oneil philip john (3 risultati)

Paperback. Condizione: Very Good+. Letters and number in pen on half-title page, otherwise text clean and tight; 8vo 8" - 9" tall; 352 pages.

Hardcover. copper cloth boards w/ gilt spine printing. 478 pgs w/ color & bw illustrations. tan, illustrated dustjacket w/ white printing. Limoges enamels, the richest surviving corpus of medieval metalwork, were renowned throughout Europe in the Middle Ages. Yet today they are little known outside academic circles. The present volume, published in conjuction with the exhibition Enamels of Limoges, 1100-1350, brings to deserved public attention nearly two hundred of the most important and representative examples from the collections of The Metropolitan Museum of Art, the Musee du Louvre, the great church. Treasuries of France, and other sources. The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the. Reliquary of Saint Thomas Becket. Ecclesiastical patrons such as Archbishop Absalon of Lund, Cardinal Guala Bicchieri, and, above all, Pope Innocent III were key to the dissemination of Limoges work throughout the churches of Europe. While few of the artists who created the enamels that have come down to us are known by name, the works of several - Master Alpais, Garnerius, and Aymeric Chretien - are here juxtaposed with related pieces, some of them demonstrably from the. Same atelier.--Jacket. VG-. (light shelf-wear to lover cover edges. foxing to upper textblock edges. slight split to textblock; pgs intact & clean. dustjacket has light edge-wear).

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good Minus. Reprint. This Literary Guild of America reprint edition was published in the same year as the 1st Edition. This copy is almost 100 years old, has been well taken care of and is in fine condition. Its construction is unlike most of the poorly made book club editions. The buckram covered boards, high quality paper and matching top stain add up to a handsome edition possibly as desirable and rare as the first edition. The text block is solid, clean and square. Pictorial endpapers are clear of markings with small previous owner's bookplate under front flap. Spine tight, boards rigid and tips pointed. Slight push to spine ends. There is no book club deboss on the rear cover. The jacket is in very good minus condition and has some closed tearing along backstrip seams and chipping/loss at spine ends and some edges. It looks sleek in a shiny new plastic cover. Shipping box is suitable for wrapping with a non-price listed purchase order inside along with biodegradable packing.