Da: ANARTIST, New York, NY, U.S.A.
Softcover, 272 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
EUR 22,60
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Aggiungi al carrelloCondizione: New.
Editore: Lionsgate 2010-10-19 00:00:00, 2010
Da: R Bookmark, Youngtown, AZ, U.S.A.
dvd. Condizione: Used - Good.
Condizione: good. Gently used with minimal wear on the corners and cover. A few pages may contain light highlighting or writing, but the text remains fully legible. Dust jacket may be missing, and supplemental materials like CDs or codes may not be included. May be ex-library with library markings. Ships promptly!
Lingua: Inglese
Editore: Duke University Press, 2024. 9781478030577, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: Rothwell & Dunworth (ABA, ILAB), Dulverton, Regno Unito
EUR 14,32
Quantità: 1 disponibili
Aggiungi al carrello8vo. Original pictorial card covers (softback) (Fine in publisher's unopened shrinkwrap). Pp. 288 (no inscriptions).
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
EUR 24,52
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
EUR 30,87
Quantità: 4 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Condizione: New.
EUR 17,59
Quantità: 10 disponibili
Aggiungi al carrelloPF. Condizione: New.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 28,86
Quantità: 8 disponibili
Aggiungi al carrelloCondizione: new.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of RenEe Stout, Radcliffe Bailey, and MarIa Magdalena Campos-Pons, Greene traces the intersection of the visuals sonic possibilities with the Black bodys physical, representational, and metaphorical use in art. She employs her concept of visual aesthetic musicality to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Baileys use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ras Afrofuturism to Stouts life-size cast of her own body that recalls funk musician Betty Davis to Campos-Ponss performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible. Focusing on the art of Renee Stout, Radcliffe Bailey, and Maria Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: Majestic Books, Hounslow, Regno Unito
EUR 31,89
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: Revaluation Books, Exeter, Regno Unito
EUR 27,61
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 288 pages. 9.00x6.00x0.75 inches. In Stock.
Lingua: Inglese
Editore: Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 31,13
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New. 2024. paperback. . . . . .
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 27,10
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Aggiungi al carrelloCondizione: New.
Da: THE SAINT BOOKSTORE, Southport, Regno Unito
EUR 27,11
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Aggiungi al carrelloPaperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.
Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 29,98
Quantità: 8 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: New.
Lingua: Inglese
Editore: Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. 2024. paperback. . . . . . Books ship from the US and Ireland.
Da: Librairie Thé à la page, Montélimar, Francia
EUR 3,90
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Aggiungi al carrello"W.H.V. collection , 2009. 1 volume format DVD bon Format : DVD.
Editore: W.h.v, 2017
ISBN 13: 3475001016881
Da: Démons & Merveilles, Joinville, Francia
EUR 3,00
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. french édition - zone 2 Europe -en bon état. Envoi rapide et soigné dans enveloppe à bulles depuis France. 18x14x1cm. 2017. DVD. Chaque maison cache un secret les murs ont des oreilles mais la bouche cousue. Il faut poser longtemps la joue contre leur sein comme un docteur fiévreux pour les entendre respirer. A Dun-le-Palestel dans la Creuse la maison de famille du narrateur en a si gros sur le c?ur et tant à dire qu'on va la confesser pièce après pièce l'écouter se raconter souvenirs dérangés vérités arrangées les choses et les gens tels qu'ils furent les échos et les ombres qu'il en reste. Elle finira bien par lâcher cequ'elle sait. Elle sait l'histoire d'un père qui lui avait choisi de se taire. Very Good.
hardcover. Condizione: Fine.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Da: AussieBookSeller, Truganina, VIC, Australia
EUR 58,20
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: new. Paperback. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of RenEe Stout, Radcliffe Bailey, and MarIa Magdalena Campos-Pons, Greene traces the intersection of the visuals sonic possibilities with the Black bodys physical, representational, and metaphorical use in art. She employs her concept of visual aesthetic musicality to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Baileys use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ras Afrofuturism to Stouts life-size cast of her own body that recalls funk musician Betty Davis to Campos-Ponss performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible. Focusing on the art of Renee Stout, Radcliffe Bailey, and Maria Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 27,36
Quantità: 4 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 109,93
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: new.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition.
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New.
EUR 124,89
Quantità: 2 disponibili
Aggiungi al carrelloHardback. Condizione: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.