obara kuniyoshi (15 risultati)

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Text and captions in English and Japanese.

Hardcover. Condizione: Very Good. b/w Illus (illustratore). 1st. First Edition, First Printing; in VG slipcase; in English & Japanese (slipfolder?).

Hardcover. Condizione: Very Good. Text in English and Japanese. 201 pages, a very good copy in a scuffed slipcase with pen markings to the front.

21 x 28 cm, 211 S., mit zahlreichen Fotos, Orig.-Leinen, Einband minimal angestaubt, gutes Exemplar. Selten! Zweisprachig (eng./jap.).

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Red cloth. Book is in great shape, very clean and sharp, looking nearly as new. Cardboard slipcase has modest wear to corners but is otherwise very nice.

Hardcover. Condizione: Very Good. VG cloth in a worn card slip case. Japanese and English. 201 pages : chiefly illustrations (some colour) ; 28 cm.

Hardcover. Condizione: Very Good. VG cloth in a worn card slip case. Japanese and English. 211 pages : illustrations ; 30 cm.

Hardcover. Condizione: Very Good. VG cloth in a worn card slip case. Japanese and English. 39, 240 pages : chiefly illustrations : 28 cm.

Hardcover. Condizione: Very Good. Hardcover. 4to. Tamagawa University Press, Tokyo, Japan. 1964. 214 pgs. Signed and inscribed by Kuniyoshi Obara. Full color frontispiece. Illustrated with b/w photos. Text in Japanese and English. Slipcased. Bound in red cloth over boards, gilt titles on front cover and spine; light gray laid paper end papers; two-color title page. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Kuniyoshi Obara (Obara Kuniyoshi, April 8, 1887 December 13, 1977) was an influential Japanese education reformer and publisher Obara left a strong mark in education philosophy and on the theories of liberal education, art education and vocational education. In addition to creating his own education theory, Zenjin (or "Whole Person") Education, he was among the leaders of the New Education Movement in Japan and disseminated in that country the works of earlier reformers such as Johann Heinrich Pestalozzi. He was the founder of the campus Tamagawa Gakuen and for many years president of its university, Tamagawa University. E-216; 8vo 8" - 9" tall; 214 pages.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. The book is in fine condition.

Hardcover. Condizione: Good. No jacket. In Japanese. Believed to be the first printing in Japanese of Kandinsky's work. From the library of art historian Peter Selz. Color and b&w prints. Covers worn with bare spots along spine.

4to. (258 x 198 mm). [170 leaves: 110 leaves with printed text; 60 leaves of glossy paper with plates]. Printed title in Japanese and Western characters on glossy paper, monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece, Kandinsky's translated text in Japanese (with occasional insertions in Western characters) illustrated with 9 monochrome text vignettes, 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks (9 in colour and 48 in monochrome, several with multiple images on the same sheet, including the 'Abbildungen' at rear), final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards, original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924. Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well, the book required three editions in the first year it was published. This Japanese edition, published nearly 15 years after the original, incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer, Raphael, Cézanne, and others are also included. The Japanese translation is by Obara Kuniyoshi (1887 - 1977), the publisher, translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house (later the Tamagawa University Press) was established in 1923 and aimed to produce teaching material, educational work for children (Obara published the first encyclopedia for Japanese children) as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences. 'The book, which he [Kandinsky] claimed had been gestating for nearly a decade, elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions, improvisations, and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts, Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky, abstraction was a weapon for transforming what he perceived to be a corrupt, materialist society.' (see MOMA catalogue). 'One of the most important manifestos of modern art. Written in 1910 and first published in 1912, Kandinsky's book is anti-materialistic and anti-naturalistic, calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' (The Artist and the Book). Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan, for which OCLC list copies at the National Diet Library and Waseda University Library. [see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912].

LeatherBound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 682. A perfect gift for your loved ones. Reprinted from 1925 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Japanese Pages: 682.

Leather Bound. Condizione: New. Language: Japanese. Language: Japanese. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1925. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Japanese, Vol: - , Pages: - 682, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 682 682.