paz octavio text (16 risultati)

Bedruckter Pappband, 30 Seiten, 28x24 cm, 426 gr. Sprache: deutsch. Gut erhaltenes Exemplar.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. First Edition. hardcover, large quarto, first edition, 1979, 346 pages, numerous color plates representative of Latin American artists, text by Octavio Paz and Stanton L. Catlin in Spanish and English, fine condition in a very good+ dust jacket with a very good slipcase, a graphic documentation of contemporary Latin American cultures, traditions and ideologies. Size: Large Quarto.

Condizione: Good. 16mo. Hard Cover Cloth Spine [ca. 35 pp.] Color Plates, Very good with Abrasions, No Dust JacketText in Spanish.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First American edition. REVIEW COPY. (Slip, press release & glossy photo of author laid-in. ) Near fine in fine dust jacket. (Edges lightly foxed. ) Uncommon in the cloth issue. Mexican writer.

Condizione: Good. [Exhibition catalogue]. 4to. [16 pp.]. Soft, stapled black and white illustrated wraps. Very good with marginal creasing along top wrap from age. Color plates. Includes an excerpt of an essay by Octavio Paz, translated into English by Eliot Weinberger and additional texts by Wayne Andersen and William D. Case. Includes catalog of 50 exhibited plates, artist chronology, selected solo exhibitions and selected biography. Catalogue created to accompany the exhibition of works by Adka Yunkers, organized by and first held at the Massachusetts Institute of Technology Hayden Gallery from January 12 through February 10, 1973 before traveling to Lantern Gallery and Ann Arbor, MI and the Helen Mazelow Gallery in Toronto, ON. From the Collection of the Art Historian Peter Selz.

Condizione sovraccoperta: dj. First English Language Edition. First Printing. Octavo (23.5cm); green cloth-covered boards with titling stamped in gilt on spine; dustjacket; xxx,336,[2]pp. This copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024), with his pictorial bookplate to front pastedown. Trace residue to rear cover; Very Good+. Dustwrapper has tiny tears to extremities and upper front spine fold; Very Good+. First published as Quetzalcóatl et Guadalupe (1974), this text focuses on Mexican social history with a focus on Aztec myths and Indigenous tribes, and organized into "Part 1: New Spain from the Conquest to Independence (1521-1821)", "Part 2: Quetzalcóatl, or the Phoenix Bird", and "Part 3: Guadalupe, or the New Epiphany", with a foreword by Octavio Paz. [87582].

Condizione sovraccoperta: dj. First English Language Edition. First Printing. Octavo (21.5cm); black cloth-covered boards with titling and decorations in gilt, pink, and orange in spine and covers; pink topstain; dustjacket; [x],[2],3-215,[3]pp. A Richard Seaver Book. While not explicitly marked as such, this copy is from the library of noted poet, translator, and anthropologist Nathaniel Tarn (1928-2024), with his pencilled marginal notes throughout text. Light shelf-wear to covers; Very Good. Dustwrapper, designed by Roy Kuhlman, unclipped (priced $7.95), lightly tanned, with tiny tears to spine edges, 0.5" tear to upper rear spine fold, and creases to front flap; Very Good. Literary analysis of poetry in relation to contemporary themes and politics, with discussion including D.H. Lawrence, André Breton, Carlos Fuentes, and many more. [86174].

8°, ill. OKart. 16 unpag. S. Mit 5 ganzseit. Abbildungen, darunter 1 Foto-Porträt. Mit einer 6seitigen Einleitung von Octavio Paz. - Pedro Coronel Arroyo (1923 - 1985) war ein mexikanischer Maler, Zeichner, Grafiker und Bildhauer. - Der Katalog listet 33 Gemälde und 3 Skulpturen auf. - 1 Ecke minimal angeknickt, sonst gutes Exemplar Sprache: Französisch Gewicht in Gramm: 0.

Zürich, Galerie Lelong, 1991. 32 : 23,2 cm. (24) S. mit zahlr. (2 doppelseit.) farb. Abb. Farbig illustr. Orig.-Umschlag. Sprache: de.

folio. pp. xv, 712. approximately 550 illus. (more than 400 in colour). index. cloth. dw. First Edition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. 1568 copies produced in hardcover. ; 5 3/4" x 8 1/4"; 198 pages 78145932.

First Edition. Softcover. First Edition. Deluxe Limited Edition, one of 125 copies (this being No. 26) with a SIGNED engraving of a woodcut print by Nieto laid in. Text in Spanish and English. Published in conjunction with an exhibition held in Mexico City, at Galeria del Circulo, in 1976. Very Good plus in perfect-bound wrappers. Partial ring stain on the front wrapper. Signed.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First American edition. INSCRIBED by Octavio Paz on the half-title page. About fine in fine dust jacket. (303pp. ) (6 1/2" X 8 1/2") (Small bump at top edge of front board. ) Color photo insert. Uncommon signed. ; 6 1/2" x 8 1/2"; 303 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First English language edition. Fine in fine dust jacket. ( unpaginated) (7" X 10") From the library of noted poet and translator Nathaniel Tarn. Issued in a small hardcover cache. ; 7" X 10".

Hardcover. Condizione: vg. Limited First edition. 1/6000. Folio (13 1/4 x 12 1/2"). 245, [5]pp. Original crushed morocco with gold lettering to spine and front cover. Marbled endpapers. Frontispiece. Half-title and title page in grey and black lettering. Published to comemorate the centennial of Manuel Álvarez Bravo's birth (1902-2002), Mexico's first principal artistic photographer and the most important figure in 20th century Latin American photography, this Spanish language edition of "One Hundred Years, One Hundred Days" is a retrospective look at Alvarez Bravo's long career with 100 striking tritone photographs. A total run of 7,000 unnumbered copies of this edition were published: 6,000 in Spanish and 1,000 in English. Our copy is in a deluxe leather binding. Text in Spanish. Binding and interior in very good condition.

No Binding. Condizione: Very Good. Large single sheet folded in half, exhibition card, loose color repro. laid in.scarce.VV2/0/90.