Nomiyama sakura (26 risultati)

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket As Issued. Light edge wear. A nice, solid copy. ; Color illustrations; 8.1 X 1.3 X 10.2 inches; 384 pages.

Condizione: New. Brand New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: new.

Condizione: New.

Hardback. Condizione: New. 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century.…

Hardcover. Condizione: new. Hardcover. 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. The complete retrospective of Japans ingenious master of three-dimensional typography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. . 2020. 01st Edition. Hardcover. . . . .

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New. . 2020. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 383 pages. 10.25x8.00x1.25 inches. In Stock.

Softcover, 198 pages; in English and Japanese; very good condition; light edgewear to covers; 1-inch crease to upper right corner of first half of pages; no internal marks. Foreign shipping may be extra.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. The complete retrospective of Japans ingenious master of three-dimensional typography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: New. The complete retrospective of Japan s ingenious master of three-dimensional typography.&Uumlber den AutorHaruki Mori is Design Director of Mori Design Inc, Tokyo.KlappentextrnrnThe three-dimensio.

Hardcover. Condizione: new. Hardcover. 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century. The complete retrospective of Japans ingenious master of three-dimensional typography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condizione: Neu. Takenobu Igarashi: A to Z | Sakura Nomiyama (u. a.) | Buch | Gebunden | Englisch | 2020 | Thames & Hudson Ltd | EAN 9780500023068 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardback. Condizione: New. 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century.…

Softcover. grey illustrated & white wraps w/ white Japanese & English script. 196 pgs w/ color plates. Text in Japanese and English. Vibrantly illustrated with 128 pieces from the exhibition. VG (edge-wear to wraps; rubbing to corners w/ lower corner have small tear. remains tightly bound; appears unread).…

Buch. Condizione: Neu. Neuware - 'Takenobu Igarashi is a master-mentor who taught me the ABCs of form (and life)' John Maeda In the mid-1970s designer Takenobu Igarashi began a prolific, decade-long exploration into possibilities of three-dimensional typography. His first experiments with axonometric lettering appeared on magazine covers, posters, and record sleeves - taking influence from the avant garde typography of the 1920s but rendered afresh as bold sculptural letterforms. Timeless, arresting, and technically dazzling, Igarashi's signature style demonstrates a mastery of three-dimensional type and perspective draftsmanship, refined long before the introduction of computers into the design industry. A to Z offers an exhaustive guide to Igarashi's experiments with typography, featuring not only his celebrated print and physical works - many photographed specially for this publication - but also a first look, using never before seen archival work, at the plans, drawings and production drafts behind his iconic works. Spanning early print works, hand-drawn experiments, self-initiated sculptural pieces, and highprofile 3D identities for a range of international clients and institutions, A to Z is a long overdue overview of one of the most revered but least celebrated graphic designers of the 20th century.…

Condizione: Fine. Number of pages: 196p Size: 260mm x 1185mm Number of books: 1 book.

Condizione: Fine. Number of pages: 196p Size: 26cm.

Condizione: Fine. Number of pages: 196p Size: 26cm.

Condizione: Fine. Number of pages: 196p Size: 260mm x 1185mm Number of books: 1.