Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Editore: Bergen Kunsthall, 2023
ISBN 10: 8293101423 ISBN 13: 9788293101420
Da: Paradou Books, Richmond, VA, U.S.A.
Soft cover. Condizione: Fine. Softcover, 93 pgs. 5.25" x 8.25". Text in English. Fine. Published on the occasion of Camille Norment s comprehensive exhibition Gyre , the Festival Exhibition 2023 at Bergen Kunsthall. The title, Gyre , describes a spiral motion or vortex that simultaneously moves outwards and upwards, and functions as an abstract idea that Norment explores in various ways. The book includes the text contributions Camille Norment´s Prepositional Technology by Nina Sun Eidsheim, Inhuman Frequencies by Kathryn Yusoff, and a conversation between Axel Wieder and Camille Norment.
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 24,09
Quantità: 15 disponibili
Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Lingua: Inglese
Editore: MD - Duke University Press, 2015
ISBN 10: 0822360616 ISBN 13: 9780822360612
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
EUR 23,84
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Aggiungi al carrelloPAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Condizione: New.
Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 31,35
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre-the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 29,01
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
EUR 31,36
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: New. In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound-such as air being the default medium through which it travels-and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.
Lingua: Inglese
Editore: Duke University Press 12/11/2015, 2015
ISBN 10: 0822360616 ISBN 13: 9780822360612
Da: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condizione: New. Sensing Sound: Singing and Listening as Vibrational Practice. Book.
Da: California Books, Miami, FL, U.S.A.
EUR 31,92
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Aggiungi al carrelloCondizione: New.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2015
ISBN 10: 0822360616 ISBN 13: 9780822360612
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound-such as air being the default medium through which it travels-and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies. Through an analysis of four contemporary operas, Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions of how we think about sound, music, and listening by challenging common assumptions about sound, freeing it from a constraining set of fixed concepts and meanings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Lingua: Inglese
Editore: Duke University Press, North Carolina, 2019
ISBN 10: 0822368684 ISBN 13: 9780822368687
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre-the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way. Examining singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as vocal synthesis technology, Nina Sun Eidsheim traces the ways in which the voice and its qualities are socially produced and how listeners assign a series of racialized and gendered set of assumptions to a singing voice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Da: GreatBookPrices, Columbia, MD, U.S.A.
EUR 32,62
Quantità: Più di 20 disponibili
Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Condizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: Duke University Press Books, 2019
ISBN 10: 0822368684 ISBN 13: 9780822368687
Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 28,86
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 28,86
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Aggiungi al carrelloCondizione: new.
EUR 36,02
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Aggiungi al carrelloPaperback. Condizione: New. In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre-the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
EUR 36,02
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Aggiungi al carrelloPaperback. Condizione: New. In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound-such as air being the default medium through which it travels-and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.
Lingua: Inglese
Editore: Duke University Press Books, 2015
ISBN 10: 0822360462 ISBN 13: 9780822360469
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Da: Revaluation Books, Exeter, Regno Unito
EUR 26,78
Quantità: 2 disponibili
Aggiungi al carrelloPaperback. Condizione: Brand New. 304 pages. 9.00x6.00x0.75 inches. In Stock.
Da: Majestic Books, Hounslow, Regno Unito
EUR 31,27
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 288.
Da: Majestic Books, Hounslow, Regno Unito
EUR 31,27
Quantità: 3 disponibili
Aggiungi al carrelloCondizione: New. pp. 288.
Lingua: Inglese
Editore: Duke University Press Books 2015-12-28, 2015
ISBN 10: 0822360616 ISBN 13: 9780822360612
Da: Chiron Media, Wallingford, Regno Unito
EUR 23,76
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Aggiungi al carrelloPaperback. Condizione: New.
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 31,07
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Aggiungi al carrelloCondizione: New. 2019. Paperback. . . . . .
Lingua: Inglese
Editore: Duke University Press 2019-01-11, 2019
ISBN 10: 0822368684 ISBN 13: 9780822368687
Da: Chiron Media, Wallingford, Regno Unito
EUR 23,76
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Aggiungi al carrelloPaperback. Condizione: New.
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 28,90
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 31,19
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Aggiungi al carrelloCondizione: New. Through an analysis of four contemporary operas, Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions of how we think about sound, music, and listening by challenging common assumptions about sound, freeing it from a constraining set of fixed concepts and meanings. Series: Sign, Storage, Transmission. Num Pages: 288 pages, 26 illustrations. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 155 x 284 x 18. Weight in Grams: 430. . 2015. Paperback. . . . .
Da: Ria Christie Collections, Uxbridge, Regno Unito
EUR 28,90
Quantità: 2 disponibili
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Da: GreatBookPricesUK, Woodford Green, Regno Unito
EUR 26,71
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: New.