onderbeke tim (6 risultati)

Condizione: New.

Condizione: New.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Soft cover. Condizione: Fine. 1st Edition. Stiff wrappers (softcover) with transparant dust jacket, (unpaged) : illustrations ; 28 cm. Very good/fine, clean, crisp, no internal marks. Edition of 500. Artist Tim Onderbeke considers the publication Cast Shadow not as a collection of works, but as a work in itself. The book shows a selection of images from the artist's archive, transformed into rasterized black-and-white photos with use of Digital Image Processing (re-photographing, printing, scanning). By playing with the porosity of the grid, the images generate a pictorial quality that may remind one of Warhol's obscure screenprints. The mechanical printing-process is applied as a method of painting. The images, all made between 2001 and 2020, depict sculptures and pieces of furniture that have ceased to exist as physical objects, and only remain as two-dimensional imprints. These representations are combined with photos of situations, landscapes and places that the artist has visited. They exist as shadows of a memory. By carefully curating these images, Onderbeke subtly references the psychoanalytic work The Shadow of the Object, in which author and philosopher Chistopher Bollas complemented Freud?s theory of the subconscious. Bollas describes how artists are strongly influenced by their immediate context (origin, childhood, life-course, etc.) and how this context affects their artistic practice. In Cast Shadow, 248 reproductions of memories are made tangible through the medium of a book.

Soft cover. Condizione: As New. 1st Edition. Softcover, 80 p. : chiefly b/w illustrations ; 32 cm. Fine/as new. Text in English and French. French artist Jean Chauvin (1889?1976) is considered one of the pioneers of abstract sculpture of the early 20th century. His oeuvre is characterized by its highly stylized shapes and pure forms in bronze, wood and plaster, intermediating between abstraction and figuration. He touches on themes such as human animality and sexuality, nature, sensuality, architecture, technology and futurism. Among his contemporaries are Constantin Brancusi, Jean Arp and Ossip Zadkine, with whom he exhibited in the 1950s. In 1962 he represented France during the Biennale of Venice. Throughout his artistic career, Jean Chauvin obsessively photographed his sculptures, and granted these images a certain autonomy. In his photography, Chauvin applied a documentary aesthetic, by which all factors that would project his personality are supposed to vanish in the interest of displaying the sculpture alone, stripped of all circumstance or context. In order to delicately magnify the contrast of light, shadow, colour and material, the works are placed against a solid black or white background in a highly illuminated space. A subtly balanced play of light and shadow reveals graceful surface details and planar shifts. L'Ombre Atomique is published on the occasion of the exhibition at the modernist house of Atelier Jespers in Brussels (?2 May 2021), curated by Tim Onderbeke. The book presents a selection of the exhibited photographs, alongside exhibition views and a text fragment by Paul-Louis Rinuy from Chauvin's catalogue raisonné. Exhibition: Atelier Jespers, Brussels, Belgium (19.12.2020-02.05.2021).

Condizione: Hervorragend. Zustand: Hervorragend | Seiten: 248 | Sprache: Niederländisch | Produktart: Bücher | Keine Beschreibung verfügbar.