Panas lydia (23 risultati)

Soft cover. Condizione: Very Good. 95 pages, oblong 4to. No DJ. SIGNED by Lydie Panas on title page. Minor shelfwear: light scuffing, corners are bumped. Tight binding, no marks. Volume is in Very Good condition.

Hardcover without dustjacket as issued; 112 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: VG. Inscribed by Panas. Quarto. Hardcover. Silver metallic cloth with large photo pasted center front. 111 pages : chiefly color photographs ; 32 x 27 cm. This volume presents award-winning Pennsylvania-based photographer Lydia Panas (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas' artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: "While my subjects do in actuality turn their gaze towards me, it's as if at times I turn the camera onto myself, both in the present and back in time." In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity.…

Hardcover. Condizione: Very Good. Hardback book (96 pages) illustrated with color photographs by Lydia Parnas. Signed on title page - I cant be sure of the signature. Light rubbing on boards with small nick bottom edge. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-9-Bottom-Flat) rareviewbooks. Signed by Author(s).…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: fine. A book of color photographs, with an introduction by Maile Meloy. 95 pages. Oblong 4to, pictorial boards. Berlin: Kehrer, (2011). Fine. Signed by the artist on title page. Lydia Panas (illustratore).

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. 96 pages. Published in 2011. Retrospective collection of color portrait-photographs. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. An Import title, it was not commercially distributed in the United States. The First Edition is now scarce. An austerely elegant production by Lydia Panas and Kehrer: Oversize-volume format. Pictorial hard boards with titles on the cover and spine, as issued. Photographs by Lydia Panas. Essay by Maile Meloy. Printed on pristine-white, thick coated stock paper using the most advanced digital technology in Berlin, Germany to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Lydia Panas' "The Mark of Abel". Her breakthrough collection of portraits. "For three years in hot weather and cold, Lydia Panas invited families to stand before her lens. She was curious to see what would happen. These groups stood graciously before her as the series unfolded. Lydia Panas has exhibited widely throughout the United States, and is gaining attention in Europe and Asia. Her work is included in numerous collections including those of the Museum of Fine Arts Houston; Brooklyn Museum; and the Center for Photography Woodstock" (Publisher's blurb). "Lydia Panas' ability to capture and convey the complexity of human relationships has made her a rising star in contemporary portraiture" (Photo District News). "The work is intensely beautiful" (Jorg M. Colberg). Reminiscent of the work of Sally Mann on the one hand and Jock Sturges on the other, the imagery is ultimately Lydia Panas' own. They are presented by Kehrer in exquisite reproductions that capture the sublime atmosphere, not just the nuances, of Panas' images. An absolute "must-have" title for Lydia Panas collectors. This title is a contemporary photography classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is an Import title and was not commercially distributed in the United States. Copies available online have serious flaws. This is surely an accessible and lovely alternative. A scarce copy thus. Lavishly illustrated with 50 full-page color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER COPY OF THIS TITLE IN OUR CATALOG) ISBN 3868282297. no.…

Condizione: Very Good. Hardcover. Like new in publisher's shrink-wrap. 95 pages. Collection of color photographs of families and friends photographed by the Pennsylvania photographer. Record # 352384.

Hardcover. Condizione: new. Hardcover. Portraits of women and girls intertwined with the photographers gaze, in a rare subversion of photographys power relationsThis volume presents award-winning Pennsylvania-based photographer Lydia Panas (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: While my subjects do in actuality turn their gaze towards me, its as if at times I turn the camera onto myself, both in the present and back in time. In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover without dustjacket as issued, 96 pages, in English; as new condition; clean and crisp; signed by Lydia Panas on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Sehr gut. 96 p. Near mint condition. ISBN: 9783868282290 Sprache: Englisch Gewicht in Gramm: 889.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Brand New. 112 pages. 12.00x10.00x0.75 inches. In Stock.

Hardcover. Condizione: Fine. Not Issued. 1st Edition. INSCRIBED. Color pictorial boards, oblong format. As issued. Inscribed by Panas on title page, full signature, inscribed "to a fellow artist / I admire" (unnamed). Size: 8vo - over 7¾" - 9¾" tall. Inscribed by Author(s). Book.

Hardcover. Condizione: Very Good. Signed on title page. Slight rubbing to boards. Signed by Author(s).

