olivier mosset (46 risultati)

French-fold / Sans Cout. Plier. Condizione: Fine / État De Neuf. Olivier Mosset; Gregoire Muller; Vaclav Pozarek; Christoph Rutimann; Adrian Schiess; Remy Zaugg (illustratore). Musée d`art moderne de Saint-Etienne : 4 oct - 24 nov 1991 / ELAC Espace lyonnaise d`art contemporain : 8 nov 1991 - 5 jan 1992. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair.

Softcover, 56 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Exhibition invite, 6 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

French-fold / Sans Cout. Plier. Condizione: Fine / État De Neuf. Olivier Mosset; Gregoire Muller; Vaclav Pozarek; Christoph Rutimann; Adrian Schiess; Remy Zaugg (illustratore). Musée d`art moderne de Saint-Etienne : 4 oct - 24 nov 1991 / ELAC Espace lyonnaise d`art contemporain : 8 nov 1991 - 5 jan 1992. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 4to / in-4o, 303pp. Book.

Paperback. Condizione: Very Good. Staplebound edition. Condition: Very Good with light wear to covers and no marks to text. Edition contains dimensions measurements of works. 2000 existing editions.; 8vo - over 7¾" - 9¾".

Softcover. Condizione: Sehr gut. 2. Auflage. Z/S : 204 Seiten/pages - En 1969, John M Armleder cofonde à Genève l'Ecart Performance Group avec Patrick Lucchini et Claude Rychner. Cette aventure artistique collective, placée dans la continuité du mouvement Fluxus, se développe ensuite pour devenir une galerie autogérée, une maison d'édition, une librairie. Basé à Genève, le groupe Ecart est reconnu comme l'un des relais importants de l'art expérimental des années 70 en Suisse. Le MAMCO est heureux de proposer la réédition augmentée de cet ouvrage de référence sur une scène artistique encore trop peu documentée.

Couverture souple. Condizione: Très bon.

Brossura. Fotografie a colori n.t./Coloured photographs. Numero di tavole: pp.62 altezza 0 larghezza 0 Esemplari in buone condizioni. Testo in francese e inglese. Copertine leggermente ingiallite, con macchie di polvere. Polvere ai tagli. Leggero ingiallimento di tagli e pagine.Books in good conditions. Text in French and English. Yellowed covers, with dust stains. Dust on the edges. Slightly yellowed edges and pages.

62 pp.; 29.6 x 23.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; October-November 1979 issue of Flash Art, edited by Giancarlo Politi. Contents include: "Letter from the Interview," by Giancarlo Politi; "Painting in New York : An Illustrated Guide," by Thomas Lawson; "Monochrome in New York," Jerry Zeniuk, Doug Sanderson, Raimund Girke, Joseph Marioni, Phil Sims, Olivier Mosset, and Marcia Hafif in discussion; "The Italian Trans-Avantgarde," by Achille Bonito Oliva; "Flash Art : New York, The Necessary Dialectical Critic," by Donald B. Kuspit; "The Wound as a Sign : An Encounter with Gina Pane," by Helena Kontova; "Three Cheers for Rebellion," by Hugh Adams; "Installations and Performance in Ireland," by Dorothy Walker; "Italy," by Carlo Bertocci; "Erscheinen und Verschwinden über Urs Lüthi," by Gerhard Johann Lischka; "Interview mit Urs Lüthi und Seine Frau Elke Kilga," by Gerhard Johann Lischka "Interview Avec Jean Clair," by Bernard Blistene. Cover : Frank Stella. Fair / Poor. Soiling across covers, tearing at spine edge at staple binding with a 2 cm. tear and 8 mm. tears to top and bottom of spine. Additional creasing along spine. Curling and chipping of right side of publication. Creasing along top edge of verso with 3 mm. hole to verso. 1.3 cm. dog-ear to bottom of pages 52-62 with additional bumping and creasing to the other pages. Contents clean and unmarked.

