Oh gwangsu (8 risultati)
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Da: Rarewaves.com USA, London, LONDO, Regno UnitoRarewaves.com USA
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Hardback. Condizione: New. A contemplative exploration of the work of Yun Hyong-keun, a renowned Korean abstract painter, during a transformative period in the early 1980s. 'His brushstrokes bled naturally across the linen or cotton raw canvas -appearing light brown as its fabric was not bleached - reminiscent of traditional Eas…t Asian calligraphy or ink and wash paintings.' - The Korea Times From 1980 to 1982, Yun Hyong-keun resided in Paris, seeking both peace from the violent political turmoil that exploded in South Korea and a new, artistic center in which to create work. His brief but illuminating stay in the city became the locus of his freedom of expression, which had been subject to political repression he had experienced in his home country. Yun's signature abstract compositions engage and transcend Eastern and Western art movements and visual traditions, establishing him as one of the most significant Korean artists of the twentieth century. He is the most prominent figure associated with the Dansaekhwa (monochrome painting) movement, the name given to a group of influential Korean artists from the 1960s and 1970s. Using a restricted palette of ultramarine and umber, Yun created his compositions of monolithic swathes by adding layer upon layer of paint onto raw canvas or linen, and hanji (Korean mulberry paper), often applying the next coat before the last one had dried. Published on the occasion of the artist's exhibition at David Zwirner, Paris, in 2023, this limited-run cloth-bound catalogue focuses on his paintings and works on hanji. In an accompanying text, the art critic Oh Gwangsu considers Yun's work prior to his move to Paris, particularly the artist's shift toward his signature works in the 1970s. The writer Mara Hoberman then reflects on Yun's practice and influences upon his arrival in the European capital, including an examination of his more nuanced understanding of the color black, which takes on different meanings in France and Korea.
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Condizione: As New. Unread book in perfect condition.
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Hardback. Condizione: New. A contemplative exploration of the work of Yun Hyong-keun, a renowned Korean abstract painter, during a transformative period in the early 1980s. 'His brushstrokes bled naturally across the linen or cotton raw canvas -appearing light brown as its fabric was not bleached - reminiscent of traditional Eas…t Asian calligraphy or ink and wash paintings.' - The Korea Times From 1980 to 1982, Yun Hyong-keun resided in Paris, seeking both peace from the violent political turmoil that exploded in South Korea and a new, artistic center in which to create work. His brief but illuminating stay in the city became the locus of his freedom of expression, which had been subject to political repression he had experienced in his home country. Yun's signature abstract compositions engage and transcend Eastern and Western art movements and visual traditions, establishing him as one of the most significant Korean artists of the twentieth century. He is the most prominent figure associated with the Dansaekhwa (monochrome painting) movement, the name given to a group of influential Korean artists from the 1960s and 1970s. Using a restricted palette of ultramarine and umber, Yun created his compositions of monolithic swathes by adding layer upon layer of paint onto raw canvas or linen, and hanji (Korean mulberry paper), often applying the next coat before the last one had dried. Published on the occasion of the artist's exhibition at David Zwirner, Paris, in 2023, this limited-run cloth-bound catalogue focuses on his paintings and works on hanji. In an accompanying text, the art critic Oh Gwangsu considers Yun's work prior to his move to Paris, particularly the artist's shift toward his signature works in the 1970s. The writer Mara Hoberman then reflects on Yun's practice and influences upon his arrival in the European capital, including an examination of his more nuanced understanding of the color black, which takes on different meanings in France and Korea.
LEE UNGNO, l'homme des foules
Mael Bellec & Oh Gwangsu & Kim Sangho & Chae-Duporge Okyang [ Sous la direction de ]
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Da: Okmhistoire, St Rémy-des-Monts, SARTH, FranciaOkmhistoire
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Couverture souple. Condizione: Comme neuf. Edition originale. Paris , 2017. 1 Volume/1. -- Comme Neuf - Broché cousu . Format in-4°( 30 x 21 cm )( 760 gr ). ------- 176 pages. ********************** "" Lee Ungno (1904-1989) est l un des peintres asiatiques les plus importants du XXe siècle, à la croisée des chemins entre l Extrê…me-Orient et l Europe, le passé et le présent. Ayant commencé sa formation en Corée, puis au Japon, il s installe à Paris à partir de 1958. Cet ouvrage retrace son parcours, en s attachant particulièrement à sa période française, de 1958 à sa mort.Dès les années 1950 il abandonne l art traditionnel pour des formes modernes et abstraites, jouant ainsi un rôle pionnier dans la fondation d un art coréen contemporain, facilitant ainsi son intégration dans l avant-garde parisienne aux côtés de Hartung, Soulages ou Zao Wou-ki. Très rapidement, parallèlement à sa pratique il s attachera à transmettre son art enseignant la peinture à l encre, enseignement dont le rayonnement a eu un impact décisif sur de nombreux artistes. Tout on long de sa carrière, il explorera les relations entre calligraphie et abstraction, ce qui précipitera dans les années 1970 l émergence d un thème emblématique de son oeuvre, « Les Foules ». Plus qu un sujet et qu un langage plastique à l équilibre entre écriture et peinture, « Les Foules » constituent rétrospectivement le symbole de la démocratie naissante en Corée du Sud. Chrono-thématique, organisé en 10 sections commentées et illustrées, enrichi de témoignage d élèves ou d artistes l ayant côtoyé et se terminant sur une présentation des oeuvres monumentales installées dans l espace public, cet ouvrage se veut la première synthèse ambitieuse en langue française sur la carrière de Lee Ungno. "" ************************* ref 115e114.