Hardcover. Condizione: As New. Condizione sovraccoperta: None, As Issued. 1st Edition. 1st Printing. Signed. 96 pages. Published in 2011. Retrospective collection of color portrait-photographs. One of the most beautiful art photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. An Import title, it was not commercially distributed in the United States. The First Edition is now scarce. An austerely elegant production by Lydia Panas and Kehrer: Oversize-volume format. Pictorial hard boards with titles on the cover and spine, as issued. Photographs by Lydia Panas. Essay by Maile Meloy. Printed on pristine-white, thick coated stock paper using the most advanced digital technology in Berlin, Germany to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Presents Lydia Panas' "The Mark of Abel". Her breakthrough collection of portraits. "For three years in hot weather and cold, Lydia Panas invited families to stand before her lens. She was curious to see what would happen. These groups stood graciously before her as the series unfolded. Lydia Panas has exhibited widely throughout the United States, and is gaining attention in Europe and Asia. Her work is included in numerous collections including those of the Museum of Fine Arts Houston; Brooklyn Museum; and the Center for Photography Woodstock" (Publisher's blurb). "Lydia Panas' ability to capture and convey the complexity of human relationships has made her a rising star in contemporary portraiture" (Photo District News). "The work is intensely beautiful" (Jorg M. Colberg). Reminiscent of the work of Sally Mann on the one hand and Jock Sturges on the other, the imagery is ultimately Lydia Panas' own. They are presented by Kehrer in exquisite reproductions that capture the sublime atmosphere, not just the nuances, of Panas' images. An absolute "must-have" title for Lydia Panas collectors. This copy is very boldly and beautifully signed in black pen on the title page by Lydia Panas. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary photography classic. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is an Import title and was not commercially distributed in the United States. Copies available online have serious flaws. A rare signed copy thus. Lavishly illustrated with 50 full-page color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER COPY OF THIS TITLE IN OUR CATALOG) ISBN 3868282297. Signed by Author.…

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condizione: new. Hardcover. Portraits of women and girls intertwined with the photographers gaze, in a rare subversion of photographys power relationsThis volume presents award-winning Pennsylvania-based photographer Lydia Panas (born 1958) much-praised series of mesmerizing color portraits of reclining women and girls. In an interesting reversal of roles, the artist's and models' gazes are intertwined, incorporating the viewer as participant in an often uncomfortable connection. Critics and curators have praised the work for Panas artistic and technical mastery, and all have noted and examined the powerfully affecting gaze of her subjects. Panas notes: While my subjects do in actuality turn their gaze towards me, its as if at times I turn the camera onto myself, both in the present and back in time. In Sleeping Beauty, her subjects lie down, a metaphor for the position girls and women have been placed in historically. But they look out with self-awareness, in a way that implies a lack of complicity. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condizione: New. "Lydia Panas' ability to capture and convey the complexity of human relationships has made her a rising star in contemporary portraiture."Conor Risch, Photo District NewsFor three years in hot weather and cold, Lydia Panas invited families to stand before her lens. She was curious to see what would happen. These groups stood graciously before her as the series unfolded.Lydia Panas has exhibited widely throughout the United States, and is gaining attention in Europe and Asia. Her work is included in numerous collections including those of the Museum of Fine Arts, Houston; Brooklyn Museum; and Center for Photography at Woodstock.…

Hardcover. Condizione: New. 1st Edition. Signed, dated and inscribed ("For Toby, Warm Regards, Lydia Panas, 2012") by Panas, in black ink, to the title page. Printed paper covered photographically illustrated boards with the title to the upper side and spine. No dust jacket, as issued. Photographs by Lydia Panas. Texts by Maile Meloy, George Slade and Lydia Panas. Small oblong 4to (24cm x 30cm), pp.96, 50 colour illustrations. From the publisher: "For three years in hot weather and cold, Lydia Panas invited families to stand before her lens. She was curious to see what would happen. These groups stood graciously before her as the series unfolded. Nothing was deliberate or planned. The images do not represent individuals so much as they explore the questions of how we see ourselves and what we feel. In these pictures of family relationships, it is the details that matter most. Although they portray engaging people, verdant landscapes and beautiful light, it is the small things in the images that provide us with clues to understand the subtle nature of the work. After twenty years of working exclusively in black and white photography, mostly with her own children, Lydia began inviting other people with whom she was less intimate, to her farm in Pennsylvania, to see what difference this might bring to her work. Some of the models are family, some are friends, some are people she knew less intimately. She asked them to bring along their own family members or close friends, people with whom they shared a history. It was fascinating to see how they took certain positions in relation to one another, to the photographer and to the camera. Panas found that with the camera, she was free to watch and capture a sense of the connections between people, those unclear feelings that exist between us. Those moments we feel, yet are so difficult to describe in our connections with others.". Signed by Author(s).…