demons: Collaboration as Canon Formation in Joachim Patinir and Quentin Metsys's Temptation of St. Anthony by Katharine Campbell 4. Collaboration in Exile: Crispijn de Passe I and Matthias Quad in Cologne, 1589-1604 by Julia Lillie 5. Many Hands, Many Lands: Collaborative Copper Painting by Hans Rottenhammer, Paul Bril, and Jan Brueghel I by Sophia Quach McCabe Part II. Collaboration in Seventeenth-Century Antwerp Paintings 6. The Raid by Jan Brueghel I and Sebastiaen Vrancx: Prime Version and Autograph Replica by Angela Jager and Jorgen Wadum, with contributions by Aoife Daly, David Buti, and Gianluca Pasternelli 7. Many Hands in Rubens's Workshop: An Exploration by Arnout Balis 8. Antwerp as a Center of Artistic Collaboration: A Unique Selling Point? by Filip Vermeylen 9. Additive Painting and the Social Self by Elizabeth Alice Honig 10. Considering Collaboration: Then and Now by Anne T. Woollett Bibliography Photo Credits About the Contributors.…

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Hardcover. Condizione: new. Hardcover. Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic - and especially painterly - practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condizione: Brand New. 238 pages. 11.00x8.75x1.00 inches. In Stock.

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Couverture souple. Condizione: Neuf. Condizione sovraccoperta: Neuf. prima edizione. 0 items, ? 0,00* Log on Home News Catalogue Contact & About Partners Downloads Harvey Miller Harvey Miller - Art History (Outside a Series)(HMSTAH) Picturing Ludwig Burchard (1886-1960) A Rubens Scholar in Art-Historiographical Perspective L. Nijkamp, P. Valkeneers, K. Bulckens (eds.) 164 p., 56 b/w ill. + 1 colour ill., 180 x 265 mm, 2015 ISBN: 978-1-909400-20-7 Languages: English Paperback The publication is available. Retail price: EUR 125,00 This book is the result of the international study day held on 6 December 2013 to celebrate the Rubenianum 50th anniversary. In 1963 a ship landed at the port of Antwerp carrying the specialized library and photo archive of the eminent Rubens scholar Ludwig Burchard. Ever since, the Rubenianum has been able to pride itself on this important legacy and to expand it in order to become the internationally renowned study centre for sixteenth- and seventeenth century Flemish art it is today. The proceedings aim to contextualize and to bring to light the man who stood at the beginning of the Rubenianum collection. What is his role within Rubens research? What characterizes the documentation he left us? How might he have operated when compared to his peers? Who was Ludwig Burchard? Table of Contents Foreword Philip Heylen Foreword Véronique Van de Kerckhof Editors' Preface Dr Ludwig Burchard (1886-1960) and his Role in the Study of Rubens and Seventeenth-Century Flemish Art Frans Baudouin Bibliography of Ludwig Burchard Interview with Anne Olivier Bell: Assistant to Ludwig Burchard 1939-41 Ludwig Burchard and Rubensforschung Hans Vlieghe Axis and Allies: Ludwig Burchard's Network During the Second World War Prisca Valkeneers The Rubens Exhibition at Wildenstein's, London, 1950 Christopher White On the Record(s): Burchard's Material Legacy Lieneke Nijkamp A Brief History of the Catalogue Raisonné Koen Bulckens 'Good old Max': the German Art Historian Max J. Friedländer (1867-1958), Contemporary of Ludwig Burchard Suzanne Laemers 'Empathy and deep understanding': Fritz Grossmann (1902-84) and his Bruegel Archive at the Rubenianum Hilde Cuvelier Epilogue: 'Aufmerksamkeit nicht immer gleichmäßig' Bert Watteeuw Author biographies Photo credits Language : english text Size: 180 x 265 mm.…

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Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Many Antwerp Hands : Collaborations in Netherlandish Art A. D. Newman, L. Nijkamp (eds.) Editore: Harvey Miller 2021 : Distr. Brepols New -Hardback EUR 130,00 Quantità: 1 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianu.…

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Hardcover. Condizione: Brand New. 228 pages. 11.00x8.75x1.00 inches. In Stock.

