Pamela franks (32 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Paperback. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condizione: Near Fine. 1st Edition. Just about fine. Completely clean.

Soft Cover. Condizione: Very Good. Clean.

Condizione: Good. annotated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Used-Very Good. 1st. Pap. Slight shelf-wear.

Softcover, 148 pages; as new condition; clean and crisp; no internal marks.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780300094527.

First edition. 143 pp. Near fine in glossy illustrated wrappers.

Paperback. Condizione: Near Fine. 1st. 143 pages, illustrations (some colour); 26 cm. Published on occasion of an exhibition at Yale University Art Gallery, January 29 to March 30, 2002. Near fine. Tight, clean copy. Light edgewear to wraps. *** "The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, Andre Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tiger's Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication." - Publisher. *** CONTENTS: Foreword, by Jock Reynolds; Acknowledgments, by Pamela Franks; Looking Through The Tigers' Eye, by Pamela Franks; The Tigers' Eye: An Index of Contributors, by Compiled by Mariana Mogilevich. Size: 4to. Collectible.…

Softcover. Condizione: VG. Pictorial wraps. 143 pp. Numerous bw and color plates. Organized by Pamela Franks. The Tiger's Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tiger's Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, Andre Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tiger's Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication.…

Condizione: Good. 4to. 143 pp.; illus. Fine in wraps.

Condizione: New.

Paperback. Condizione: Near Fine. First Edition. 4to. 84 pp. Near Fine. Mild rubbing to rear wrap. Curated by Kay Wilson Jenkins with essays by Pamela Franks, Saadi A. Simawe, and Dave Williams.

Imperial octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs. All online listings are held in Dunedin.…

Softcover. First Edition; First Printing. Fine in wraps.; 9.5 X 8.0 X 0.6 inches; 144 pages.

Condizione: As New. Unread book in perfect condition.

Softcover. White illus. wraps with black lettering; 8 pp. with 5 color plates. With essays by both Franks and the artist and a biography of Stephan. Good+; minor scuffing to front cover.

Condizione: Good. 4to. 144 pp. Soft Cover, Very Good, Color Plates.

Paperback. Condizione: Brand New. annotated edition. 144 pages. 10.25x7.25x0.50 inches. In Stock.

Soft cover. Condizione: Fine. 1st Edition. The Tigers Eye, a widely read magazine of art and literature, was published in nine quarterly issues from 1947 to 1949 by writer Ruth Stephan and painter John Stephan. It took its name from the poem by William Blake. The Tigers Eye featured European and American Surrealists, members of the Latin American avant garde, and young American painters soon to become known as Abstract Expressionists. The artists, among them Max Ernst, Alberto Giacometti, Adolph Gottlieb, Stanley William Hayter, André Masson, Pablo Picasso, Mark Rothko, Anne Ryan, Kay Sage, Kurt Seligmann, Rufino Tamayo, and Mark Tobey, as well as art editor and co-publisher John Stephan himself, range across the cultural forefront of the post-war period. This handsome book presents numerous examples of the art, writings, and pages of the magazine, using it as a lens through which to view the art world during these richly creative years when its center was shifting from Paris to New York. Also included is an essay tracing the history of the magazine, along with an annotated index of its contributors. Lavishly produced as an homage to the format, striking design, and structural devices of The Tigers Eye, the resultant volume will not only contribute to our understanding of postwar art history but will itself illuminate every aspect of this complex publication.…

Hardcover. First Edition; First Printing. Fine in a Fine dust jacket. Important book offers the 1st comprehensive look at the Arthur Ross Collection-more than 1,200 17th- to 20th-century Italian, French, and Spanish prints.; Yale University Art Gallery Series (YUP; 9.1 X 6.6 X 1.1 inches; 226 pages.

Wrappers. Condizione: Fine Condition. 262 pages. Double volume in one green wrap. Color Illustrations. Foreword by Pamela Franks. Introduction by Jock Reynolds. Published on the occasion of the exhibition from the Yale University Art Gallery, New Haven CT from November 7, 2014-February 1, 2015. Illustrations List. Book. …

Hardcover. Condizione: Brand New. 320 pages. 12.00x8.50x12.30 inches. In Stock.

Hardcover. Condizione: Brand New. 320 pages. 12.00x8.50x12.30 inches. In Stock.

Hardcover. Condizione: Brand New. 320 pages. 12.00x8.50x12.30 inches. In Stock.

Paperback. Condizione: Fine. First Edition. New Haven: Yale Un iversity Art Gallery, 2014. 191 pp. text volume; 194-263 pp. images volume. Two volumes in dos-à-dos binding, or back-to-back: fore edges and spines are adjacent and the volumes share a back board at the divide. An extensive collection of book art, which is not books with art within. Rather, individual books, the objects, that heve been changed by cutting, sanding, milling, wetting, bending, any process imaginable. Informative text with illustration, including an interview with Chasanoff, whose collection dates from the late 60s. The second volume a catalog of the images of the books. Clean throughout; tight binding. First Edition. dos-à-dos, folded card stock . Fine. 9" x 6.5". Exhibition Catalogue. Language: ENG.…

336 pp.; 26 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. The artworks are accompanied by original writings by the artists, contemporaneous criticism and newly commissioned essays by Pamela Franks, Aruna D'Souza, Johanna Burton, David Levi Strauss, Hamza Walker and Cuauhtémoc Medina. The ambitious works presented and interpreted herein invite us to consider the impact of the feminist revolution across generations while rendering obsolete any stigma associated with shows or catalogues limited to women artists. Taking its lead from Conceptualism, feminism, and from its included artists, Witness to Her Art reaches for art history's capacity as a medium of world-making." -- publisher's statement. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. …

Condizione: Very Good. New Haven, CT: Yale University Art Gallery, 2017. First Edition. Two oblong quarto volumes; photo-illustrated bifolium with text by Franks laid in. No dust jackets as issued; housed in publisher's slipcase. A few scuffs to boards; bumping to corners; bindings sound and pages unmarked. Slipcase shows a few scuffs and scratches, else structurally sound; Very Good and sound. Impressive production resulting from Goldberg and Wylie's time spent as the Happy and Bob Doran Artists in Residence at the Yale University Art Gallery. Uncommon in retail.…

Paperback. Condizione: New.