Norman bryson text (5 risultati)

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    • Editore: Chicago: Museum of Contemporary Art, [2001]., 2001

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      Da: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, CanadaD & E LAKE LTD. (ABAC/ILAB)

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      Membro dell’associazione: ABACILAB

      Condizione: Usato - Ottimo

      EUR 34,42

      EUR 12,90 spedizione 
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      Hardcover. Condizione: Fine. oblong 4to. pp. 109. profusely illus. (mostly in colour). biblio. bds. Exhibition Catalogue.

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      EUR 38,33

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      Softcover. Condizione: Sehr gut. 1. Auflage. Z : 166 Seiten, 146 Abb. - Die Publikation deckt in der irritierenden Gegenüberstellung von Künstlern wie Salvador Dalí und Jeff Koons, Bridget Riley und Fischli/Weiss oder Louise Bourgeois und Hans Bellmer »post- surrealistische« Aspekte auf, die sich in der Kunst der zweiten Hälfte des 20. Jahrhunderts in Werken verschiedenster Kunstrichtungen manifestieren. Ein Potenzial des Imaginären verbindet all diese Bilder und Objekte sowie ein ins Übertriebene, Ver-rückte gesteigertes Verhältnis zur Wirklichkeit.

    • Lingua: Lingue multiple

      Editore: Verlag für moderne Kunst, Nürnberg, 2013

      386984468X / 9783869844688

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      Da: Antiquariat UEBUE, Zürich, SvizzeraAntiquariat UEBUE

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      Condizione: Usato - Ottimo

      EUR 38,33

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      Softcover. Condizione: Sehr gut. 1. Auflage. Z : 304 Seiten/pages, 242 farbige Abbildungen/Illustrations in color - Katharina Sieverding entwickelte für das Museum Schloss Moyland eine Ausstellung, die sich aus verschiedenen multimedialen Projektionen und fotografischen Arbeiten von 1968 bis 2013 zu einer umfassenden Installation zusammensetzt. Die Krönung der Ausstellung bildet die Arbeit DIE SONNE UM MITTERNACHT SCHAUEN, für die Katharina Sieverding von Mai 2010 bis Juni 2013 kontinuierlich etwa 100.000 visuelle Informationsdaten der NASA herunterlud und zu einem dynamischen Bild der Sonnenoberfläche künstlerisch verdichtete. Eine leuchtend blaue Kugel mit unaufhörlichen Lichtwechseln in Kratern und über Gebirgen auf der Oberfläche und umgeben von einer hell flammenden Aura durchschwebt körperhaft den Raum.

    • Altre immagini

      Editore: Rizzoli International Publications, Inc, New York, 1993

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      Da: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, U.S.A.Swan's Fine Books, ABAA, ILAB, IOBA

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      EUR 132,87

      EUR 4,30 spedizione 
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      Hardcover. Condizione: Fine. Near Fine. First Edition. First US edition, folio size, 240 pp. Cindy Sherman (b. 1954), photographer and filmmaker, is known for self-portraits which "offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (19771980) being particularly important. These black-and-white photographs feature the artist herself as a model in various costumes and poses, and are her portrayals of female stereotypes found in film, television, and advertising. Similar to Barbara Kruger, Sherman examines and distorts femininity as a social construct. 'I like making images that from a distance seem kind of seductive, colorful, luscious and engaging, and then you realize what you're looking at is something totally opposite,' she reflected. 'It seems boring to me to pursue the typical idea of beauty, because that is the easiest and the most obvious way to see the world. It's more challenging to look at the other side' " (n.b., from the web site of ArtNet). This work was the first presentation of her complete work up through 1993, with reviews by contemporary art historian Rosalind Krauss which highlight the "enormous influence these works have had on feminist thinking and on current dialogues about the strategies of contemporary art in general" (n.b., from dust jacket flap). ___DESCRIPTION: Bound in full tan glossy paper over boards, dark green lettering on the front and spine, blue-green endpapers, replete with both black-and-white and colour photographs; folio size (12.25" by 9.25"), pagination: [1-9] 10-240. In a wrap-around dust jacket with images by Cindy Sherman upon a blue-green background, jacket unclipped although no printed price present, summary of the book on the front flap, statements about the authors and publisher's ads on the back flap. ___CONDITION: Fine, with clean boards, straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; a few shallow marks on the bottom edges of the boards (from shelving), else fine. The unclipped dust jacket near fine with light overall edgewear, most noticeably at the head and tail of the spine. ___POSTAGE: Please note that this is an unusually heavy book and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Sherman, Cindy (illustratore).

    • Lingua: Lingue multiple

      Editore: Walther König, Köln, 2010

      3865608507 / 9783865608505

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      Da: Antiquariat UEBUE, Zürich, SvizzeraAntiquariat UEBUE

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      Condizione: Usato - Ottimo

      EUR 78,84

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      Hardcover. Condizione: Sehr gut. 1. Auflage. Z/B : 21 x 26 cm, 223 Seiten/pages, illustrated throughout, Leineneinband, clothbound. - One of the world's truly visionary theater artists, Robert Wilson (born 1941) brings his impeccable eye to high-definition video in a series of dramatic portraits. These tableaux of celebrities and other personalities entail carefully coordinated set design, lighting, music, makeup, props and costumes.