Paul messier (37 risultati)

Hardcover. Hardcover. 2009. Steidl Publishers. SIGNED Card laid in. Very Good Plus condition. ; 8vo 8" - 9" tall.

Hardcover with dustjacket, 256 pages; very good condition; except small hole punch to lower left corner of rear cover and dj; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: New. Through engaging interviews, testimonials, and anecdotes from photographers, curators, printers, and colleagues, Object Lesson: On the Influence of Richard Benson pays homage to a legendary figure whose name is synonymous with the evolving history and philosophy of photographic reproduction.From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, Object Lesson stands as a testament to Benson's wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world.Text, image, and interview contributions by Michele Abeles, Marion Belanger, Barbara Benson, Richard Benson, Dawoud Bey, Andrew Borowiec, Lois Conner, Matthew Connors, Tim Davis, Benjamin Donaldson, Dru Donovan, Martina Droth, Shannon Ebner, Lucas Foglia, Peter Galassi, John Gambell, Jon Goodman, Bryan Graf, Gail Albert Halaban, Gary Haller, Heyward Hart, Robert J. Hennessey, Peter Kayafas, Lisa Kereszi, Justin Kimball, David La Spina, John Lehr, Susan Lipper, Salvatore Lopes, Peter MacGill, Tanya Marcuse, Lesley A. Martin, Miko McGinty, Sue Medlicott, Sarah Meister, Paul Messier, Andrea Modica, Matthew Monteith, Abelardo Morell, Arthur Ou, Thomas Palmer, Tod Papageorge, Ted Partin, Bradley Peters, John Pilson, Kristine Potter, Caitlin Teal Price, Sergio Purtell, Jock Reynolds, John Robinson, Jeff L. Rosenheim, Sasha Rudensky, Gary Schneider, David Benjamin Sherry, Steve Smith, Mark Steinmetz, Sarah Stolfa, Ka-Man Tse, James Welling, and Jeff Whetstone.…

Hardcover with dustjacket, 256 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardback. Condizione: Good. A close look at the work, relationship, and shared influences of two masterful 20th-century artists ?The camera,? said Orson Welles, ?is a medium via which messages reach us from another world.? It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898?1986) and Bill Brandt (1904?1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These ?shelter pictures? were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists? intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain?s great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7?November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020?February 28, 2021)Yale Center for British Art (November 17, 2022?February 26, 2023).…

Couverture souple. Condizione: Très bon. 62 p.Cote et cachets de biblio.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardback. Condizione: Good. A close look at the work, relationship, and shared influences of two masterful 20th-century artists ?The camera,? said Orson Welles, ?is a medium via which messages reach us from another world.? It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898?1986) and Bill Brandt (1904?1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These ?shelter pictures? were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists? intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain?s great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7?November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020?February 28, 2021)Yale Center for British Art (November 17, 2022?February 26, 2023).…

Hardcover. Condizione: Fine. No Dust Jacket. First Edition. Stiff unmarked book in glossy illustrated boards; about new. 20 page stapled booklet from Montreal Museum on Leduc exhibition laid-in; Signatures; 103 pages.

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Couverture souple. Condizione: Très bon. 28 p. Ill. sssDaniel Messier (illustratore).

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condizione: Very Good.

Condizione: New. 2020. Hardcover. . . . . .

Hardcover. Condizione: As New. Unused copy.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 256pp., decorated boards, b/w and colour illus., select bibliography, index. Excellent tight clean copy. GL G10.

Condizione: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

hardcover. Condizione: Fine. Condizione sovraccoperta: Includes dust jacket. First Edition. First edition, first printing. Pages clean and bright, no markings. Binding tight. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Hardcover. Condizione: new. Hardcover. A close look at the work, relationship, and shared influences of two masterful 20th-century artists The camera, said Orson Welles, is a medium via which messages reach us from another world. It was the camera and the circumstances of the Second World War that first brought together Henry Moore (18981986) and Bill Brandt (19041983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These shelter pictures were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britains great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020February 28, 2021)Yale Center for British Art (November 17, 2022February 26, 2023) Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

4°, hardcover, dustjacket. 255 pp Like new. Sprache: Englisch Gewicht in Gramm: 0.

Condizione: Good. 8vo. [ca 70 pp.]. Near Fine. Hard Cover. Red cloth covered boards, with B&W plate tipped in. Color plates throughout.ISBN: 9783865219480 3865219489.Collection from San Francisco Museum of Modern Art.

Condizione: New. In English.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Contents: Sculpture, photography and the printed page / Martina Droth and Paul Messier -- Photography in four dimensions / Paul Messier and Martina Droth -- Perspectives of a strange country / Martina Droth -- Catalogue / introduction essays by Martina Droth -- Portraits -- Britain at war -- Figures underground : Photojournalism in the 1940s and 1950s / Lynda Nead ; Henry Moore in the 1940s / Robert James Sutton ; Exhibiting art in wartime / Nicholas Robbins -- Afterlives of pictures : Photography at Marlborough Gallery / Audrey Sands -- Coal and Country : A strange country: Bill Brandt in Jarrow, 1937 / John Tagg -- Monoliths and landscapes : Sculpture and spatial environment / Alex Potts ; Henry Moore's and Bill Brandt's landscapes / Simon Wallis -- Perspectives of sculpture : Henry Moore and photography / Sebastiano Barassi -- The body refracted : Bill Brandt's haptic eye: perspective of nudes / Carol M. Armstrong ; Henry Moore's photo-collages / Eleanor Clayton. Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, and travelling. 255 pages : illustrations (some color) ; 34 cm. First edition, first printing. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. …

Hardcover. Condizione: new. Hardcover. A close look at the work, relationship, and shared influences of two masterful 20th-century artists The camera, said Orson Welles, is a medium via which messages reach us from another world. It was the camera and the circumstances of the Second World War that first brought together Henry Moore (18981986) and Bill Brandt (19041983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These shelter pictures were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britains great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020February 28, 2021)Yale Center for British Art (November 17, 2022February 26, 2023) Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New.

Hardcover. Condizione: Brand New. 255 pages. 13.00x10.00x1.00 inches. In Stock.