Pan gongkai (12 risultati)

Hardcover. Condizione: Fine. 1st Edition. 105 pages. 11 3/4 x 9 3/4 inches. Glossy hard board binding is tight and unworn. A clean, unmarked and unread-looking copy. Great photographs throughout.

paperback. Condizione: Very Good. Grade 3 out 5 points. Book has wear on cover and pages. May have personalized notes/names, stickers/labels. Has no markings on pages. May not include extra materials like access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business.…

Paperback. 439p., french-fold wraps, profusely illus., very good exhibition catalog.

Softcover. Condizione: VG. White wraps with taupe Chinese characters and black lettering. Unpaginated with 60 pp. and color/bw illustrations throughout. Text in English. A proposal/portfolio by the artist promoting his work as a possibility for exhibitions at various museums world-wide. Pan Gongkai is a leading Chinese artist known for his ink paintings and is the son of Pan Tianshou, who wrote the definitive text on the history of Chinese art. Several museums did mount exhibitions of Pan Gongkai's work in 2013 and 2014, in various forms, based upon his ink paintings. The catalogue includes images of his work from the Venice Biennale of 2011 (Snow Melt); Misconstruction in the CAFA Museum, Beijing, and more. With a professional biography. A very unique portfolio.…

Paper. Condizione: Good. Good copy. 108pp, b/w illustrations plus 13 colour plates and 3 black & white plates Size: 26x19cms. Book.

[Beijing], [2010]. 67 pp. Col. ills. Softcover.

Hardcover. Condizione: Very Good. No Jacket. English text.; Hardcover (with dust jacket); 25 x 31.5 cm.; 2.8 Kg.; 440 pages with colour illustrations throughout. Used with minor signs of wear on the exterior of the hardcover. Interior with minor signs of wear. Very good condition overall.; Catalogue from the exhibition held at Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California from February 17 to July 4, 2010.; Tracing the Past, Drawing the Future examines a crucial point in the development of Chinese ink painting represented by the beautiful and innovative work of four artists, Wu Changshuo (1844-1927), Qi Baishi (1864-1957), Huang Binhong (1865-1955), and Pan Tianshou (1897-1971). With careers spanning more than a century of radical social and political change in China, these artists were instrumental in driving the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. The lavish catalogue iluminates the context in which these artists worked, describes their overall contribution on the history of Chinese art, and highlights their individual ideas and achievements. Xiaoneng Yang defines the historical context in which modern Chinese painting developed, while Richard Vinograd analyses the "alternative modernism" represented by these artists, each of whom worked in the brush-an-ink idiom. All four artists engaged to a greater or lesser degree with Western styles and media, and gave new life to cherished traditions through this engagement. Essays devoted to each artist are followed by individual entries discussing the works chosen to exemplify their achievements. Featuring more than one hundred works of painting and calligraphy by the four artists, the book also includes several portraits by Ren Yi (1840-1895), appendices transcribing the works' inscriptions and seals, a concordance, and a detailed bibliography.…

Hardcover. Condizione: New. Tracing the Past, Drawing the Future examines a crucial turning point in the development of Chinese ink painting in the twentieth century, a change represented by the beautiful and innovative work of four artists, Wu Changshuo (1844â"1927), Qi Baishi (1863â"1957), Huang Binhong (1864â"1955), and Pan Tianshou (1897â"1971). With careers spanning over a century of radical change in China, these artists were instrumental in propelling the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. As a group, their work represents an alternative approach to questions of relevance and modernity.This lavish book illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. In his introductory essay, Xiaoneng Yang offers a brief historical background for the evolution of modern Chinese painting. Richard E. Vinograd analyzes the âalternative modernismâ represented by these artists, each of whom worked in the brush-and-ink idiom, confronted the shift toward practices of the West, and gave new life through this confrontation to cherished traditions. Essays devoted to each artist are followed by individual entries discussing their works. Featuring more than one hundred works of both painting and calligraphy by the four artists, the book, which is published to accompany a traveling exhibition, also includes a glossary and detailed bibliography.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very good. In Chinese. Dust jacket edgeworn, with a couple small tears.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condizione: Very good. No jacket. First Edition. Six softcover volumes in torn slipcase.: Theory, In Painting, Architecture, Critic,Interpretation, and Reflection on Pan Gongkai, Art Education & Administration, Installation. Each volume signed by the artist. Slipcase is torn along edges, but books themselves are in great condition. …

Hardcover. Condizione: Brand New. 896 pages. Chinese language. 6.10x2.00x9.25 inches. In Stock. This item is printed on demand.