paul thomas director (16 risultati)

Soft cover. Condizione: VG+. Original Edition. A very nice original copy of this Massachusetts history journal containing the following articles: "Boston and the Calling of the Federal Convention of 1787" by Myron F. Wehtje; "Industrialization and the Transformation of Public Education in New Bedford, 1865-1900" by Thomas A. McMullin; "An Experiment in Labor Peace: Haverhill, 1890-1930" by Paul H. Tedecso; "Ethnicity and Urban Politics: French-Canadians in Worcester, 1895-1915" by Ronald A. Petrin; "The Development of the Massachusetts District Courts, 1821-1922" by Kathleen McDermott; "Civil War Military Service and Loyalty to the Republican Party: 1884" by Gerald W. McFarland & Kazuto Oshio. Book.

Decorative Hardcover. Condizione: Very Good. No Jacket. Patrick Dooley (Design); Karen Schmidt (Production Coordinator); Kathe Flynn & Kurt Hauser (Production Assistants); Elizabeth C. Burke (Photograph Coordinator); Donald Hull, Stephanie Blakemore, Thomas Paul Moon, et al. (Photographers) (illustratore). © 1986 The J. Paul Getty Museum. 261 + ix pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers. Copy essentially flawless; binding creased at pp. 28-29.

Vintage studio still photograph from the 1986 film. In order to win a national science fair, a high school prodigy creates an atomic bomb using stolen plutonium, exposing a secret nuclear weapons laboratory in the process. Set and shot on location in New York. 8 x 10 inches. Fine.

Vintage studio still photograph from the 1978 television movie. A true-crime television movie following the trial of a teenage boy who murdered his mother in their small Connecticut town. Aired on March 1, 1978. Shot on location in California. 8 x 10 inches. Stamp to the verso, else Near Fine.

Two vintage full-color British front-of-house cards from the 1961 UK film. A group of students at an elite music school decide to share a flat in order to cut their living costs and have somewhere to practice together. 8 x 10 inches. Light creasing to the extremities, else Near Fine.

Vintage studio still photograph from the 1986 film. In order to win a national science fair, a high school prodigy creates an atomic bomb using stolen plutonium, exposing a secret nuclear weapons laboratory in the process. Set and shot on location in New York. 10 x 8 inches. Fine.

VHS Tape. Condizione: Very Good. VHS tape. From private collection Cardboard slipcase intact and uncut. Tap juddered a bit during the trailers/promos but evened out by the start of the film and look quite sharp (for VHS). Will ship rewound, in a poly bag with plenty of padding for protection. UPC: 022389550433 Quantity Available: 1. Shipped Weight: 1-2 Pounds. Category: Film & Media::VHS; Inventory No: 029659.

Softcover. Condizione: Fine. Condizione sovraccoperta: No Dust Jacket. Academy Awards nominations promotional program. Oversize. ( 10 1/2' X 10 1/2") (Unpaginated) Full color throughout. ; 10 1/2" X 10 1/2".

Two vintage double weight color studio still photographs and two vintage studio still photographs from the 1974 film. Two black and white photographs with provenance stamps on the verso. Based on the novels "The Tower" (1973) by Richard Martin Stern, and "The Glass Inferno" (1974) by Thomas N. Scortia and Frank M. Robinson. In 1973 both Twentieth Century-Fox and Warner Brothers had each purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer, Irwin Allen, on the heels success with his 1972 disaster film, "The Poseiden Adventure," convinced both studios to join forces in the production of a motion picture, the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled, including Steve McQueen, Paul Newman, Faye Dunaway, Fred Astaire, Susan Blakely, Richard Chamberlain, O.J. Simpson, Robert Vaughn, and Robert Wagner, among many others. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards including Best Cinematography, nominated for five others including Best Picture and Best Supporting Actor for Fred Astair, his only Academy Award nomination. Set in San Francisco, shot on location in San Francisco and Los Angeles. 8 x 10 inches. Generally Near Fine, with two color photographs evenly toned.

Revised Final Draft script for the fourteenth episode of the second season of the 1981-1986 ABC television series, printed on pink leaves, which aired on February 2, 1983. Copy belonging to stunt person Nick Dimitri, with Dimitri's stamp on the front wrapper and first leaf. Laid in are three Call Sheets, one with an attached map and directions to a location shoot. Created by Glen A. Larson for ABC, "The Fall Guy" starred Lee Majors, Douglas Barr, and Heather Thomas as Hollywood stunt performers who moonlight as bounty hunters. The show premiered on November 4, 1982 and aired for five seasons and 112 episodes before ending on May 2, 1986. In this episode, Colt (Majors) and Howie (Barr) pose as millionaires aboard a cruise ship, who with Jody's (Thomas) help, hope to ensnare a jewel thief who has had plastic surgery to disguise her looks, unaware she is also the target of an insurance investigator and her former accomplice. Red titled wrappers, noted as REVISED FINAL on the front wrapper, dated September 3, 1982. Title page present, dated September 3, 1982, noted as REVISED FINAL, with credits for screenwriter Lou Shaw. 69 leaves, with last page of text numbered 57. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 9/8/82. Pages Very Good plus, with light foxing along the top edge and on the extremities of the first leaf, wrapper Very Good plus, bound with two gold brads.