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Hardcover. Condizione: new. Hardcover. The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today. A range of perspectives on the convergence of costume, art and history in the early modern Low Countries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Buch. Condizione: Neu. Neuware - Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic - and especially painterly - practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. …

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Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. shopping basket 0 items, € 0,00* your account Log on Skip Navigation Links Home News Catalogue Contact & About Authors & Partners Downloads Harvey Miller Harvey Miller - Art History (Outside a Series) (HMSTAH) Undressing Rubens Fashion and Painting in Seventeenth-Century Antwerp A. Newman, L. Nijkamp (eds.) 232 p., 3 b/w ill. + 136 colour ill., 220 x 280 mm, 2019 ISBN: 978-1-912554-22-5 Languages: English Hardback The publication is available. Retail price: EUR 165,00 A range of perspectives on the convergence of costume, art and history in the early modern Low Countries. The essays collected in this volume meet at a point of convergence between costume, art, and history, and focus on the seventeenth-century Southern Netherlands. Undressing Rubens looks at the significance of costume in life and art in the age of Rubens, confirming that, as is increasingly recognised by scholars of many aspects of early modern European culture, this is hardly an insular topic. Cloth and clothing in seventeenth-century Flemish paintings lead the contributing scholars north of the border to the United Provinces, south to courts in Florence, Mantua, Madrid and elsewhere, and east to Cologne and, ultimately, to Japan. Stretching back several centuries to provide critical context and points of origin for many seventeenth-century practices and ideas, the innovative research presented here also points forward in time, dealing with implications in later centuries but also, in many cases, engaging directly with questions of historiography still quite relevant today. Abigail D. Newman (BA, Brown University; PhD Princeton University) defended her dissertation,'Flanders Abroad: The Flemish Artistic Presence in 17th-Century Madrid', in 2016. Supported by Fulbright,Mellon-Council for European Studies and Belgian American Educational Foundation fellowships, her dissertation received her department's Faggen award. Her articles have appeared in the Nederlands kunsthistorisch jaarboek and De zeventiende eeuw, and she is the author of Rubens's St. Andrew "de los Flamencos": Altarpiece Enframed by a Spanish-Flemish Community (Antwerp: Rubenshuis/BAI, 2018),which she researched and wrote while serving as a Research Curator at the Rubenshuis in 2017-18. She is currently professor at the Universiteit Antwerpen and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianum - Research Institute for Flemish Art of the 16th and 17th centuries. She studied art history at the Universities of Utrecht and Amsterdam. Between 2005 and 2009 she gained curatorial experience at the Centraal Museum, Utrecht, the Rijksmuseum, Amsterdam, the National Gallery of Art, Washington, D.C., and the J.P. Getty Museum. In 2010-11 she worked on several projects at the RKD - Netherlands Institute for Art History, The Hague, before starting her job in Antwerp. As curator, she is responsible for the Rubenianum's (photographic) archives. Table of Contents Introduction Abigail D. Newman and Lieneke Nijkamp Clothing Rubens's Antwerp: Everyday Urban Dress in the Late Sixteenth and Early Seventeenth Centuries Isis Sturtewagen 'Wrought with flowers and leaves': Embroidery Depicted in Late Sixteenth- and Early Seventeenth-Century British Portraits - the Era of Rubens Karen Hearn 'Inde sottigheydt van al syn Hooverdyen': Exploring the Value of Southern-Netherlandish Moralising, Satirical and Other Written Sources (1625-1700) to the Study of the History of Costume Hannelore Magnus Dark Witnesses: Archaeological Discoveries in Antwerp Frieda Sorber The Materiality of Contemporary Dress Depicted by Rubens and other Flemish Painters Johannes Pietsch Redressing Japan: Kosode/No Kosode in Rubens's World Susan Miller Rubens and 'the source and origin of all the p.…

Hardback. Condizione: New.

Hardback. Condizione: New.