noble kathy (25 risultati)

Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: New.

paperback. Condizione: Acceptable. Paperback. Former owner removed backstrip from spine. Binding partially cracked as a result, but no pages are loose. Text clean and unmarked.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New.

hardcover. Condizione: Very Good. Pages are clean with no markings. Ships promptly.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 21 x 29 cm, 104 pages, 84 color & 7 b/w illustrations - This publication offers a detailed insight in Geoffrey Farmer's complex installation Let's Make the Water Turn Black, and contextualizes it with his other script-based sculptural and kinetic works since the early 1990s, with contributions by Kathy Noble, Michael Turner, Aram Moshayedi, and Jan Verwoert, and a preface by the editors.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

56 pp.; 41 x 29 cm.; loose leaves; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed; Faux periodical / artist's publication published by Aleksandra Mir on September 11, 2002, on the occasion of her 35th birthday and the first anniversary of 9/11 in order to reclaim the day, featuring contributions from over 100 friends and colleagues. Contents include: "Editorial," by Aleksandra Mir; "Happy Birthday from the Lighthouse," by Peter Hill; "To the Editor," by Tim Griffin; "Emergency Love," by Adam McEwen; "Nobody Gives a Shit," comic by Dan Perjovsch; "How to Ride the Bus," by Jennifer Bronstein; "Bike Wreck," by Dan Wilken; "Artists'' Shocking 9/11 Predictions Bring Laughs to New York Celebs at Christie''s ''Central Asian Furniture Show'' and Charity Fundraiser! 700 People in Attendance!;" "Inventory list of my father''s compulsive collection of airline silverware between 1989 - 1997," by Cornelia Schbleck; "B irthday," by Raimar Stange; "Bring in the Clowns: Andy Smith of The Moscow State Circus interviewed by Polly Staple;" "Sydney in September," by Simon Rees; "Long Photographs," by Emil Goh; "Pink Tank;" "The Usher," by Cedar Lewisohn; "The best thing that happened to me in 2002 was that Theo my cousin became a goth and his mate Corrin became a punk," by Tasha Amini; "The World Still Turns," by Kathy Temin; "Alien Sighting," by Samuel Blum; "McCartney & Narcissus," by Gabriel Fowler; "Punching Through the Clouds," Miles Boyce after Mies Van der Rohe; "Crash America," by Ken Hollings; "The World''s Greatest Rebel - at 88," by Andrew Wilson; "Structure Kills," text and photos by hobbypopMUSEUM; "First Woman Takes North Pole!," by I. Hope Halperin; "Cities, Holiday Hotspots and Commerce Zones Rethink Slogans," by Jarrett Mitchell; "Advertisement," by Cecily Brown; "Family Takes Break," by Michelle Grabner; "Tire on Fire," by Brad Killam; "The Housitter''s Club in More Trouble with the Law than Oak Park Homeowners," by Amy Park Saxe; "I read ''Big Asteroid Leaves Scientists Unruffled'', Was Ruffled," by Curtis Whaley; "Abstract Sculpture from Park to Somewhere Else," by Wade Guyton; "September 11 Memorial," by Jeffry Vallance; "The Event Forces Us to Think," by Roger Cook; "11th September," by Kathrin Boehm; a drawing by Claude Closky; "You Deserve to Break Something; "Virulent Images," by Leif Elggren; "QRU (Wuick Response Unit)," by Gavin Wade & Garrick Jones; newspaper clipping submission by Piotr Uklanski; an image by Richard Kern; "Holiday Column," by Aleksandra Mir; a text by Andy Stillpass; "I Remember," by Kaethe Cherney; a text by James Angus; "That Horoscope," by Onome Ekeh; "Skyjack Sunday Over Europe;" "The Long Haul," by Russel Storer; "Strategic Questions," curated by Gavin Wade; "What is Negative? Why?," by Alexsandra Mir for Gavin Wade; "Top Tips," by Kate Fowle; "The Masterpiece," comic by Olivia Plender; "Aldous Eveleigh''s exhibition.;" Image with caption by Harry Staple; image by Milos Manetas; "Re: FWD: A Statement of Conscience," signed by multiple artists including Laurie Anderson, Ida Applebroog, Noam Chomsky, Eve Ensler, Leon Golub and many others; "A Cockney Poem," by Matthew Arnatt; "Curtain," by Paul Noble; "Kisses Honeywagon - The Novel;" "Page Twenty-Six," by Wallace Robertson; "Guarding the dog and the cows," by Antje Majewski and Ingo Niermann; photograph by Gurvan Madec; "woman is." by Dave Beech; "Barman Joe Latimore chronicles the underbelly of New York''s nitelife;" "Ubiquitous Recluse Revives the Eternal," by Johnny Gato; "In Memoriam: Katri Vala," by