Second Revised Final script for the 1969 film. Copy belonging to cinematographer Jules Brenner, with his name in manuscript ink on the front wrapper. A successful race car driver dreams of winning the Indy 500 and stops at nothing to achieve his goal, sacrificing his relationships with his wife and stepson in the progress. Shot on location in Elkhart Lake, Wisconsin and Indianapolis, Indiana. Yellow titled Universal Studios wrappers, noted as SECOND REVISED FINAL SCREENPLAY on the front wrapper, noted as production No. 02017, dated April 16, 1968. Title page present, noted as Second Revised Final Screenplay, with credit for screenwriter Howard Rodman. 152 leaves, with last page of text numbered 130. Xerographic duplication, rectos only, with pink and blue revision pages throughout, dated variously between 4/26/68 and 5/14/68. Pages Very Good plus, wrapper Very Good plus, moderately soiled, with a dampstain on the fore-edges, bound with three gold brads.

Vintage reference photograph from the UK release of the 1955 French film noir. Printed mimeo snipe affixed to the verso. Based on the 1952 novel "Celle qui n'etait plus" by Pierre Boileau and Thomas Narcejac. The wife and mistress of a cruel, brutish school principal orchestrate the perfect murder, but their plans are thrown into confusion when his body disappears. Set in Saint-Cloud, Hauts-de-Seine, and shot on location in Yvelines, Deux-Sevres, and Hauts-de-Seine, France. 10 x 8 inches. Very Good plus, lightly curled. Criterion Collection 35. Grant France. Selby Masterwork. Spicer France. Vogel, Film as a Subversive Art.

Two vintage borderless black-and-white reference still photographs from the 1967 Italian-French-German film. From the archives of French film historian Maurice Bessy (1910-1993). Bessy's rubber stamp and name label on the verso of one still, with brief annotations in manuscript ink on the versos of both stills. Featured in one still is director Duvivier and actor Sergio Fantoni, both engaging in a spirited conversation. In the other, Duvivier stands above a bandaged Alain Delon in his hospital bed, surrounded by members of the crew. Based on the 1962 novel "Manie de la persecution" by Louis C. Thomas. After a near fatal car crash resulting in a coma, Pierre (Delon) awakens to a new life. Attempting to search for his true identity after suffering amnesia, coming ever closer to finding the truth, and ever closer to unspeakable danger. Julian Duvivier's final film. One still 7 x 9.5 inches, one 8 x 11.75 inches. About Near Fine overall.

Vintage borderless color photograph from the 1997 film, showing actors Johnny Depp and Al Pacino talking between takes, on the set. Mimeo snipe on the verso. Based on the 1988 nonfiction book "Donnie Brasco: My Undercover Life in the Mafia" by Joseph D. Pistone and Richard Woodley. An undercover FBI agent is unwittingly pulled into the Bonanno crime family, and begins to rise in the family's ranks, angering the older hitman who brought him in. Set and shot on location in New York. 7 x 10.25 inches. About Fine. Spicer US Neo-Noir.

Vintage British quad poster for the 1974 American film. Based on Richard Martin Stern's 1973 novel "The Tower," and on the 1974 novel "The Glass Inferno" by Thomas N. Scortia and Frank M. Robinson. Both Twentieth Century-Fox and Warner Brothers had purchased rights to similar skyscraper disaster novels, when "Master of Disaster" producer Irwin Allen convinced both studios to join forces in the production of a motion picture-the first in the history of the major studios. The result was one of the highest grossing films of 1975 and one of the largest ensemble casts yet assembled. During the premiere gala for the world's tallest skyscraper, the building catches fire, the result of shoddy wiring by corrupt contractors, trapping 300 guests on the 135th floor. Winner of three Academy Awards, including Best Cinematography. Set in San Francisco, shot on location in San Francisco and Los Angeles. 40 x 30 inches, folded. Very Good plus, lightly edgeworn on the top left corner, with a pinhole on the bottom right portion of the poster.

Four vintage oversize double weight photographs from the Swiss release of the 1978 adult film. With the stamp of Swiss distributor Septima Film on the verso. A failing pizza restaurant in San Francisco begins to offer more than just pizza with their deliveries. Directed by noted Chinese-American adult filmmaker Bob Chinn, restored and re-released by Vinegar Syndrome in 2014. Shot on location in Oakland, San Francisco, and Berkeley, California. 10 x 8 inches. Near Fine, unusually mounted on thick stock, with keybook style holes at the corners for use in adult film theatres. Vinegar Syndrome 55.