Lingua: Inglese
Editore: Neue Galerie New York, New York, NY, USA, 2003
ISBN 10: 1931794081 ISBN 13: 9781931794084
Da: Olmstead Books, Port Dover, ON, Canada
Prima edizione
EUR 35,22
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Large hardcover, gilt lettering to the spine, catalogue with illustrations of the exhibition, no marks with 259 pages. The dust jacket has no tears, is bright and is in a Brodart cover.
Lingua: Inglese
Editore: Neue Galerie (Museum for German and Austrain Art),, NY:, 2003
ISBN 10: 1931794081 ISBN 13: 9781931794084
Da: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Prima edizione
Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Color and black and white plates throughout. First edition thus. As new in like dust jacket. Still in original shrinkwrap.
Condizione: GOOD. 1990 Periodical. "How we value art" X-library copy w/light signage, & light cover/edgewear to wraps. Clean. Collectible.
Lingua: Inglese
Editore: W. W. Norton & Company, Inc., New York and London, 2003
ISBN 10: 039332477X ISBN 13: 9780393324778
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Cloth, 259 pages, illustrations (some colour); 30 cm. Published in conjunction with an exhibition at the Neue Galerie New York, March 14 to June 9, 2003. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The first collection in English to give a full accounting of Schad's peculiar genius. The 1920s German art movement 'New Objectivity' (Neue Sachlichkeit) created a stark and indelible portrait of German society. Along with Max Beckmann, Otto Dix, and George Grosz, artist Christian Schad is central to any appreciation of this fascinating period in both art and history. Schad is a contradictory character. For all his icy-cool realism, Schad's mesmerizing paintings are characterized by an intense engagement with his models. While he is best known as a realist, he is also credited by the Dadaists as the inventor of abstract photograms, or 'Schadographs.' Published in conjunction with an exhbition at the Neue Galerie in New York, Christian Schad and the Neue Sachlichkeit includes over 140 full-color reproductions of Schad's paintings, drawings, woodcuts and 'Schadographs.'" - Publisher. *** CONTENTS: Christian Schad: reality and illusion, by Jill Lloyd; "A voluntary international madman": Christian Schad and the avant-garde, 1915-20, by Olaf Peters; Christian Schad's "magic realism": the formative years and maturity of the artist: Rome/Naples 1923-25; Vienna 1925-28, by Nikolaus Schad; Christian Schad: portraits of the 1920s, by Michael Peppiatt; Christian Schad's drawings, by Matthias Eberle; Of talent, ambivalence, and the worst of times: Christian Schad and the neue Sachlichkeit, by Robert Storr; Gaspard de la nuit: Christian Schad's schadographs 1962-77, by Ingrid Jenderko-Sichelschmidt; Woodcuts, posters, schadographs; Paintings; Drawings, late schadographs; Picture captions, by Christian Schad. Size: 4to.
Da: Ursus Books, Ltd., New York, NY, U.S.A.
Lloyd, Jill and Michael Peppiatt (editors). CHRISTIAN SCHAD and the Neue Sachlichkeit. 260 pp., hundreds of color and b&w illustrations. 4to, cloth. New York and London, W.W. Norton & Company in association with New York, Neue Galerie, 2003.
Hardcover. Condizione: New.