38 pp.; 20.8 x 30 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June / July 1980 issue of the periodical Artistes. Edited by Bernard Lamarche-Vadel. Contents include: "Editorial," by Bernard Lamarche-Vadel; "Christo, une ligne de fuite," by Michel Enrici; "Le Pont-Neuf empaqueté," by Christo; "Olivier Mosset," by Bernard Lamarche-Vadel; "Penone," by Bernard Blistene; "Entrietien avec Hervé Télémaque," by Philippe Cyroulnik; "Mel Bochner, de la théorie a l'expérience," by Claude Gintz "Entretien avec Mel Bochner," by Claude Gintz: "Actualité Expositions," by Alan Charlton, César Cofone, Gaston Planet, Bernard Pagès, Pino Pinelli, Carnets d'Artistes, and Galerie S. Mathieu. Text in French. Good. Heavy bumping of right side corners with creasing to recto and verso. rubbing of cover edges. Contents clean and unmarked.

Paperback. Condizione: Brand New. 176 pages. French language. 12.00x9.00x0.70 inches. In Stock.

No Binding. Condizione: Fine. Exhibition Invitation Card in fine condition. Cards are sent in stiff mailers. Card.

Condizione: New. &Uumlber den AutorrnrnOlivier Mosset (geb. 1944 in Bern) ist einer der wichtigsten Exponenten postmoderner, geometrischer Malerei. 1965 zog er 21-jaehrig nach Paris, wo er einen radikalen Neuanfang der Malerei mitverantwortete. Fuer kurze Zeit wa.

Hardback. Condizione: New. When Olivier Mosset bought his first motorcycle - a US Army surplus Harley Davidson - in Paris back in the late 1960s, he helped start up a subculture still wholly unknown in Europe at the time: the motorcycle club. The young painter's studio on the Rue de Lappe doubled as a hub of radical painting - conceptually reduced black circles on a white canvas - and a garage cum hangout for the first Marxist-influenced motorcycle club, whose members sympathized with the May '68 student revolts. Cars and motorcycles have been a driving force in the life and work of Olivier Mosset: as an attitude and lifestyle, as a means of transportation and later, from the mid-1990s, as readymades. WHEELS retraces his artistic career through the interplay between motor vehicles and painting, including brief descriptions of each vehicle he used and how it ties into his biography. Art critic Elisabeth Wetterwald's interview with Olivier Mosset and US artist Vincent Szarek, who learned his trade working on car bodies and repeatedly collaborated with Mosset, likewise explores the interface between art and motorcycles: Mosset's vehicles were exhibited from various perspectives in museums and at motorcycle shows. And in his essay, art historian Philip Ursprung analyzes the importance of technology, culture and nature to Mosset, who was always heading west, from the foothills of the Jura to Paris, then New York and eventually, in 1996, cross-country by motorcycle to Tucson, Arizona.

Condizione: Very good.

Hardback. Condizione: New. When Olivier Mosset bought his first motorcycle - a US Army surplus Harley Davidson - in Paris back in the late 1960s, he helped start up a subculture still wholly unknown in Europe at the time: the motorcycle club. The young painter's studio on the Rue de Lappe doubled as a hub of radical painting - conceptually reduced black circles on a white canvas - and a garage cum hangout for the first Marxist-influenced motorcycle club, whose members sympathized with the May '68 student revolts. Cars and motorcycles have been a driving force in the life and work of Olivier Mosset: as an attitude and lifestyle, as a means of transportation and later, from the mid-1990s, as readymades. WHEELS retraces his artistic career through the interplay between motor vehicles and painting, including brief descriptions of each vehicle he used and how it ties into his biography. Art critic Elisabeth Wetterwald's interview with Olivier Mosset and US artist Vincent Szarek, who learned his trade working on car bodies and repeatedly collaborated with Mosset, likewise explores the interface between art and motorcycles: Mosset's vehicles were exhibited from various perspectives in museums and at motorcycle shows. And in his essay, art historian Philip Ursprung analyzes the importance of technology, culture and nature to Mosset, who was always heading west, from the foothills of the Jura to Paris, then New York and eventually, in 1996, cross-country by motorcycle to Tucson, Arizona.

