Others uncredited (12 risultati)

Soft Cover. Condizione: Good-. . Debbie Reynolds, Rex Harrison, and Marlo Thomas] Binding has wear and small chips; several pages have small bit of light soil; final leaf has yellowing. 82 p., illustrated. [otob].

Half Leather. Condizione: Fair. No Jacket. First Edition. Mid 19th century Religious instruction for children in the form of stories, poetry, notes on the first disciples,etc., with numerous steel engravings (both full and half page) and two chromolithographic plates by J M Kronheim & Co. The pictures are extremely evocative of the era and of social history interest. Missing rear end paper and with a few tears and some foxing as would be expected from a book now 140 years old. 378pp. Size: 16mo - over 5¾" - 6¾" tall. J M Kronheim & Co and Others (illustratore). Childs Scribble in Pencil on E.…

SOFTCOVER. Condizione: Fine. 1st Edition. Large 4to. in photo illustrated stiff glossy card covers, 56pp on glossy art paper, plates in colour and (mainly) b/w, bibliography, etc. Text in English throughout with Japanese translation of the brief introduction . [CONDITION: A well preserved very near FINE clean and tight marked copy (pages slightly tanned) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Condizione: Good. 1st Edition. FIRST EDITION hardcover, half-bound in brown leather veneer with black boards, possibly re-bound in late 19th century, is in G++ condition, having wear to spine; corners bumped and worn; rubbing/scuffing to covers and spine; some cracking (minimal) to first endpaper gutter; some staining (possibly water) to pages before title-page; a few long-ago markings (initials?) in pencil on first free endpaper and title-page; some normal foxing to pages; book still solidly bound; some pages (at bottom right) have some corners torn, but none affect text; from pp.425 to 468 there are tiny corner foldings. Illustrated with myriad steel engravings. Aside from a huge host of fascinating articles on various subjects, this volume is especially noteworthy for having the first appearance of the classic weird tale, "What Was It? A Mystery," featuring possibly the first depiction of an invisible entity, written by Fitz-James O'Brien, but presented in the volume as by "Harry Escott," who is actually a fictional character in the story. "Among the earliest of Poe's disciples may be reckoned the brilliant young Irishman Fitz-James O'Brien (1828-1862), who became naturalised as an American and perished honourably in the Civil War. It is he who gave us 'What Was It?,' the first well-shaped story of a tangible but invisible being, and the prototype of de Maupassant's 'Horla'---H. P. Lovecraft. Like all Harper's Monthlys, this is a combination of fiction and non-fiction. Periodicals. United States. DB.…

Illustrated Wraps. Condizione: Very Good. First Edition. Paris: La Vie Parisienne, 1918. Illustrations - ephemera from an unassembled issue of March 23, 1918 of La Vie Parisienne, from its Golden Age, by some of the forty or fifty great illustration artists who gained famed, in large part, for their work in that famed Society magazine. 8 pages remaining here from a partly stapled but not fully assembled original copy of the issue; one seam is even unopened. The included art is by Chéri Hérouard, Georges Léonnec, Suzanne Meunier, Carlegle, and others uncredited. Text in French. Illustrated wraps in the very large folio size (13.75" x 10.5"), 8 glossy pages here of an original 19. As remaining ephemera, these pages are in Very Good condition, and more than suitable for framing or other applications; a touch of crinkle, some tiny seam chips, and short closed edge cuts, none of which show up well in the scans (which see). The two-page spreads - of a folio size publication - are too large to be completely included on even a large-format scanner, but you will get the idea. The conceits of Art Nouveau and Art Deco, evolving one to the other at the time, as those could be manifested through depiction of the wonders of French women, may never have been more stunning than they were through the remarkable sensibilities of the coterie of artists who regularly contributed to La Vie Parisienne. These pages are from an unassembled original - and of course first and only edition - example of that unique publication. As such, extraordinarily hard to replace, whether in full issues or as surviving, frame-able ephemera, as here. l-eph2. Chéri Hérouard, Georges Léonnec, Suzanne Meunier, Carlegle, others uncredited. (illustratore).…

