Nisse ruth (69 risultati)

Paperback. Condizione: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condizione: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: New. This study examines the social, political and theological issues that were brought to the late medieval stage. Examining plays, urban pageant cycles and travelling 'miracles' and morality plays, dating to the 14th and 15th centuries, Ruth Nisse explores how these translated contemporary issues and especially vernacular theology through performance. Num Pages: 226 pages. BIC Classification: 2AB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 158 x 18. Weight in Grams: 363. . 2005. paperback. . . . . Books ship from the US and Ireland.…

Condizione: New. This study examines the social, political and theological issues that were brought to the late medieval stage. Examining plays, urban pageant cycles and travelling 'miracles' and morality plays, dating to the 14th and 15th centuries, Ruth Nisse explores how these translated contemporary issues and especially vernacular theology through performance. Num Pages: 226 pages. BIC Classification: 2AB; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 158 x 18. Weight in Grams: 363. . 2005. paperback. . . . .…

Paperback. Condizione: Used-Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Paperback. Condizione: Used-Very Good. Pap. Minor shelf-wear.

Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Near Fine. 1st Edition. LIght pencil markings, couple of page corners folded, else hardcover in fine condition. Dust jacket near fine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. Text clean and tight; 8vo 8" - 9" tall; 248 pages.

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike. …

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condizione: New. Defining Acts: Drama and the Politics of Interpretation in Late Medieval England. Book.

Condizione: New.

Condizione: New. In English.

Condizione: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

HARDCOVER. clean and glossy, Fine. 1st edition. 235pp, octavo. tight binding, clean throughout, clean boards, crisp pages, Fine.

Paperback. Condizione: New. Defining Acts considers how the surviving English theatrical works of the fifteenth century represent competing practices of interpretation. The plays take up a series of contests over who could legitimately determine the meaning of texts-men or women, clerics or laity, rulers or subjects, Christians or Jews-and transform these questions for audiences far beyond their original medieval academic contexts. Ruth Nisse focuses in particular on how theater translates the temporal ideas of textual exegesis into spatial models and politics. She situates medieval drama, therefore, both in its vernacular literary setting, as a genre composed against the same cultural background as The Canterbury Tales, Piers Plowman, and The Book of Margery Kempe, and in its performances, which negotiate a range of contemporary social and political issues. Defining Acts begins with an introductory chapter that reveals the dangers and pleasures of theater in a reading of Chaucer's antic Miller's Tale and the violently anti-theatrical Wycliffite Treatise of Miracle Playing. These two radically different works provide a dialectic entry into late-medieval controversies over biblical interpretation and vernacular theology, versions of which then reappear in dramatic texts themselves. Subsequent chapters engage problems such as the clash between civic rule and the authority of women's visionary experiences in the York Plays; competing ideas of labor and poverty in the Towneley Plays; and theories of Jewish exegesis that continue to haunt Christian and national understandings of history in the Croxton Play of the Sacrament. By reading medieval drama in relation to its intertexts, Nisse explores the ways in which ideas previously limited to academic discourse become elements of public theatrical performances, available to new audiences. Her pathbreaking approach to the study of medieval drama makes this book required reading for scholars and students alike. …

Paperback. Condizione: Brand New. 226 pages. 8.75x6.00x0.75 inches. In Stock.

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New. Jewish and Christian authors of the High Middle Ages not infrequently came into dialogue or conflict with each other over traditions drawn from ancient writings outside of the bible. Circulating in Latin and Hebrew adaptations and translations, these included the two independent versions of the Testament of Naphtali in which the patriarch has a vision of the Diaspora, a shipwreck that scatters the twelve tribes. The Christian narrative is linear and ends in salvation; the Jewish narrative is circular and pessimistic. For Ruth Nisse, this is an emblematic text that illuminates relationships between interpretation, translation, and survival. In Nisse's account, extrabiblical literature encompasses not only the historical works of Flavius Josephus but also, in some of the more ingenious medieval Hebrew imaginative texts, Aesop's fables and the Aeneid. While Christian-Jewish relations in medieval England and Northern France are most often associated with Christian polemics against Judaism and persecutions of Jews in the wake of the Crusades, the period also saw a growing interest in language study and translation in both communities. These noncanonical texts and their afterlives provided Jews and Christians alike with resources of fiction that they used to reconsider boundaries of doctrine and interpretation. Among the works that Nisse takes as exemplary of this intersection are the Book of Yosippon, a tenth-century Hebrew adaptation of Josephus with a wide circulation and influence in the later middle ages, and the second-century romance of Aseneth about the religious conversion of Joseph's Egyptian wife. Yosippon gave Jews a new discourse of martyrdom in its narrative of the fall of Jerusalem, and at the same time it offered access to the classical historical models being used by their Christian contemporaries. Aseneth provided its new audience of medieval monks with a way to reimagine the troubling consequences of unwilling Jewish converts.…

Condizione: As New. Unread book in perfect condition.