pedroni marco (38 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

kart. Condizione: Gut. 64 S. : zahlr. Ill., graph. Darst., Kt. ; 23 cm Insgesamt gutes, ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 450.

paperback. Condizione: Very Good. Fast Shipping - Safe and Secure 7 days a week!

Condizione: NEW.

Softcover. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. C-00756 9781470425593 Sprache: Englisch Gewicht in Gramm: 150.

Brossura. Condizione: ottimo. senza sovraccoperta. prima edizione. Formato in 16°;141 pagine. Brosssura editoriale figurata con sovraccoperta in acetato trasparente. Bella Guida a colori.

Brossura. Condizione: ottimo. senza sovraccoperta. prima edizione. Formato in 16°; 241 pagine. Brossura editoriale figurata. Interno fresco. Con illusatrazioni in nero e tavole a colori fuori testo.

in-8° piccolo pp. 105 con cartine a due colori n.t. Bross. edit. figur. a colori.

in-8° piccolo pp. 189 con numerose cartine a 2 colori n.t. Bross. edit. figur. a colori.

Condizione: Buone. italiano Condizioni dell'esterno: macchiata Condizioni dell'interno: leggermente ingiallite.

Condizione: NEW.

paperback. Condizione: Very Good. Brossura editoriale con alette di pp. 94, illustrazioni a colori nel testo. Cultura, ricette e tradizioni legate ad uno dei primi piatti più amati. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY. Book.

Condizione: NEW.

Condizione: new.

LEGATURA EDITORIALE. Condizione: NUOVO. pp. 174, cm. 13,5 x 21.

Condizione: NEW.

Brossura. Condizione: buono. prima edizione. Pagine: 248 Peso: 750 Misure: 20x15,5cm.

Softcover, 22 cm. Condizione: Sehr gut. 464 pp., 10 b/w ill., 16 coloured ill., 15 b/w tables, 3 coloured tables. A perfect copy. - Summary: Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity. The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century? - Table of Contents: New frontiers of the fashion imaginary (Emanuela Mora / Marco Pedroni) -- Part 1: Fashion and the media -- Fashion fandom and TV quality drama: From poaching to everyday identity performance through Pinterest (Romana Andò) -- Dressed in politics: The use of costumes in Game of Thrones (Luisa Valeriani) -- Second life community and global citizenship: A fashion tale of a virtual empire (Phylis Johnson) -- Is the golden era of fashion blogs over? An analysis of the Italian and Spanish fields of fashion blogging (Marco Pedroni / Teresa Sádaba / Patricia SanMiguel) -- Lady Dior: Brand values in fashion films (Marina Ramos-Serrano / Gema Macías-Muñoz) -- Kaleidoscopes of cloth and canvas: A phenomenological approach to fashion on the cinematic red carpet (Eugenie Maria Theuer) -- Behind-the-scenes: Framing fashion and the limits of the documentary mode (Nick Rees-Roberts) -- Part 2: Fashion in the making -- The re-invention of Made in Italy goods: Italian know-how in product innovation in the work of three Italian women Crafters (Cecilia Winterhalter) -- Emerging Chinese fashion brands: The silent revolution? (Monia Massarini / Rubens Pauluzzo) -- Shifting perspectives on sustainable supply chain management in the fashion business (Marco Ricchetti / Karan Khurana) -- Sustainable consciousness and consumer identity: Legal tools and rules (Valentina Jacometti) -- Part 3: Politics of Fashion -- On fashion and illusions: Designing interpassive Indianness for India's rich (Tereza Kuldova) -- Human rights in fashion creations, production and branding: A genuine policy or a marketing strategy? (Lígia Carvalho Abreu) -- Protecting the dignity of women in fashion advertisement: The new legal initiatives in a comparative law perspective (Barbara Pozzo) -- Performing authenticity through fashion: Sartorial contestations of Hindu-Guyanese Indianness and the creation of the Indian 'other' (Sinah Theres Kloß) -- Brazilian fashion: Dichotomies and perspectives of resistance (Cristiana Katagiri / Virginia Abreu Borges) -- Part 4: Fashion languages -- Fashion, journalism and linguistic design: A case study of the wedding dresses (Maria Catricalà) -- Is Vogue like Vogue all around the world? A comparison of Facebook posts of Vogue France, Italy, Netherlands, Portugal, and United Kingdom (Manuela Caniato) -- Television clothing commercials for tweens in transition: A comparative analysis in Italy and Spain (Gevisa La Rocca / Maddalena Fedele) -- Tattooing, body and beauty (Alessandra Castellani). ISBN 9783034327879 Sprache: Englisch Gewicht in Gramm: 635.

Condizione: NEW.

LEGATURA EDITORIALE. Condizione: NUOVO. pp. 185, 13 x 21 cm.

XI, 174 p., [10] c. di tav., 21 cm, bross.

Condizione: New. In.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century?

Taschenbuch. Condizione: Neu. Neuware -Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century Books on Demand GmbH, Überseering 33, 22297 Hamburg 464 pp. Englisch.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century.

Paperback. Condizione: New. Since its beginnings in the middle of the 19th century, fashion has been narrated through multiple media, both visual and verbal, and for such different purposes as marketing and advertising, art, costume history, social research and cultural dissemination. In this light, fashion has represented an important piece of material culture in modern industrial urban societies and in postcolonial and non-western contexts. Today, we are witnessing a turn in this imaginary as issues related to social, environmental and cultural sustainability come to predominate in many areas of human activity.The book addresses this challenge. By facilitating encounters between disciplines and cultures, it explores a multitude of fashion issues, practices and views that feed the contemporary fashion imaginary: local cultures, linguistic codes, TV series, movies, magazines, ads, blogs, bodily practices. The book deals with a paramount issue for fashion studies: how do the production and circulation of fashion imaginary come about in the 21st century?