Cecilia Stenbom and Minna L. Henriksson; "Chalk Circles," by Katri Vala; "Book Review: The Selected Letters of Marianne Moore," by IB; "Suicide Note," by Nanogod; comic by Roberto Cuoghi; "Beware of Windows!," by Stefan Saffer; texts by Jonas Maria Schul; "Recipes," by Coeinna Durland; "My Friend Najla''s Babaganoush," by Jennifer Higgie; "Eulogy for the Living," by Christian Holstad; "Oh Superman," Karl Holmquist after Laurie Anderson; "Birthday Party part III," by Mika Hannula and more. Backcover: "I (Bomb) NY," by Bernadette Corporation. "September 11, 2002. Enjoying my hot-off-the-press Daily on Avenue B with a cup of burned deli coffee. New York''s Hometown Newspaper was printed in an edition of 1,000 on the first anniversary of 9-11, to reclaim my birthday on the same day The newspaper contains articles, poems, drawings, ads, and all sorts of stupid beautiful shit solicited from over 100 physical artist friends and univocally accepted under the open editorial policy as birthday gifts. The back I BOMB NY logo is by the Bernadette Corporation. Looking back though, it is interesting how certain mainstream politicians have taken all our avant-garde strategies, DADA, Punk, Fiction, Surrealism, Performance, Wigs, even FAKE NEWS (homage: Yves Klein), squeezed the dear soul out of them, and weaponized them for their delinquent purposes. If that is really the case of our times, then what is the role of an artist today? Discuss." -- Artist's statement Very Good / Fine. Light yellowing of covers, light bumping of bottom edge and slight curl to spine. Otherwise clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2024. 1 Volume/1. -- Comme Neuf -- Broché sous jaquette. Format 29 x 20 cm . ------ 272 pages. Illustrations. ****************** Présentation éditeur : "" La rencontre entre danse et arts visuels. La publication Dance First Think Later Le corps pensant entre danse et arts visuels fait suite à l'exposition-festival Dance First Think Later  Rencontre entre danse et arts visuels, présentée à Genève en été 2020, en la documentant par une riche iconographie, et en l'enrichissant par une mise en perspective critique, théorique et historique des uvres et du projet. Des textes inédits sont consacrés aux 22 artistes, rédigés par des auteur.ice.s actif.ive.s dans des musées, festivals, écoles d'art, des critiques indépendant.e.s ou des artistes. La manifestation biennale Dance First Think Later explore les terrains convergents entre danse, performance, arts visuels et images en mouvement. Arta Sperto, qui organise et produit l'exposition-festival et édite le livre, développe une orientation transdisciplinaire qui mixe les mécanismes de fonctionnement des arts visuels et des arts vivants, et par-delà, les caractéristiques respectives des musées/centres d'art et des théâtres/festivals. Cette orientation est motivée par l'accompagnement d'artistes dont les pratiques transversales se heurtent au fonctionnement de la culture qui est encore majoritairement organisé par domaine, que ce soit au niveau des politiques culturelles, des institutions, des financements ou des médias. En partant des uvres, le livre propose de nombreuses pistes de réflexions sur des approche transversales des arts contemporains. "" *********************** ref fav-02-06.

Softcover, (silver on coated linen) / 192 pages / 28 x 21,6 cm,Languages EN, FR. / FINE ISBN 9789492321701. This publication forms the catalogue of three solo-exhibitions of artist Katinka Bock in Paris, London and Toronto that were linked to the work ?Zarba Lonsa? which she created during her residency at Les Laboratoires d?Aubervilliers in Paris in 2016. Particularly interested by the atmosphere of the Quatre-Chemins district where Les Laboratories is located, the artist went to meet merchants to initiate a relationship with them based on the exchange of one of her works for an object of their shop. This gesture was the starting point of a creative process that has unfolded in several forms ? sculptures, installation, films and photos. Renewing the process of this exchange-based relationship in a specific urban context for a new production of works and photographs, a second edition of the project took shape under the title _0_0__0 in June 2017 at Mercer Union in Toronto. To complete the series, a last edition took place at the Siobhan Davies Dance in London under the title Mesonya/ in Fall 2017 0 g.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.