Condizione: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Taschenbuch. Condizione: Neu. Neuware - Als der junge Maler Olivier Mosset in den späten 1960er-Jahren in Paris sein erstes Motorrad kaufte - eine Harley Davidson aus Beständen der US-Armee -, begründete er eine Subkultur mit, welche in Europa noch gänzlich unbekannt war: den Motorradclub. Mossets Atelier an der Rue de Lappe war sowohl Entstehungsort radikaler Malerei - wie beispielsweise konzeptuell reduzierter schwarzer Kreise auf weissem Grund - als auch Treffpunkt und Werkstatt des ersten Motorradclubs marxistischer Prägung. Man sympathisierte mit der Studentenrevolte vom Mai '68. Das Buch WHEELS hält die Bedeutung von Motorrädern und Autos in Leben und Werk von Olivier Mosset fest; als Lebensgefühl, Fortbewegungsmittel und schliesslich ab Mitte der 1990er-Jahre auch als skulpturales Readymade. Das Buch folgt der künstlerischen Laufbahn Mossets anhand des Wechselspiels von Vehikeln und Malerei; jedes von ihm eingesetzte Motorfahrzeug wird kurz beschrieben und biografisch eingeordnet. Ein Interview der Kritikerin Elisabeth Wetterwald mit Olivier Mosset und dem US-amerikanischen Künstler Vincent Szarek, der sein Handwerk beim Veredeln von Auto-Karosserien erlernt hat und wiederholt mit Mosset kooperierte, hat die Schnittstelle von Kunst und Motorrad zum Thema: Mossets Vehikel wurden sowohl im Museum als auch auf Motorradshows aus verschiedenen Perspektiven gezeigt. Der Kunsthistoriker Philip Ursprung analysiert in seinem Essay die Bedeutung von Technik, Kultur und Natur im Werk von Mosset, der in seinem Leben stets westwärts zog, vom Fusse des Jura über Paris nach New York und schliesslich, 1996, per Motorrad nach Tucson, Arizona.

Taschenbuch. Condizione: Neu. Wheels | Olivier Mosset | Taschenbuch | 224 S. | Englisch | 2018 | Edition Patrick Frey | EAN 9783906803548 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

kart. Condizione: Neu. 175 Seiten : zahlreiche Illustrationen ; 31 cm NEW ! + + + Olivier Mosset (b. 1944, Bern; lives in Tucson, Arizona, and Switzerland) is one of the central figures in postwar abstract painting, and a pivotal reference for generations of Swiss, European, and American painters. The acute historical awareness of Mosset`s practice is characterized by his continual questioning of the medium of painting itself and the means by which it resists the repeated assaults of `spectacle` and reification. Published on the occasion of the artist`s retrospective at MAMCO Geneva, this publication offers an extensive overview of his six-decade transatlantic painting practice: from his first experiments in Paris in the 1960s within the BMPT collective and his famous `Circle Paintings` to his shaped canvases from the 1980s and his recent monumental works, exploring `appropriation,` `radical painting,` and his interest in experimental cinema along the way. Designed by Gavillet & Cie, the book proposes a journey through the rooms of the exhibition and the successive steps of Mosset`s art, thanks to generous documentation and the life-size reproduction of the paintings` details. The book`s cover is silkscreened and reproduces a life-size detail of one of Mosset`s most iconic paintings. Exhibition: MAMCO, Geneva, Switzerland (25.02.-06.12.2020). 9783037645611 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 1200 en, fr, Title from cover. - Bibliographie.

Paperback. Condizione: VG. Oblong staple-bound wraps, 64 pages. Quarterly periodical published by the great Judith Aminoff covering the scene mostly below Canal Street. Very Good condition all around. Page 25 features two poems by this bookseller, which he can't rally make heads or tails of.