Illustrated Wraps. Condizione: Good. First Edition. Paris: La Vie Parisienne, 1924. The February 9, 1924 Issue (62e annee, No 6). Illustrations by Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, Louis Vallet, Henri Avelot, others uncredited. Text in French. Illustrated wraps, folio (13.75" x 10.5"), 19 pp. Just Good, because both covers are detached (though fully present) from the main body, which is itself quite firmly integral; otherwise, this is a Very Good Plus issue or better, with contents virtually immaculate after all this time. Sharp. See scans. Exceptional condition for this thin-but-large, fragile weekly. Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, Louis Vallet and Henri Avelot are credited, with some other very credit-worthy art being uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 2/9/1924 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG2. Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, Louis Vallet, Henri Avelot, others uncredited (illustratore).…

Illustrated Wraps. Condizione: Very Good. First Edition. Paris: La Vie Parisienne, 1917. The September 1, 1917 Issue (55e annee, No 35). Illustrations by Rene Vincent; Henry Gerbault; Georges Barbier; Georges Leonnec; others uncredited. Text in French. Illustrated wraps, folio (13.75" x 10.5"), 19 pp. (770 through 789 for the volume), plus covers. Slender, but large: folio size. See scans. Some cover soiling, wrinkling, wear and very small scale chips; contents sharp, bright, about Very Good overall; nice condition for this thin-but-large, fragile weekly. This particular issue also has a chip in the middle of the front cover (see scan). Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Rene Vincent; Henry Gerbault; Georges Barbier and Georges Leonnec are credited for the big stuff, but some of the other very credit-worthy art is uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined, yields the cover art caption: "Sur Le Front De Mer / Son Mari est surement reparti.elle se baigne en maillot"" (approximately, two women remarking that the risque-for-that-era bathiing suit of another young lady indicates her husband must be out of town); rear cover caption is World War I humor that escapes me, but the image does not (which see). Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 9/1/1917 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG1. Rene Vincent; Henry Gerbault; Georges Barbier; Georges Leonnec; others uncredited (illustratore).…

Illustrated Wraps. Condizione: Very Good. First Edition. Paris: La Vie Parisienne, 1918. The March 30, 1918 Issue (56e annee, No 13). Illustrations by Georges Leonnec, Leo Fontan, Georges Pavis, Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Martin, A. Galland, others uncredited. Text in French. Illustrated wraps, folio (13.75" x 10.5"), 19 pp. Very Good; some cover fade and soil, or this would be a near fine example; contents virtually immaculate, almost As New after all this time. Sharp. See scans. Exceptional condition for this thin-but-large, fragile weekly. Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Georges Leonnec, Leo Fontan, Georges Pavis, Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Martin, and A. Galland are credited, with some other very credit-worthy art being uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 3/30/1918 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG2. Georges Leonnec, Leo Fontan, Georges Pavis, Chéri Herouard, Vald'Es (Valvérane & D'Espagnat), Martin, A. Galland, others uncredited (illustratore). …

Illustrated Wraps. Condizione: Very Good. First Edition. Paris: La Vie Parisienne, 1917. The August 18, 1917 Issue (55e annee, No 33). Illustrations by Georges Leonnec, René Vincent, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, Henri Guydo, others uncredited . Text in French. Illustrated wraps, folio (13.75" x 10.5"), 19 pp. Very Good to about Near Fine; modest amount of cover fade, some soil to covers (see scans); contents virtually immaculate, almost As New after all this time. Sharp. See scans. Exceptional condition for this thin-but-large, fragile weekly. Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Georges Leonnec, René Vincent, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, and Henri Guydo are credited, with some other very credit-worthy art being uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 8/18/1917 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG2. Georges Leonnec, René Vincent, Vald'Es (Valvérane & D'Espagnat), Fabien Fabiano, Henri Guydo, others uncredited (illustratore). …

