Pedrosa adriano org (3 risultati)
Lingua: Inglese
Editore: Museu de Arte de São Paulo (MASP), São Paulo, 2026
- Rilegato
Da: Beverly Karno Books, llc, Valley Center, CA, U.S.A.Beverly Karno Books, llc
Contatta il venditoreVenditore con 3 stelleCondizione: Usato
EUR 47,27
EUR 8,79 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
b/w and color plates, facs., bibliographical references (p.183), cat., pict. endpapers, color pict. boards. Artist, Lia D Castro (Martinópolis, São Paulo, 1978) investigates how relations of race, class, gender and sexuality occur in situations of intimacy and vulnerability. It is impossible to reflect on the work of artist and…intellectual Lia D Castro (Martinópolis, São Paulo, 1978) without talking about encounters, contrasts, frictions and transformations. Starting July 5, visitors can view the exhibition Lia D Castro: Everywhere and Nowhere, at MASP. The artist's first solo show in a museum brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation. The title of the exhibition stems from the historical absence of minority groups in positions of power and decision-makingnowherewhile their presence and workforce make up the foundations that sustain societyeverywhere. Curated by Isabella Rjeille, curator, MASP, and Glaucea Helena de Britto, assistant curator, MASP, the show features the artist's entire body of work. ENGLISH AND PORTUGUESE TEXTS.
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Lingua: Portoghese
Editore: Museu de Arte de São Paulo, MASP, São Paulo, 2020
- Brossura
Da: Beverly Karno Books, llc, Valley Center, CA, U.S.A.Beverly Karno Books, llc
Contatta il venditoreVenditore con 3 stelleCondizione: Usato
EUR 57,76
EUR 8,79 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
b/w and color plates, ports., color pict. fldg. wrps. Anna Bella Geiger (Rio de Janeiro, 1933) is a pioneering artist in the Brazilian scene, with a truly innovative and experimental work that intercrosses dimensions and symbolisms of various orders: political and personal, corporal and conceptual, formal and aesthetic. Geiger w…as one of the first artists to engage in abstract art in Brazil, participating in the historic and inaugural exhibition of Brazilian abstract art held at the Quitandinha Hotel, in Petrópolis (RJ), in 1953. Since the 1970s she has also worked with video, conceptual art and mail art. Organized by MASP in partnership with Sesc São Paulo, this show borrows its title from one of Geiger's most emblematic works, Native Brazil/Alien Brazil (1976/1977), which serves as a starting point and common thread for the exhibition. In this series, the artist appropriates postcards that represent in an idealized way the daily life of the Bororo, an indigenous people of the state of Mato Grosso. These images are seen to be very perverse when considered in the context of 1970s Brazil, when the indigenous peoples were suffering from the violence of the military dictatorship's policies. For each postcard, the artist developed rereadings based on portraits of herself and her family, made on the veranda of her house. In this work, as in various others, Geiger questions the hegemonic narratives, Brazil's colonial past and the country's social reality, articulating politics, self-representation, irony and fiction, often based on an autobiographical perspective. The show features 190 artworks, produced in the period spanning from the 1950s to today, in different formats, media and languages, providing an overview of the extraordinary scope of Geiger's work. The exhibition thus includes informal abstraction, the artist's interest in the interior of the human body, self-portrait, maps, geographies, landscapes and equations, as well as criticism of art systems and analyses of political and historical issues of Brazil. At MASP, Geiger's artistic path is presented in seven sections: Self-Portraits (19512003), Viscera (19651969), Maps and Geographies (19722018), About Art (19732018), Notebooks (19741977), History of Brazil (19752015), and Soft and Nocturnal (19841986). At Sesc Avenida Paulista, three of Geiger's historical installations are being shown especially for this exhibition Circumambulatio (1972); Soft Table, Frieze and Video (16th Bienal de São Paulo, 1981), and Undifferentiated (2001) along with the three videos Passages 1 (1974), Passages 2 (1974) and Wireless Phone (1976). CURADORIA Adriano Pedrosa, Artistic Director, MASP; Tomás Toledo, Chief Curator, MASP. ENGLISH EDITION.
- Altre immagini
- Rilegato
Da: Livraria Ingá, Niterói, RJ, BrasileLivraria Ingá
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 65,19
EUR 25,49 spedizioneSpedito da Brasile a U.S.A.Quantità: 1 disponibili
Hardcover. Hélio Oiticica é um dos artistas mais radicais do século 20 no panorama da arte brasileira e internacional. Ricamente ilustrado, esta é atualmente a mais ampla publicação sobre o artista e acompanha uma grande exposição organizada pelo Museu de Arte de São Paulo Assis Chateaubriand (MASP) em parceria com o Museu de Ar…te Moderna do Rio de Janeiro.