166 pp.; 23.5 x 28 cm.; glue bound; black-and-white & color; edition size 500; unsigned and unnumbered; offset-printed "This book brings together new texts written to accompany 79 exhibitions organized by Bob Nickas between 1984 and 2011. Nickas chose one work to represent the memory of each exhibition, and through this visual "lens" he reflects on his activity as a curator, offering many behind-the-scenes views to the art world of the 1980s and 90s, as well as intimate recollections of the artists he worked with, and the art works he encountered over the years. The book, then, can be seen as a sort of memoir. Always placing the artists and their works within a social milieu, while also aware of how art travels across time, he reminds us that both lead multiple lives, as an exhibition can reanimate a work from the past, and occasion the discovery of forgotten and marginalized figures among those who are very well-known. This retrospective catalog is also in many ways an ideal exhibition -- or collection -- 27 years in the making." -- publisher''s statement. Artists include: Vito Acconci, Richard Aldrich, John M Armleder, Barry X Ball, Lisa Beck, Alan Belcher, Ben Berlow, Walead Beshty, Huma Bhabha, Doug Biggert, Marcel Broodthaers, Henri Cartier Bresson, Graham Caldwell, Vija Celmins, Art Chantry, Larry Clark, Verne Dawson, Jules de Balincourt, Jessica Diamond, Trisha Donnelly, Moira Dryer, Gardar Eide Einarsson, William Gedney, Robert Gober, Daan van Golden, Wayne Gonzales, Felix Gonzalez-Torres, Peter Halley, Richard Hawkins, Adam Helms, Eva Hesse, Peter Hujar, Jacob Kassay, On Kawara, Yves Klein, Louise Lawler, Mark Leckey, Sherrie Levine, Judy Linn, Lee Lozano, Chris Martin, Allan McCollum, McDermott & McGough, Adam McEwen, Ryan McGinley, John Miller, Olivier Mosset, Dave Muller, Chuck Nanney, Bruce Nauman, Cady Noland, Amy O''Neill, Steven Parrino, Laurie Parsons, Raymond Pettibon, Jean Prouvé, David Ratcliff, Alex Rose, Sally Ross, Allen Ruppersberg, Sam Samore, Tom Sandberg, Joan Semmel, Stephen Shore, Harry Smith, Jack Smith, Robert Smithson, Mark Stahl, Haim Steinbach, Rudolf Stingel, Lily van der Stokker, Aaron Suggs, Philip Taaffe, Paul Thek, Wolfgang Tillmans, Betty Tompkins, Josh Tonsfeldt, John Tremblay, Alan Uglow, Kelley Walker, Jeff Wall, Joan Wallace, Wallace & Donohue, Dan Walsh, Andy Warhol, and Christopher Wool. Fine. Covers and contents clean and unmarked.

Hardcover. Condizione: New.

Paperback. Condizione: New.

[64] pp.; 21.3 x 27.7 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1981/1982 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: ".Different Places," by Clement Greenberg; "Portraits Nus," by Bettina Rheims; "New World," by Eric Bogosian; "Two Views," by Robert Mapplethorpe; "Eating Friends," by Holzer/Nadin; "Dagmar," by Paula Court; "Fang-Yi," by Dominique Fourcade; "What's Wrong.?" by Charles Clough; "Low Tech," by Ron Kolm; "Me & Jesus," by Miles Bellamy; "Radioactive Child," by Gary Indiana; "Paint What You Do?," by Michael Corris; "Two or Three Things," by Olivier Mosset; "Conflicting Panaceas," by Thomas Lawson; "New Pantheon," by Terry Fenton; "A Selective View," by Frank Bowling; "Michael Steiner," by Walter Darby Bannard; "Poons' Painting Procedures," by Kenworth Moffett and "Poochadella," by Paula DeLuccia. Front Cover: Larry Poons' New York Studio, 1982, Photo bt William Soghar. Back Cover: Peter Miller, 1982. Good. 1.3 cm., 8 mm., 5 mm. tears to top edge of recto with a 4 cm. crease. Light edge wear to covers and bumping of periodical corners. Light yellowing of pages. Contents clean and unmarked.

58 pp.; 21.2 x 25.5 cm.; staple bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980. Good. 2.5 cm. crease parallel to top edge of publication, from recto to verso and affecting contents. Rubbing of cover edges and handling wear to covers. Contents clean and unmarked.

Soft cover. Condizione: Fine. 1st Edition. Sm.8 - 127pp - Color & B/w reproductions. The International Show of Pilot Galleries at Lausanne 1963 1966 1970 First edition, Text in French and English. Original boards. In Fine condition.

Hardcover. Condizione: Near Fine. 1st Edition. 68 pages, oblong hardcover in pictorial boards, 9.75" by 7". Text in French. Obscure book reprinting a collection of related though anonymous photos of biker culture in France in the 70's, illustrated throughout. The photos are candid and immediate in spite of being unfocused and casual. Curious book, uncommon and out of print. In excellent condition save for small impression to front cover.