Illustrated Wraps. Condizione: Near Fine. First Edition. Paris: La Vie Parisienne, 1921. The December 17, 1921 Issue (59e annee, No 51). Illustrations by Leo Fontan, Cheri Herouard, Pierre Lissac, Armand Vallee, Henry Fournier, others uncredited. Text in French. Illustrated wraps, folio (13.75" x 10.5"), 18 pp. About Near Fine - one of the better-preserved examples you'll see. Pencil notations at top of front cover, tiny slit at spine bottom, and only very nominal signs of handling otherwise. Sharp. See scans. Exceptional condition for this thin-but-large, fragile weekly. Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Leo Fontan, Cheri Herouard, Pierre Lissac, Armand Vallee, and Henry Fournier are credited, but some of the other (very credit-worthy) art is uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 12/17/1921 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG1. Leo Fontan, Cheri Herouard, Pierre Lissac, Armand Vallee, Henry Fournier, others uncredited (illustratore).…

Illustrated Wraps. Condizione: Near Fine. First Edition. Paris: La Vie Parisienne, 1925. The August 22, 1925 Issue (63e annee, No 34). Illustrations by Cheri Herouard, Georges Leonnec, Henry Fournier, Henri Avelot, Maurice Milliere, Georges Pavis, others uncredited. Text in French. Illustrated wraps, folio (13.75" x 10.5"), 18 pp. Near Fine; some light soil at covers, and that's about it. An extraordinarily high grade example; not far from As New after all this time. See scans. Exceptional condition for this thin-but-large, fragile weekly. Glossy covers; first and last few internal pages are on newsprint, else all glossy. Rather spectacular full-page color illustrations (in every issue, in fact) by the coterie of guys who knew how to do what you see here. In the case of this issue, Cheri Herouard, Georges Leonnec, Henry Fournier, Henri Avelot, Maurice Milliere, Georges Pavis are credited, but some of the other (very credit-worthy) art is uncredited. See scans. Cute humor, from the same mood as mutoscope cards, or perhaps a bit (only a bit) more refined. Gentle titillation. Even the occasional partial nudity is rather tasteful and soft, though humorously flirtatious. All of the full page efforts are eminently frame-able, and at this time of a sensibility midway-evolved between nouveau and deco, as is much of the uncredited b&w illustration. An original - and of course first and only edition - of the 8/22/1925 issue of this memorable and long-lived French weekly offering of very soft, very artful light erotica. The captioned illustrations by the eminent "dessins" luminaries named above, and others in their clan, are what really "make" this issue (as was generally the case through the era), but cartoons, serial fiction and around-town pieces nicely compliment those. Gorgeous, oversized large color illustrations are what you collect these for. l-LNG1. Cheri Herouard, Georges Leonnec, Henry Fournier, Henri Avelot, Maurice Milliere, Georges Pavis (illustratore).…

Condizione: Very Good. First (second state). The Pic?Nic Papers is composed of miscellaneous pieces by various authors It was originated by Dickens to benefit the widow and children of 28?year?old publisher John Macrone, who died suddenly in 1837 Dickens had begun soliciting submissions in 1838, and he eventually contributed the ?Introduction? and one short story ?The Lamplighter?s Story? Other contributors included William Harrison Ainsworth, Thomas Moore, Leitch Ritchie and Agnes Strickland Macrone?s widow eventually received 450 pounds from this charitable publication This set contains the entire publication It is the corrected second state of the first edition, with "young publisher" on p iii of Vol I (Eckel p 145) It is one of several of our Dickens-related listings, all originally from a private estate library All are uniformly bound in fancy three?quarter crimson leather with deep red marbled paper for endpapers and over the balance of the boards Gilt all around The materials used for the bindings date the binding to around 1890, and the bookplate of Julius Franke (1868?1936) is present on the front pastedown Franke was a prominent New York City architect, whose work included designing the Wurlitzer Building, and it seems likely that he commissioned the bindings This volumes shows only slight shelfwear The bindings and text block are sound The frontispieces and color plates (at the end of Vol III) are age darkened, but otherwise undamaged The text is age toned, but unmarked and quite clean There is a small ink stamped index number at the top ot each title page but no other marks at all 323, 298, 378 + 6 color plates pp. George Cruikshank, Phiz, R.J. Hamerton (color plates) (illustratore).…