paul lett (22 risultati)

Paperback. Condizione: Very Good. Book has slight wear to cover corners. Slight toning and rubbing across covers. 1 inch crease to back top corner. Additional interior staple binding is slightly rusted, but holding strong. Otherwise, pages are clean and crisp. Exterior glue binding is strong. No other major wear or markings. Photos upon request.

PB. 80pp Faint bump top corner. good, wraps (softcover) faint bump top corner.

Soft cover. Condizione: Very Good. Decorated soft cover.tall 8vo.78 PP very good tight copy.scarce.poetry by Farber keith Kreymborg and Stoloff Essay on Japan.

Soft cover. Condizione: Very Good. large 8vo.illustrated.117 PP.very good copy.117 PP .Poetry Prose .a Play by Vincent Ferrini Plastics by Patricia Sloane.

Softcover. Condizione: Very Good. Single issue. 168-247pp. Illustrated card covers. Edges and wrapper lightly age-toned, very good. Two Fiction Firsts: *Summer Sunday* by Frieda Arkin and *Nice Work If* by Morgan Gibson. Poetry by John Logan, William Corrington, James C. Waugh, Norma Farber, Charles Philbrick, and Joseph Joel Keith. A Play: *The Questioner* by Myron Levoy. Stories by F.X. Mathews, Sandy Chernoff, Elliott Pine, Carl Larson. Graphics by Ralph Dubin.

PAPERBACK. Condizione: VG. PRICE ON COVER, THREE NEWLY DISCOVERED POEMS BY EMILY DICKINSON, ALSO JAMES DICKEY, OSCAR WILLIAMS, EARLE BIRNEY & SEVEN SHORT STORIES.

Condizione: Good. 120 unmarked pages in lightly soiled cover. Big contraversy Is Ginsberg a legitimate poet? No, say the editors.

Soft cover. Condizione: Very Good. 1st edition. VG+. 8vo, 52pp, stapled wrappers. Includes two poems by Delmore Schwartz, plus other writing and visual art. Light cover toning and a few spots at spine, no interior markings. Not Signed.

Paperback. 78p., 6x9 inches, editorial, poetry, art & prose, good paperback journals in wraps, letterhead card laid-in with handwritten note signed by Paul Lett. Published three times a year. The note from editor Lett asks Max Lerner to notice David Wright's piece "A Summer in the Country".

Paperback. 120p., 6x9 inches, editorial, poetry, art & prose, good paperback journals in wraps. Published three times a year. James Dickey's "Blast on the Beats" review printed alongside his letter of thanks for the support of Mutiny's editors. Dickey took the Beat poets to task in the New York Times.

Soft cover. Condizione: Near Fine. No Jacket. 1st Edition. First edition. "Published as a Mentor Book" and "First Printing, June, 1957" stated. No additional edition or printing indicated. Near fine wraps/paperback. Age-toning to leaves; two light, if not very light ripples to spine most likely due to manufacturing process; and trivial wear to lower fore-edge corners of covers and upper fore-edge corner of rear cover. Only trivial additional signs of age/wear/previous use.

Wrappers. Condizione: Near Fine. Paul Lett (illustratore). 1st Edition. Booklet, stiff goldenrod wraps, lettered/illus. in black. Light shelf wear, covers a bit rubbed/soiled. 16 pp., illus. w/ original subscription form still bound in. Exceptionally scarce. Book.

Magazine. 52p., 6x9 inches, editorial, poetry, art & prose, very good booklet in stapled wraps.

Paperback. pp123-218., 6x9 inches, editorial, poetry, art & prose, very good paperback journal in wraps with ex-library stamps.

first edition. fine booklet.

Softcover. Condizione: Near Fine. Stapled illustrated wrappers. A little age-toning and faint pencil notes on the wrappers, near fine. Includes a contribution by Delmore Schwartz.

First edition. 20 pp. Near fine in stapled wrappers. Poems by Orlovitz with drawings by Lett. The Round Quarter Series of New Poets & Artists Pamphlet No. 1.

Paperback. Complete three issue run of volume 3, 247p., 6x9 inches, editorial, poetry, art & prose, good paperback journals in wraps with ex-library stamps. Published three times a year.

Magazine. pp57-122, 6x9 inches, editorial, poetry, art & prose, very good paperback journal in tan wraps. The editorial this issue refers to the suppression of the Orlovitz issue of "The Miscellaneous Man" in SF. Orlovitz was a friend of Anais Nin and his work was one of two purchased at City Lights by undercover cops. "The Miscellaneous Man" featuring Orlovitz's work and the other was Ginsberg's "Howl".

Magazine. pp15-56, 6x9 inches, editorial, poetry, art & prose, very good booklet in stapled wraps with faint ex-library stamp on cover and tiny ink note "Rare Books" Bishop founded Rustam Publishers in New York (first to publish hardcover books of young New York poets) and worked at Harper and Row as a book designer. Orlovitz was a friend of Anais Nin and his work was one of two purchased at City Lights by undercover cops. "The Miscellaneous Man" featuring Orlovitz's work and the other was Ginsberg's "Howl".

Soft cover. Condizione: New. 30 pages : illustrations (some colour) ; 21 cm. Catalogue of an exhibition held at the Redfern Gallery, London, 15 February - 23 March 1989. Includes : Patrick Procktor RA, Paul Feiler, Keith Vaughan, Francis Davison, Adrian Heath, Stanley William Hayter, Christopher Wood, Sir Terry Frost RA, Merlyn Evans, Alan Reynolds ,Ivon Hitchens, Prunella Clough, Graham Sutherland, Arthur Lett-Haines, Peter Lanyon, Sir Cedric Morris, Michael Ayrton, Ben Nicholson, John Minton page.

In 1961 the poet James Dickey published a scathing review of Allen Ginsberg's Kaddish, along with a negative (though somewhat more approving) opinion of Charles Olson's The Distances and The Maximus Poems in the New York Times Book Review. Notably, the review also contained a fawning assessment of Mountain, Fire, Thornbrush by Harvey Shapiro then the deputy editor of the NYTBR which he described as "completely poetry in the best sense." This review greatly pleased Jane Esty and Paul Lett, editors of Mutiny Magazine of the Arts, who despised the Beats. They sent a letter of congratulations and praise to the Times for taking a critical position against them: "James Dickey's fine review cuts right through the cancer in contemporary American poetry; without cant or hypocrisy it clearly says: the beats are simply NOT poets." They began a campaign of support for Dickey and the Times, mailing out letters to their associates and sympathetic writers, encouraging that they send in their own letters of (dis)approval. This group of material contains a large poster which reproduces Dickey's review, Esty's and Lett's letters, along with pro-Beat letters that the Times had printed following the review. It also contains a statement, designed to be a signed testimonial, for the undersigned to "agree with James Dickey and the editors of Mutiny that THE BEATS are not poets"; as well as a rallying letter, titled "A MUTINY ALERT," here mailed to John Taylor, with an additional note in manuscript: "Know you'll join with us and various friends who are poets, editors, in putting down this BEAT nonsense now." An amusing relic of the literary culture wars between "the raw and the cooked.". Large offset poster, two mimeograph letters, one of which with autograph additions and signed by Esty in blue ink, blue offset return envelope. With the original printed mailing envelope. Various sizes, the largest being the poster, 22 x 17 in. Very good; poster with four original folds, the verso with some toning and stray spots.